It Came from Kuchar is the definitive, feature documentary about the legendary, underground filmmaking twins, the Kuchar brothers. George and Mike Kuchar have inspired two generations of filmmakers, actors, musicians, and artists with their zany, "no budget" films and with their uniquely enchanting spirits.
This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.
The life and times of Baltimore film maker and midnight movie pioneer, John Waters.
This film powerfully documents New York City's gay community's response to the AIDS crisis as they are forced to organize themselves after the government's failure to stem the epidemic. Activists who are interviewed include playwrite Larry Kramer, People With AIDS Coalition co-founder Michael Callen (who died of AIDS in 1994), New York filmmaker and journalist Phil Zwickler, as well as representatives from ACT-UP, Queer Nation and the Gay Men's Health Crisis.
A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.
A documentary portrait of filmmaker George Kuchar conducting a tour of his apartment where he displays memorabilia and his toys which were used for props.
It Came from Kuchar is the definitive, feature documentary about the legendary, underground filmmaking twins, the Kuchar brothers. George and Mike Kuchar have inspired two generations of filmmakers, actors, musicians, and artists with their zany, "no budget" films and with their uniquely enchanting spirits.
Shares 3 cast members · Same director
This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.
Shares 2 cast members · Same director
The life and times of Baltimore film maker and midnight movie pioneer, John Waters.
Shares 2 cast members · Same director
A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.
Shares 2 cast members · Same director
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
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A documentary portrait of filmmaker George Kuchar conducting a tour of his apartment where he displays memorabilia and his toys which were used for props.
Shares 3 cast members · Same director
Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.
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A detailing of the rise to prominence and global sporting superstardom of six supremely talented young Manchester United football players (David Beckham, Nicky Butt, Ryan Giggs, Paul Scholes, Phil and Gary Neville). The film covers the period 1992-1999, culminating in Manchester United's European Cup triumph.
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The film follows adventurer Jeff Johnson as he retraces the epic 1968 journey of his heroes Yvon Chouinard and Doug Tompkins to Patagonia.
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A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.
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Maurizio Merli takes up a familiar role as Commissioner Berni; a cop who puts his life on the line to transport a witness from Corleone to New York City in order to testify against a mob boss on trial for murder. Along the way, Berni and his prisoner face a series of traps set up by the Mafia.
Don Salvatore Savastano, a boss involved in the smuggling of contraband cigarettes, is forced to watch four masked robbers kill his wife and his only son in a restaurant where he and his family are celebrating the young boy's first Holy Communion. From that moment on Don Salvatore has no other purpose in life but to get his revenge on the four assassins.
A ripe lad embarks on a raw correspondence with his mirrored image, and thus: the dialogue is "fleshed out" to its full potential.
A revolution in Iran halts a heroin shipment, but an alliance of crime families is set on getting it to the US. They decide to run the drug through an unsuspecting network of good-natured, local smugglers in Naples, while an international anti-narcotics agent rushes to shut their operation down. Betrayals and divided loyalties lead to a final, bloody confrontation in America.
After getting fired from his teaching job and dumped by his girlfriend, Jack, a painter, embarks on a soul searching road trip with his dog, Scout. However, bad weather and bumps in the road quickly cause more problems than he can handle. An impulsive decision to take from a bag full of unknown pills leads him on a drug-fueled journey with no destination in sight, and he soon finds himself making both friends and foes along the way.
An angry trollop and a self-doubting college kid collide in his cramped apartment for an episode of claustrophobia and self-analysis.
David is an artist and a pothead. He's fallen in love with the beautiful and sexy Serena, and things are going simply splendidly until poor David's house burns down. Serena doesn't need the bad vibes, so she splits the scene and runs off to New York with rocker and junkie Tommy. Lonely David finally turns to the sweet, sweet comfort of marijuana and his strange menagerie of friends to forget about his lost home and love
Notorious underground all-girl vampXcore band Bloodrape sets out on a reunion tour to destroy everyone's flesh/feelings.
Gigi, an orphan boy adopted by Mario Merola, works as a clerk in a clothing store but cultivates within himself the dream of becoming a famous singer. Gigi is in love with the girlfriend of his employer.
“Washes of water and other liquids soak the imagery...strung together for a rather enigmatic yet definite statement on something. Only the subconscious knows for sure.” --G.K.
Seadrift is based on a story The Shadow Over Innsmouth by H.P. Lovecraft, and was shot partially in Marblehead Mass. Each section represents a synthesis of the various aspects and moods of the story. The sum total of the fragments expresses the atmosphere of the whole.
When the body's "primal" urges feel deprived in a "modern" age, a debate about "sex" and "love" ensues to resolve the question — perhaps even find some solution that will suffice!
There is a garden in the dark hunger of his psyche where forbidden fruit grows.
Naples, 18th century. Salvatore "Totò" Sapore, an unemployed minstrel, always manages to cheer up the hungry with his songs about good food, always upsetting Vesuvia, a magma witch who lives inside the Vesuvius.
A talented writer, Edgar Allen, arrives in Hollywood with big dreams but is quickly pulled into a world of madness and depravity. A detective investigating a series of murders discovers that they are similar to the murders that occur in the new script by Edgar. Who will survive and what parts will be left for them?
Italian crime movie from 1979 directed by Alfonso Brescia.
Commissario Paolo Ferro (Maurizio Merli) stars as a (typical) tough cop again. This time he returns to the city of Milan to go after a murder corporation. Acampora (Mario Merola) is believed to be the prime suspect although he later proves to be one of the mafia's targets. As if all that wasn't enough, Paolo has to face his own nephew who seems to be involved in all sorts of dirty business.
Looking for "Mr. Right" in all the wrong places makes for a tragic comedy.
A very black mix of comedy about relationships, the media, children's beauty pageants, sex change operations and personal problems.
A humble organ grinder is married to a barren woman. The pair would like to adopt a child but are too poor. Suddenly a miracle seems to happen: she's pregnant. Unfortunately the baby dies and the man is forced, through hardship, to buy one from a chorus girl who wants to get rid of him. After a short time even his wife dies and the poor man brings up the child on his own, singing in taverns to make ends meet. The father and son's humble life is upset when the real father of the boy reappears and wants his child back. The two men fight to get the custody of the boy.
A Neapolitan camorra boss has retired from business but when his wife gets killed he gets back into action, and goes to the States to get his revenge.
Presented as loosely autobiographical, Hold Me While I’m Naked centres on the tribulations of an independent filmmaker, frustrated at every turn as he tries to make a film that pretends to artistic merit.
"The whiteness of winter cannot bury the blubbery things that splash and frolic among the frozen memories of Heathen harvests, in a land haunted by lard and ancestral lip-smacking." The collision of an overly dramatic film score/soundtrack with the banal yet enigmatic images of snow covered streets leads to a dissonant effect; the expectation of one is not fulfilled by the other.
George Kuchar received his only funding grant for this film ($20,000 from the NEA), and so, freed from the usual financial restraints, he was determined to have a good time and make a “spectacle” with “tons of color” and dazzling superimpositions. A big, colorful tapestry about rumors that are in all of the previous UFO movies. A loose story line that weaves in and out of the UFO phenomenon.
“LUST FOR ECSTASY is my most ambitious attempt since my last film…. I wrote many of the pungent scenes on the D train, and when I arrived on the set I ripped them up and let my emotional whims make chopped meat out of the performances and the story…. Yes, LUST FOR ECSTASY is my subconscious, my own naked lusts that sweep across the screen in 8mm and color with full fidelity sound.” – George Kuchar
Starring George Kuchar as "Hunk", Mrs. Ruby B. Davis as "Aunt Ruth", and introducing Melinda McDowell as the much-abused, sex bomb "Goldenrod".
This movie was made mostly in Brooklyn during some very hot and empty evenings. Since the evenings were so empty, Jane Elford, the star, urged me to get started making another movie (we had completed PAGAN RHAPSODY the year before). I said "okay," and launched her in a photographed series of telephone calls, not really knowing who was going to be on the other end. I was interested at the time in irrational, neurotic responses and so the heroine was put into unstable situations that I dreamt up because I was making a movie with a plot and there should be some action .... Many of the stars appear nude and all I can say is that because of the heat and the general, overall feeling of the film which is one of the usual desperation and explosive emotions, I couldn't see any other way of them playing it. The general tone of everything was ... "Why even bother to get dressed?"
The New York City summer is fueled by the sultry emanations of hot air that tumble off the tongues of potential thespians as they attempt to decipher the gastric guesswork embedded in the prose of the pre-production process. The video camera flits across the boroughs of NYC in a splash-dash sojourn of sumptuous banquets and bohemian bombast, while the down-to-earth wisdom of the seeing impaired helps to guide the protagonist into detours of wisdom befitting his putrid project. A theatrical play incubates in the balding head of the videomaker and as its presence makes itself felt among the various victims of his vision, we share with them the horror of advancing age and the descriptive diatribes toward the destiny of the decrepit damned.
