The Children Pay

In Depression-era West Virginia, a serial-killing preacher hunts two young children who know the whereabouts of a stash of money.

Judith Wingate has married for wealth, but desires love, while her friend Marion Gregory has married for love, but longs for wealth. Chester Wingate refuses to grant Judith a divorce, even though he is having an affair and Judith has taken wealthy Oliver Sloan for a lover.

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

The neighbors of a frontier family turn on them when it is suspected that their beloved adopted daughter was stolen from the Kiowa tribe.

Alice Davis and Charles Turner are arrested for petting in an automobile and marry on impulse.

Beautiful half-breed Pearl Chavez becomes the ward of her dead father's first love and finds herself torn between her sons, one good and the other bad.

Veteran postman Bob Morley and his son Johnnie are honored for their service to the U. S. Mail Service. When Johnnie takes a position on the Enterprise, he is falsely convicted of theft and murder when the cargo is stolen and the ship's officer is shot.

Patients and staff at a posh psychiatric clinic clash over who chooses the clinic’s new drapes – but drapes are the least of their problems.

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

A mysterious girl inspires a struggling artist.

Adventurous Huck Finn prefers rafting on the Mississippi River rather than being a part of civilization.

When her wealthy husband informs her of the death of her baby, Bernice Ridgeway leaves him and takes a tenement apartment opposite that of Kate Martin, whose husband is in prison, and becomes acquainted with Kate and her child. When Kate commits suicide, Bernice takes the child and assumes the dead woman's name; and the child's father, Fred Martin, having finished his term, discovers the deceit but keeps the secret.

An elderly couple are forced to separate themselves from each other after their children refuse to take both into one house.

Society children Madalyn Harlan and Bob Elkins separate the day they are to be married. Madalyn marries her chauffeur, Jerry, while Bob falls in love with unsophisticated Ruth Cassell and, after careful consideration, marries her. Madalyn's marriage is unhappy, ending in a double suicide after Madalyn's parents disown her and Jerry's family proves to be lower class.

Robert Ardis, a small-town youth studying for the ministry, encounters a visiting Gypsy, Marcheta, and is displeased by her pagan conduct. When she saves the life of his younger brother, however, Robert becomes fascinated with her. Though scorning his religion, Marcheta saves his life during a storm by praying for a miracle, and in rescuing him she comes to believe in God.

Young Leon Kanter dreams of being a great violinist. His parents scrape up the money for a violin and for lessons, and Leon rewards them by becoming a great player. But as an adult, Leon finds that people want more from him than just music.

The rehabilitation of "Chicago Sal," a lady crook, is seemingly realized when probation officers send her to the country home of Steve MacLaren to work off money stolen from him by her partner. She falls in love with MacLaren and is accepted as a member of the household. Unable to resist the temptation, however, she leaves the farm with two former colleagues when they come to visit her. MacLaren follows her to the city. She commits a crime; he helps her escape but is himself arrested for vagrancy and sent to jail. Sal returns to the country and promises to wait for him.

Social worker John Warfield meets socialist radical Guido Garcia, and together they establish a refuge in San Francisco for life's unfortunates.

Mynderse Van Dyun, a wealthy old New York aristocrat, has one goal in life, to see his granddaughter Catherine and grandson Pell married; for, although they are cousins, the marriage would perpetuate the family name. Catherine, however, is in love with Paul La Farge and detests her drug-addicted cousin, who seduces and then secretly marries her maid, Nora Duffy.

Behind in the mortgage on Sunnybrook Farm and barely managing to feed seven hungry mouths, mother sends young Rebecca off to Riverboro to be raised by her wealthy Aunt Miranda. The little girl is treated like a prisoner by her strict Aunt, yet she gamely does her best to get an education. When spoiled girls at school mock the spirited Rebecca as "missy poor-house," she soon makes them come to eat their words. Despite many difficulties, Rebecca manages to help the less fortunate and spread joy in Riverboro, dreaming that her reward will come when she is "all growed up." This version is notable for having been adapted by famed female screenwriter Frances Marion.

Young Tony, unable to make a living in crowded and fast-paced London, goes to South America in search of his fortune. He soon becomes the owner of a saloon and dance hall. One of the dancers in his place, Maxine, falls in love with him, but Tony is still in love with his childhood sweetheart Una, although Una is now a "party girl" back in London and has forgotten about Tony. However, Tony comes into an unexpected inheritance, along with a title, and returns to London for Una. Although disappointed with Una's current lifestyle, he asks her to marry him despite her "indiscretions". However, the night before they are to be married Una confesses a deep, dark secret to Tony that could change their lives forever.

Young Lois Brandon is about to have her home foreclosed if she doesn't come up with some money. She enters her horse, Atta Boy, in a big-money race, hoping the win will enable her to pay off the mortgage and save her home.

A 1917 film directed by Paul Powell.

New York, summer 1983. Jeanne Moreau goes to meet Lillian Gish to film a portrait of her. The star of American silent films invites her to her apartment and discusses her career from its beginnings on film in 1912. She remembers the conditions on stage when she was a child, the first Hollywood blockbuster, D. W. Griffith's Birth of a Nation (1915), and her passion for cinema guided by an inexhaustible curiosity.

Disgusted when the police department fails to apprehend the murderer of her guardian, Henri Du Bois, Celeste decides to track down the criminal herself. Her only clue is a cuff link dropped near the scene of the crime on which a sphinx is engraved, and with it, she wanders through Paris' tough Moulin Noir district. When she notices a young man wearing a tie pin of identical design, she cultivates his acquaintance and eventually asks him to visit her in her home. His suspicious behavior there convinces Celeste that he is the guilty party, and although she has fallen in love with him, she has him arrested, whereupon she learns that he is Du Bois' missing son, Andre. Further detective work reveals that the real murderer is Celeste's rejected suitor, Raoul Laverne. Upon his confession, Andre is released and eventually marries Celeste.

In an attempt to brand himself as a serious actor, the smiling swashbuckler Douglas Fairbanks starred in THE HALF-BREED (1916), a Western melodrama written by Anita Loos and directed with flair by Allan Dwan. Fairbanks stars as Lo Dorman, who has been ostracized from society because of this mixed ethnicity - his Native American mother was abandoned by his white father. When Lo catches the eye of the rich white debutante Nellie (Jewel Carmen), he becomes a target for the racist Sheriff Dunn (Sam De Grasse), who wants to break them up and take Nelli for his own. This love triangle becomes a quadrangle with the arrival of Teresa (Alma Rubens), who is on the run from the law. Through fire and fury Lo must decide who and what he truly loves.