The Engagement Ring 2

The film’s protagonist, Karamat, differs from many others in that he feels as if he is traveling the Silk Road through the ups and downs of life. In his own words, he claims to have “great respect.” True, his debts are greater than his honor — he has quite a lot of them. Although he always wants to live with honesty, he eventually faces injustice. If Karamat is truly Karamat, this cannot go on! At one moment, he makes a firm decision to change everything in his favor, fueled by the desire to turn his fate around — and that’s where it all begins.

The film is based on an ordinary everyday story: Mayilla and Gandab have been engaged for a year. When Gandab returns from studying in Baku, he demands his parents return his engagement ring. As the events unfold, it turns out that Gandab met a young man named Fagan in Baku and they fall in love. Fagan also comes to the village after his lover, and from then on, things get even more complicated...

Aghanatig, along with his friends Bakhtiyar, Bahruz, and Akif, travel to Moscow. This is where the friends' adventure begins, as they meet Nariman on the plane.

The film tells the story of a dispute between two neighbors over a pumpkin. However, neither the villagers, nor the police, nor other officials are able to resolve this dispute.

The block's residents get a message from Tofig who has been hiding in Moscow saying that he is in trouble. They leave for Moscow to rescue him.

At the wedding day the beautiful bride Marusya is left alone by her fiancé. She decides to find him by any cost with her friends and they travel to motherland of the groom – Azerbaijan – where they get into the greatest adventure they ever experienced.

The main storyline is built around a one-hundred-manat banknote. As the banknote passes from hand to hand, it continually changes owners, but in the end, in an unexpected twist, it belongs to no one. Those who come into possession of it represent different social classes and professions—among them a traffic police officer, a singer, a fortune-teller, a mullah, and others. Thus, the 100-manat note changes hands in various ways… and all these exchanges are accompanied by comic events.

The postman delivers a package with a dragon's head to Kazim who watches Alfred Hitchcock's films, to Zahra who reads fortunes with a computer, to Gariba who makes toys, to director Jahangir, to police chief Seifullah, and calls each of them to come to the address mentioned in the letter with the dragon's head. Those who arrive at the address called along with the dragon's head realize that the "postman", is actually their relative, who has gathered together guests who have not seen each other for a long time.

The film follows the news of the illness of the institute's department head, Professor Abdulla, spreading throughout the institute with lightning speed. Shamil, who hears from Dr. Mamish that his condition is absolutely critical, begins to prepare an obituary for Professor Abdulla, and even appeals to other officials to have himself appointed to his position.

The main characters – Mike Kovalski, a young American of Azerbaijani descent and a young business woman Aydan Bagirzade face a number of similar situations. They meet by accident and their meeting is full of surprises.

One of the main characters, a professional fraudster, Nasrulla Sheykhov cannot be satisfied with the petty frauds he commits in the city. Greed for money makes him do even worse things. Going to a village, he promises to solve the social problems of the people there, so that later he can implement his cunning idea. After seeing the improvement in the village, all of Nasrullah's plans are in vain. Despite this, the fraudster does not stand still and resorts to an even more disgusting trick. That's where the real adventure begins...

In the film-play, events get tangled as a result of the lovers' miscommunication. Although the dramaturgical contradictions of the work are formed by various attitudes towards folk customs such as engagement and wedding, the play focuses on the contradictions of the characters, not the events.

Garakishi and Minaya love each other. However, Minaya's sister's husband, Adalat, is against their marriage. To find a way out of this and to please Adalat, Garakishi uses a trick and thus achieves his wish.

The life of the protagonist of the film, Farid, changes completely after what happened in a mountain village, where a pedestrian escaped from the responsibility, which he thought was dead.

Nepotistic Gafar again takes action and investigates and learns that another relative, a man named Feyzulla, lives in the United States. Feyzulla writes a reply letter to Gafar, informing him that he will soon come to Baku. Gafar again gathers his old relatives together and opens the matter. At the same time, things get a little complicated when containers belonging to an American named Mr. Feyz arrive in Baku. Maybe Mr. Feyz is Feyzulla himself?...

Being unable to shoot a film about Azerbaijani wedding customs, hopeless director decide to make a film about real wedding event. Though the stubborn father of bride resists approval the plan.

Due to the difficult financial situation in the circus, magician Zaman is demoted to a part-time role, while his beautiful assistant Atlaz is laid off. To show the circus director the difficulty of being a part-timer for a day, Zaman uses a magic trick to "divide" him in two.

Minister Izzat Nafisli's son is called to the war. Izzat finds a "solution" to this from the documentaries he watched - but the real problems start after that.

Moshu’s family and their neighbours go to a seaside motel to spend their summer vacation. Things get awkward after Sara loses her engagement ring.

The film consists of several novels reproducing the most vivid pages of the biography of the first Chairman of the Council of People's Commissars of Azerbaijan Nariman Narimanov (1870-1925).

Young inspector investigates a murder in small town.

The tragic fate of Sarikoynak and Valeh, who have loved each other since childhood and got married. However, their love for each other overcomes every difficulty and no force can prevent their happiness.

During the late 1980s and early 1990s the Armenian minority in Nagorono-Karabakh attempted to break away from Azerbaijan, one of the former Soviet republics. Overnight these former neighbors became enemies, and simple village folk were suddenly made hostages in a complex power game. One of the Azerbaijani villages right on the border is home to the family of the peasant farmer Kerim, who has just been captured by the Armenians. The village council decides to take an Armenian in order to arrange a hostage exchange. They imprison the wounded man in the barn next to Kerim's house, where his wife and three children desperately await the husband's return. The captive from the other side of the border finds himself in exactly the same situation - he, too, has three children, he finds it hard to scrape a living together, he has never done anything to harm anyone and, like Kerim, he just wants to go back home. But life in Karabakh is far more complex now. Blood calls for blood.

The talented teacher Shams arrives in a remote mountain village. He manages not only to establish a normal educational process at the school, but also to have a tremendous moral influence on the students.

The film is about an oilman who took a lost worker's place and won the respect of other oilmen, was also based on this same ideology, depicting the heroism of oil workers, who never became exhausted and continued working in oil, generation after generation.

Qurbat is a simple-minded man. His wife, Sitamkhanim, is a money-loving woman. They move into a new apartment. However, unknown people begin to bring gifts to an unknown person with the surname Azizov, a former resident of this apartment. Although Sitamkhanim is happy about this situation, Qurbat begins to worry about this forbidden wealth. And as a result, this forbidden wealth brings Qurbat's family to the danger of disintegration.

After the novelette of the same name of Anar. The film is about an actor's life and work.

Elchin's appointment as the deputy director of the institute causes events to be controlled mechanically and by invisible forces, presenting the character of Vasif, who was mentioned only in name in the first part, in a new context. Returning to the institute, Elchin meets Gulnar again, and rumors are intertwined again.