The Emissaries of Khalom

Laura works as a newscaster and José Maria as a stockbroker, and while they live in the same housing complex, their lives never cross directly. Nevertheless, he watches her from a distance, seeing all her movements without her knowledge. But their lives finally meet when he is invited onto her news program. From there, a romance begins which coincides with the desire of two beings who finally find a reason to seek love once again.

1917, a beautiful apparition of Our Lady forever alters the lives of three children: Lucinda, Jacita and Francisco who lived in Villa Fatima in Portugal.

The mysteriously familiar face of a deceased young woman shakes young surgeon Fabian out of his lethargy. On a whim, he leaves Berlin for Portugal, determined to win back his former girlfriend Doro, who works at an architectural company in Lisbon.

Guinea-Bissau: Portuguese Colony, year: 1973. An Ex-military returns to his hometown. Bringing back with him a vague sense of guilt due to the killing of two men (a soldier and a native) by his sounding of the alarm during one given night.

In the gardens of a large village house belonging to a reclusive architect, a hand is found. In a sign placed at the gates of the property, the architect annouces he will return it to whoever proves to be the owner.

Dina (Maria Santiago) is a teenager brought up by her grandmother, employed as a housekeeper for a fairly well-off family. Since Dina only has her grandmother, she spends her time fantasizing about her life and reading comic-book love stories -- activities that do nothing to improve her dim perspective of reality. Due to these handicaps and her own inexperience, she gets involved with Django (Luis Lucas), a shady character who decides to use her as bait to attract men and then rob them. One day when both are in a taxi with robbery in mind, the driver gets suspicious so Django shoots him, and so does Dina. She escapes and runs away -- though it seems like she has learned too little too late. This story unfolds against a time of upheaval in Portugal (mid-1970s) when the military government is formulating a constitution and social changes are happening everywhere.

Amo-te Teresa tells the forbidden love story of Teresa and Miguel, aged 35 and 15, respectively. Teresa is a doctor and, after a frustrated love life, she decides to abandon Lisbon and returns to her native land. Immediately, a strong attraction forms between Teresa and Miguel, a friend of her oldest son.

Julião is a young farm worker who, one day, contracts leprosy. Overnight, the good mountaineers that were so friendly with him refuse to see him again, and he must be by himself in the far woods. Bathing in olive oil, as suggested by an old woman, proves ineffective. Now, he becomes violent, expressing his anguish against those who expelled him from the village. Production date is 1975. Had its first major public release in 2009, at MotelX, Lisbon's International Horror Film Festival in the section "Lost Room". The movie was suggested to the MotelX production by the portuguese director António Macedo who knew about the existence of this and other portuguese movies about popular legends and myths of the portuguese imaginary. The movie was archived and conserved by the portuguese Cinematheque.

Maria de Noronha, at 13 years old, suffers from high fevers and violent hemoptysis caused by a ruthless tuberculosis. To alleviate the pain, she gathers poppies from her garden and, at night, places them on her bed pillows. But the poppies have a devastating effect. Her deep sleep is invaded by ghosts and hallucinations: the luxury and decadence of the Portuguese 16th century. A broken nation, occupied by strangers.

Artur is an actor in decline preparing for an audition that will determine his career. Throughout the process, he finds an escape in his fleeting relationships on Tinder.

José Pereira, a young medical graduate, meets a young and ardent Maria Eugénia. The time is the eve of the Portuguese Revolution, on 24th April 1974 and only a short time elapses between courtship and marriage. The young pair are very much in love, but José begins to have doubts about the "honesty" of such intense feelings of love, feelings which are too intense (or hot) to him . If Maria Eugénia is like this with him, will she be the same with other men?In the meantime, the Revolution takes its course. José, who previously had been persecuted because of his opposition against the old regime, now feels "left behind" and frustrated.

This Portuguese movie directed by João Botelho, is part of The Four Elements series. This is the second episode, The Air.

José and Maria, a young, devout couple in a remote Portuguese fishing village, take a vow of chastity on their wedding night to honor a religious pact. Their commitment is pushed to the breaking point when they rescue a mysterious, wounded stranger and bring him into their home. As the outsider’s presence ignites repressed desires and jealousy, the couple's sacred promise leads to a violent confrontation with the local community's superstitions.

At the age of 71, a highly regarded writer, José Cardoso Pires, suffers a major stroke and loses his memory and the ability to relate to the rest of the world. Everybody seems to defy the famous author to write another novel that recounts this adventure telling his "last story", the most conclusive of his career, the one of his accidental journey to the clear shadows territory.

Luís Medeiros, Azorean painter, meets two odd characters in an exhibit in Lisbon: Inês, a charming woman, and Ed, a sneaky man. The two reveal to have with them a precious document that might be threatening to Luís. He brings them back home but his serenity is over due to an unexpected chain of events.

Theatrical dramatization of Island of Loves.

VIEIRARPAD begun with the correspondence between the couple Maria Helena Vieira da Silva and Arpad Szènes, between 1932-1961. The letters and the intimacy of their words are pretext for the exploration of an equally intimate visual journey

A story about two people (Clara and Tó), from different economic backgrounds, who love each other, but whose love is not accepted by everyone, especially by the father of Clara, who will do everything he can to stop their love. Things go even worse when Clara becomes pregnant.

In this mystical comedy, Felicien has traveled to Portugal from France soon after the end of the First World War. It seems that his recently deceased father had invested a lot of money in a factory located in a remote village, and he has come to evaluate that investment. He gets some clues to the real situation in the town when the man driving his coach refuses to go any further and leaves him on a section of road which is practically paved with abandoned crutches. After a short trek, he meets up with the local dignitary who is to show him around, and he meets a priest and an artist. The priest gives a further clue to the events taking place in the village when he indicates that he's completely exasperated with the endless miracles that seem to be taking place. From that point onward, amazing coincidences, visions and miracles take place in great numbers.

There are two months to the end of High School Spanish classes in Lisbon and it's time to decide the destination for the end of year trip. That decision will cause a real "Civil War" between two irreconcilable groups: the "class nerd", who propose the typical cultural trip to Paris, and "freeloaders" who prefer to enjoy the week in Benidorm, the "New York's Costa Blanca ".

A young couple, unable to make love after being repelled on several occasions (like in a dubious inn), buys a bed and carries it for miles, until they reach a beach - where, exhausted, they end up falling asleep.

He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?

A play directed by Silvina Pereira and filmed by Paulo Rocha.