The Domestic Hearth

A young count rents a villa near Rome to be near a woman he's courting. While there, he strikes up a friendship with a young woman living with a violent husband.

A neglected Baroness falls in love with her oldest son's military officer friend, their adulterous romance leading the two to flee to Algeria.

A Faustian tale about an old woman who makes a pact with Mephisto to regain her youth, but in return she must stay away from love. After making the deal, she meets two brothers who fall in love with her.

The mysterious air pirate Filibus steals from the rich and then retreats to the safety of her airship, which is manned by a staff of mask-wearing lackeys who instantly obey her every command. When an esteemed detective sets out to investigate the thefts, Filibus attempts to frame him as the burglar, while also slipping between male and female disguises to romance the detective's sister.

The magic of the circus stables. Controversies and small private conflicts between the artists, clowns and entertainers.

Cainá is a young peasant who lives in a small village in Sardinia together with her goats and parents. She is a wild and free spirit and unconventional for any small and closed communities dominated by old rules. Cainà yearns to escape from such a closed atmosphere and the isolated island, so, as an old tune says: "Somewhere beyond the sea, somewhere, waiting for me…"; When a boat arrives to the island, she will do her best to flee away from her little oppressing village and experience new adventures in the continent with the help of the boat captain.

In 1921, Titanus released a three-part serial based on a popular Italian novel from the turn of the 20th century: Nobody’s Children by Ruggero Rindi. The tale of lovers thwarted by class differences, of illegitimate children and parental recognition denied was a major success for producer Gustavo Lombardo and leading lady Leda Gys.

Helmed by Giovanni Pastrone, with Segundo de Chomón ably handling the stop-motion animation segment, The War and the Dream of Momi is equal parts patriotic pageantry and eye-popping puppetry.

"Tigre Reale" (1916) was the film that consolidated Frau Menichelli's stardom, a film more than suitable for her performing skills and silent idiosyncrasy that any silent diva would kill to star in… In "Tigre Reale", Frau Menichelli performs the part of Frau Natka, a Russian countess with a troublesome past and an uncertain future. She was married to a revolutionary and the matrimony ended in tragedy. She likes to flirt with men but due to her traumatic sentimental past, she doesn't allow herself attachments. That is until she meets a young diplomat who will help her to make up her mind and exorcize her old sentimental traumas.

Claudio is married to Cesarina, a frivolous and unfaithful woman. After the death of their only son their marriage is cold. While his wife lives her free life, Claudio is dedicated to the development of sophisticated weapons, elaborating the project of a new cannon; but smitten by the virtuous Jew Rebecca he can not surrender to his feelings because his religion prevents him from getting a divorce.

A costume drama from Roman times. Three out of the original six reels survive.

A silent adventure based on the classic novel by Stendhal "The Red and the Black".

Early film adaptation of the New Testament story of Salome and John the Baptist

The story of the sixteenth century Italian noblewoman Beatrice Cenci.

La tempesta in un cranio (Tempest in a Cranium) is an anarchic, quasi-surreal Italian comedy of multiple delights in which the timorous scion of a wealthy family is gaslit by his friends in order to prove that his fears of hereditary insanity are hogwash.

The film is a 35 meters long fragment, the remainder of a strongly decayed print, enough though to let us recognize the diva Pina Menichelli, here happy bride first and then melancholy loner. A sign on the print has allowed to identify it as the film “Gemma di Sant’Eremo”, a title that according to Vittorio Martinelli, reveals the reshaped version of “La colpa”, played two years before by the Italian diva and never distributed for censorship reasons.