The Elephant and The Bicycle

Ernesto Guevara, known as 'Che', leads a group of Cuban exiles under Fidel Castro in a revolution to overthrow Fulgencio Batista, the dictator of Cuba.

A lesbian, an aspiring actor, an aspiring singer, a low-class marriage, a neighborhood community and 2 renowned directors have memorable less-than-24-hour-long experiences while living in/visiting the capital of Cuba.

Carla, a young postal worker in Havana, spends her days postmarking thousands of letters and dreaming of the day when she can be reunited with her parents, who moved to Miami when she was fifteen. To fulfill her longing for intimacy, she opens random letters and rewrites them into lyrical prose, believing she is helping her fellow Cubans understand one another better. Beautifully filmed in black and white accented by brilliant colours, Nada+ has a stunning visual composition. With its delightful mix of visual humour, theatrical characters, satire and a lighthearted love story, it has a distinctly Cuban flair.

When Spanish record producers express interest in Cuban musicians Ruy and Tito, the longtime friends are faced with the prospect of leaving their loved ones behind. After years of hoping and dreaming, they've finally earned the opportunity to bring their music to the rest of the world. But are the emotional trade-offs worth it in the end?

The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),

It's the late 1980s in Cuba, and in an isolated ranch in a small town near Santa Clara, lives Vilma, a young nurse who dreams of a better place to raise her upcoming baby, along with her disabled husband Ivan. However, neither her skills as a nurse nor as a shooter will free Vilma from her harsh reality until a natural phenomena sweeps her away and Vilma wakes up in a place where it seems her dream will come true.

After a tragic incident in which he kills his abusive stepfather, Elvis is sent to prison and separated from his childhood sweetheart, Yuli. Once released he is dragged into the sordid world of prostitution in Cuba and faces a critical decision: fight to win back Yuli's love or flee to the United States and start a new life.

While Havana is full of zombies hungry for human flesh, official media reported that the disturbances are caused by dissidents paid by the United States. Panic seizes all until Juan comes to the rescue: he discovers he can kill the undead destroying his brain, and decides to start a small business under the slogan "We kill your loved ones."

Gustavo idolizes his older brother Paco and his punk, "Frikis" bandmates. When word reaches the Frikis of a potential reprieve from the effects of the economic crisis, they do the now unthinkable: deliberately inject themselves with HIV to live at a government-run treatment home. It's there that they create their own utopia to live and play music freely.

In a tenement in a poor Havana neighborhood, four men are playing a game of dominoes: Rodríguez and Nicanor versus Sangremono and Pepe “the Victim.” Once the game has begun, Rodríguez suddenly mentions that he has heard some astonishing news that concerns the future of the country and every one of its inhabitants…

It's an open wound. With Estrés, Marilyn Solaya doesn't seek to tell stories: she exposes them, shakes them up, leaves them unanesthetized. In six intertwined stories, the director turns everyday life into an emotional battlefield, where poverty, love, illness, and dignity clash relentlessly.

A Russian Literature professor at the University of Havana is ordered to work as a translator for child victims of the Chernobyl nuclear disaster when they are sent to Cuba for medical treatment. Based on a true story.

Cuba, 1961. A young teacher arrives with the intention of teaching a peasant family to read and write…

Nicanor, his wife, and his in-laws watch Cuban television. In a single twenty-minute shot, the differences surface between Nicanor, who supports the Revolution, and his father-in-law Damián Rodríguez, a former Batista supporter. The two women try in vain to mediate, and the conflict seems irreconcilable. However, they have no choice but to make up with each other every night.

The architecture student Estela (Silvia Aguila) makes a suicide attempt after her plans for solving Havana's housing shortage are rejected. This brings her into contact with earthy, cynical hospital nurse Ernesto (Jorge Perugorria). Estela invites him home for dinner, and he succeeds in offending everyone present. Unable to find a quiet spot to be alone, they finally find a squatters' tenement, where their sexual frenzy causes a ceiling to collapse. They next try vertical love in a stalled elevator, trapping people in the modern building minus stairs. Fleeing responsibilities, they stage a romantic rendezvous alongside a country river, but once again they are interrupted as Cuban commissars arrive with papers and forms because the couple constructs a hut beneath a bridge. Amid the misadventures, lust turns to love

Three characters in present-day Havana must choose between clinging to their self-restricting beliefs, or getting rid of them to live more freely. Ballerina Mariana has promised God celibacy if she gets the role of "Giselle"; Social-worker Julia always faints after hearing a certain word; and pot-smoking percussionist Elpidio was abandoned by his mother, coincidentally named Cuba, some time ago and has not yet gotten over the loss.

Revolves around a love triangle that later evolves into a love square involving three Cubans and a Soviet soldier. Set in a fictitious rural village near a Soviet military base in central Cuba, their amorous adventures, or misadventures, unravel against the backdrop of the 1962 Cuban missile crisis.

The story of Cecilia is a story of the society that dominated 19th-century Cuba, a society divided between whites, blacks, and those who were mixed, the mulattos. (Since the Spanish conquistadors killed off the Indian population in Cuba not long after they took over the island, there are no mestizos, or those of mixed-Indian blood in Cuba as in other Caribbean nations.) At any rate, the drama about the life and loves of Cecilia (Daisy Granados) takes place against the backdrop of graphically violent mistreatment of slaves and the rumors of a slave rebellion after the Cubans hear of slaves turning against their captors in Haiti.

Set in the early 1900s, this film charts the rule of a Latin American dictator as he moves from being a charming despot to a tyrannical ruler before he is finally ousted, only to die in obscurity in Paris. Early in his regime, the resources and agricultural products his country sells command high prices, and he is a reasonably confident, even gentle, ruler who likes to take long vacations with his daughter in Paris. After World War I, with falling prices and a number of coup attempts behind him, his rule becomes quite cruel.

Ricki travels to Cuba after many years to meet his girlfriend Beatriz, but she has changed a lot; Claudia, in a desperate search for money to buy a house, tries to scam a drug dealer; and Celina, a necrophiliac prepares to spend a weekend with a corpse.. Three dark love stories that, thanks to various unforeseen events, will intertwine until they become the revelation of the plot of a film that at the end of the story illuminates the drug dealer.

Under the threat of a hurricane pending over the city, Lubrini is looking for his lover, who disappeared in the streets of Havana.

The acquisition of a refrigerator is the excuse to expose the happiness and problems of a classic Cuban family in the 50's.

A superstitious middle-aged woman falls in love with a taxi driver, while trying to learn the identity of the unseen person tossing eggs at her.

In 1672 Cuban revolutionaries launch an uprising against the Spanish who are occupying the country. Preserved by the Academy Film Archive in 2017.

A biting satire about life in contemporary Cuba. Alicia, a young drama instructor, is sent to the small town of Maravillas de Noveras, which is itself an exaggerated, but very ingenious reflection of the real Cuba. Her adventures there are almost as surreal as the ones experienced by Lewis Carroll's character, reflecting patterns of indoctrination, coercion, absolutism, and many other everyday problems in Cuban society.

Cuban peasants wield machetes in a violent uprising against Spanish authorities in the late 19th century.

The story of Iluminada, a woman who, having studied to be a literature teacher, ends up working as an usher in an iconic cinema in Havana.

An American lesbian in Cuba explores gender through dance and film, blending personal experiences and cultural symbols with music and Revolutionary cinema and questions how lesbians fit into Cuban cinema.

Documentary in four parts on Latin American cinema. Fourth episode: in Cuba, the ICAIC, created in the aftermath of the Castro revolution, is at once a film school, a production company and a state cultural branch. Cuban filmmakers testify to the situation and themes specific to their national cinema.

Santiago de Cuba, 1956. Pablo, a young mulatto with a deep poetic sensibility, studies at the university. He loves María, who, despite her parents' wealthy position, is not accepted in high society because of the color of her skin.

A poetic journey about the life and work of Puerto Rican poet Julia de Burgos.

Set in Cuba in early 1959, although the historical context is deliberately avoided in its epic backdrop, the story follows the persecution of a poor guy who owes a few pesos to a loan shark and a thug who swear to get even with him, not so much because of the unpaid debt as because they don't want to set a precedent. The man's name is Miguel, and he seems to care as much as Santiago Nasar that the killers are hot on his heels with their half-tone shoes. On the day of his "double crime" (the story recreates those 24 hours), he has a couple of drinks in a bar, argues with his ex-lover, has sex with a young prostitute, puts up with a scolding from his friend Pedro for being negligent, walks, urinates, goes to bed...