The Earth Gets Hotter

After poisoning his wife, local gangster Bisman blames her death on the village cleric and instigates an outraged mob to burn down his hut, killing him in the process. The cleric’s wife Katemi escapes into the jungle, eventually meeting Nyi Angker, a half-crocodile half-witch who gives Katemi diabolical powers, thus allowing her to commence a bloody revenge.

Ismail leaves his wife, Sutrisni, in Bekasi, in order to look for a job in Jakarta. Although his brother, Iskandar, persuades him to do illegal work with him, Ismail refuses. Since Iskandar does not deliver the money Ismail is sending to his wife, Sutrisni goes to the city to find her husband. But Sutrisni does not find him and marries Wongso. Finally, Ismail finds her again to solve the complicated chain of events.

It tells the story of an Indonesian revolutionary who falls in love with one of his Dutch prisoners.

A newly-married woman and former prostitute whose husband, a ship's captain, has gone to sea, is pressured into returning to her old profession. When she refuses, she is violently gang-raped and left pregnant and despondent. She kills herself while attempting to abort the fetus but returns as a vengeful Sundel Bolong, a ghost with a putrid, rotting hole in her back. When the rapists and conspirers start turning up dead, her husband and the police try to put a stop to the violence, once and for all.

A wealthy man marries twice. His jealous second wife murders the first and gets away with it and then plots, along with her daughter, to do away with the stepdaughter.

Widowed lighthouse keeper Maria (Suzanna) and her daughter Kiki (Nur Afni Octavia) live on a small island in the grip of Karto (Parto Tegal).

Office clerk Mamad breaks his ethics and steals a pack of paper from his office while preparing for his seventh child’s birth. Haunted by guilt, an opportunity to confess seems to always elude him.

After the accidental drowning death of their son, a military truck driver begins to doubt the faithfulness of his wife.

After the revolutionary war, Leman is asked by Barjo to join him in collecting donations from businessmen. Some donate while others do not. But Leman gets into a fight with one particular man who refuses to donate and kills him.

A nurse begins working at a retirement home and soon after the residents start turning up dead.

Ati's teacher who lives with her mother is a music teacher. One day she hears the sound of a flute coming from a village. Then she gets to know Irwan, the heartbroken flute player. Then love is established. However, Irwan's boss who sees Ati's talent takes her to Jakarta. Misunderstandings due to jealousy occur until finally Ati finds out that the man is her biological father.

Iskandar is a talented clarinet player who trains under an old musician named Sobari. He also has moral support from his girlfriend. But when he becomes successful, he forgets about Sobari, his friends and his girlfriend. Only when his career crumbles does Iskandar remember again his girlfriend and friends.

Legendary directors Wim Umboh and Sjumandjaja, decided to experiment by producing a script being written at the same time of the shooting. Mama is a complex story with two seemingly unrelated narrative threads. The first story revolves around Sanca and Anani. The second is about Ulli and Pandji, and in between the two stories is a third narrative, about Ulla, a religious prostitute and Ulli’s sister, and Suwaka.

The colonial court sentenced Tohir harshly on 22 September 1938. The sentence is made harsher because the prosecutor, Hasan, discriminates more on Tohir’s lineage than his crime. But in fact, Tohir commits his crime out of necessity as his wife is pregnant and about to give birth. He is sentenced to hard labor in exile so when he finds out that his wife and child are dead, Tohir escapes and kidnaps Hasan’s son, Husin. He raises the son in a life of crime, but lives like a respectable man. Husin also lives a double life. He is loved by an innocent girl in the village, but in other places, he plays around with women. In his old age, Tohir becomes a drunk and then he finds out that the government has awarded Hasan for his services. He uses Husin, nicknamed Boy, to avenge himself by sending him to rob Hasan’s house. Husin fails and is sent to trial. There, while drunk, Tohir reveals who Husin really is. Hasan and his wife then welcome Husin back.

A woman is seduced by and cast aside by a fickle lover. When the lover marries another woman who starts hallucinating during their wedding, she is accused of being a witch and thrown to her death over a cliff. A strange man rescues her, nurses her back to health, and is told that she must master black magic in order to exact vengeance on her tormentors. She casts a variety of spells over the populace--with the male population as her favorite target, and becomes the queen of black magic. But who, exactly, is the man, and does he have other plans?

The biography of the Indonesian women's emancipatist, R.A. Kartini, based on her letters.

This first Indonesian international award winning film is about a story about a woman with her unhappy life who seeks for something.

Supinah, a prostitute, is picked up by a kindly rich man, Budi. They fall in love and she recounts how she, as a naive willage woman, was lured into prostitution when she came to Jakarta in search of her husband, who in turns out remarried. Budi wants her to quit her job but her vicious pimp has other ideas.

A white alligator lives in a big river in a village. It drags Kadir’s daughter, Juleha, and drowns her. Thanks to Komar the alligator tamer, Juleha is found alive. Apparently, the alligator is an incarnation of Jafar, a friend of Komar. (filmindonesia.or.id)

Agus moved out of his huge house because his father, Raden Mas Sudewo, intended to marry Rahayu after his wife's death.

A wealthy businessman gains his fortune through Nyi Blorong, sacrificing his wife and child in return, and later offers his daughter's boyfriend to satisfy her demand for more. His daughter, learning the truth in a dream, seeks help from a cleric to destroy Nyi Blorong.

Indonesian genre actress Suzzanna headlines this Sisworo Gautama Putra directed vengeful ghost yarn that has a shroud clad female spirit who is summoned to pursue after a group of thuggish thieves who kill the parents and grandmother of a young boy after they get into a martial arts brawl with the father.

Gina, Rano’s mother, made a pact with the devil to have more wealth for her family, on condition that she has to sacrifice lives. When she fails to meet the condition on one occasion, the devil kills her family, leaving just her son, Rano. Years after, Rano and his friends, Dicky, Ocha, and Popi, decide to study in a university in Bandung. They agree to live together in a rented house that was actually Rano’s old family home. At the house, an ambulance is parked that is rumored to be haunted. Then they start to experience strange and horrifying incidents, especially since the ambulance keeps claiming victims. Finally, the secret of Rano’s family is revealed by Widya, his grandmother. Rano is sad and disappointed, especially as his friends also became victims. Rano intends to break the curse but then unexpectedly, Fiona, his ex-girlfriend, comes to visit. Rano, who loves Popi, now has to decide which of the two girls, he must sacrifice.

It tells about the love story between Romi and Juli, which is opposed by Juli's parents due to Romi's upbringing in the overseas. Romi's father is a diplomat. But Juli's father refusal dampens down when the doctor tells him that Juli suffers from leukemia and she would not live long.

After swearing an oath to marry the one who picks up her weaving stick, Dayang Sumba embarks on an unexpected romance with a royal staff member.

Set in the era of Dutch colonialism, Landlord Kedawung is devastated by his first wife’s death. But apparently, her death is something that the second wife, Zubaedah, has been waiting for.

The story of two sisters, one evil, one good. The evil sister will go to any lengths to inherit the family wealth