The Big Talkers

Umar Bakri, a respected high school teacher, faces public outrage after a video of him slapping a student goes viral. Despite pressure to explain, he remains silent to protect a secret that could ruin his students' futures. A touching drama about sacrifice, morality, and a teacher’s unwavering dedication.

Nonon, a prostitute, has no other career path when her father stops working, and her mother's illness require an expensive surgery.

Unable to conceive, an Indonesian couple attempt artificial insemination but are given Japanese sperm. The result angers the father, who has a hard time accepting the baby as his own.

Partoyo, a big-time businessman, abandons his family because of work. A sociopolitical snapshot of Jakarta in the changing governance.

Although Ayu has been honest, Sutra is continuously haunted by the fact that Ayu was not a virgin when they married, even after five years of marriage. As a result, Sutra always faces problems in having sex with his wife. Then when he finds out that Ayu met her old friend, Manaseh, Sutra becomes increasingly suspicious and his mental state grows unstable. He himself has a relationship with Rhoda Darsono, who has a very possessive nature. This disturbs Sutra, who only wants to have fun with her. Just when Sutra starts to realise his mistake, he is murdered.

Office clerk Mamad breaks his ethics and steals a pack of paper from his office while preparing for his seventh child’s birth. Haunted by guilt, an opportunity to confess seems to always elude him.

A story of forbidden relationship between Kartika or Arti, a Jakarta girl whom sent to Kuala Lumpur and Sofyan, her uncle.

The film tells the story of a middle-class young man named Dendy who is rich and lives in a big house with a driver and a loyal servant.

Nagabonar is a pickpocket. During the withdrawal of the Japanese occupying forces from Indonesia in 1945 he declares himself a general of the Liberation Forces. Soon a mask becomes his true self, and he becomes a true soldier and patriot.

Raden Mas Said, the first son of Tumenggung Wilarikta, who rules Tuban, a district in the powerful kingdom of Majapahit, sees a poor family who suffers from hunger. He tries to take some food out secretly. His parents disapprove, and as punishment, he is locked inside the food storage. Since the incident, R.M. Said, does not feel comfortable at home. So he travels from one place to another and witnesses many cases of fraud and injustice. The Tumenggung is often blamed to cover up their crimes. Listening to his son's report, his father realises the real situation. Then he meets Sunan Bonang, who teaches his knowledge to R.M. Said. They meditate together on a riverbank. Due to his dedication, R.M. Said gets a "Nur" (enlightenment) from God. Shortly after, he is appointed as a Wali (a dated term for Islamic leader), and becomes the famous one amongst the Nine Great Wali (Wali Sanga). He is known as Sunan Kalijaga.

Tegar, a person with a disability. Having only one leg and no arms, Tegar doesn't get enough love from his parents. Tegar's father left him and his mother was busy working. The only person who loves Tegar with all his heart is Grandpa. Once upon a time when Tegar was forced to live a life outside of himself, Mother had to work in the city and her nurse had to leave her.

In this sequel, Anita and her husband, Rio, are offered to act in a film. Kadir, their housekeeper, wants to join in. Their neighbour, Tati, and her housekeeper, Doyok, also want to join in. Rio, Anita, and Kadir pass the selection, after deceiving Tati and Doyok. Then a misunderstanding happens. Rio, Anita, and Kadir are misconstrued as having a fight when they are actually rehearsing a scene. Meanwhile Tati, who often uses the phone at Rio’s house to contact the director, is suspected of having an affair, leading to more comedy of errors. It seems to be an intention to criticize the film industry.

This time Lupus is played by the author Hilman himself. Still depicting the world of teenagers at school, home and also his relationship with Poppy (Ita Purnamasari). Everything is cheerful, a little wild but still under control. Lupus himself is not clear what he is doing, except busy taking care of his chickens. Suddenly near the end of the film, Lupus is good at giving speeches about many things including democracy and social justice.

This story begins with Yana (Nia Harun), who has been forbidden to go camping by her father, Hendra (Eeng Saptahadi). However, Hendra gives in when he sees Yana painting a picture of her mother Laksmi (Eva Arnaz), whom Hendra has never spoken of to Yana. It turns out that Yana had gotten the photo from the family servant. At the camp, Yana meets Yani (Ade Harun), who turns out to be her twin. The two girls then switch identities because they both long to meet the parent they have been separated from. They also hope to find a way to reunite their mother and father, whom they believe still love each other, but split up because Laksmi could not endure the interference of in-laws

Dono, Kasino, Indro all find girlfriends through a dating agency. Although the relationships didn't do well for the three of them. And Dono is almost fired when he overuses the company’s phone to call his girlfriend, Rita, whose suddenly disappears and leaves a baby under Dono’s care. Comedy is then focused around the baby, reminiscent of the film, “Three Men and a Baby”.

Compared to the film "Lupus" Catch me, I'll tell you" Lupus' entourage is more depicted. But just like the previous film, this film is still a combination of humor that stems from the mischief of Lupus et al. Lupus and his girlfriend's parents have "cute creatures on the bus" who it is not clear who the director is, participates in film production but fails, etc.

City students come to the village for KKN with all their arrogance and pretentiousness, led by a fat student named Joe (Didi Petet). Many problems arise, starting from Budi (James Lapian) and Imam (Leroy Oesmani) who are not doing KKN well, but instead competing for a beautiful village flower named Neneng (Deasy Ratnasari). Likewise with Pinky (Meriam Bellina) and May (Sylvana Herman) who went down to the village as if they were going to shop at an elite shop. Their arrival also made the village hoodlums feel angry, so that the KKN activities were disturbed.

It's an Indonesian drama musical about young boy named Jojo and Jejen are two homeless kids who must look for money after school. They go to shopping centers to busk and help people to bring their shopping. Jejen has a nice mother, whereas Jojo's stepmother is evil even though he's the smartest kid in school

Maria since childhood was directed by her father to become a nun. As a result of her father's cultivation of a rigid appreciation, Maria always feels awkward, including the delinquency that is common for a girl. He also first falls in love with Guntur. Maria finally actually became a nun.

Dadang's family, which has three sons, accepted Bugi to stay at his house. Bugi, Dadang's younger brother, whose parents both died. Bugi's appearance and boyishness have become the subject of ridicule for many people, both at school and in social circles. Even at home, Narsih, Dadang's wife, teases and cynics Bugi. A math and sports teacher, Zein, has another attitude toward Bugi. Zein tries to change Bugi's behavior. But other teachers, Bugi friends, and Bugi themselves misinterpreted. As a result, Zein was uncomfortable and uncomfortable, then tried to stay away from Bugi. As a result, Bugi lost his footing, a place to complain and take cover. Meanwhile, Iwan, one of Dadang's children who has low self-esteem as a result of being a child because of his mother's mistakes, feels attracted to Bugi.

The story of two young people from wealthy families who are looking for their own individual identities. Ramona (Lydia Kandou), who hates the patriarchal attitude men have toward women, immerses herself in the lives of the less fortunate people around her. Ramadhan (Djamal Mirdad), who is descended from Malaysian nobility, is in Jakarta gaining work experience as a low level company employee. The two young people meet in Jakarta and begin to like each other. The blossoming romance between these two young people who are each keeping their backgrounds secret from the other conveyed in a light and humorous tone. Eventually, however, they find out about each others' backgrounds. Ramona backs off, while Ramadhan continues to pursue her.

Agus moved out of his huge house because his father, Raden Mas Sudewo, intended to marry Rahayu after his wife's death.

Indonesian war movie set during the Japanese occupation of WWII.

Badrowi disturbs a married woman he's in love with on her wedding night and kills her husband. He's then severely beaten by villagers and his body is thrown into a ravine. There, he gains supernatural powers from a spider and then starts terrorizing the village.

# Baru Nak Untung (New Luck) The story follows young people today who take their future for granted and depend on their parents for daily needs. Atan, Mior and Leman Afro, who have been close friends since childhood, happily go through life doing activities together and are willing to accept each other's good and bad sides. Unfortunately, they are unsuccessful in their jobs. Atan and Afro only spend their time playing music without any direction. Likewise, Mior became a company manager but was fired. They become unemployed and rely on financial assistance from their respective families. This situation worries Pak Salim, Atan's father. He wants to see his son succeed like other people's children and get suitable employment. Considering their interest in music, Pak Salim suggests they become buskers or street singers. At least they can earn honest income and at the same time, if they are lucky, their talent can be noticed by individuals involved in the music field.

Set against the backdrop of the Japanese occupation and traditional Betawi culture, the story centers on Sayuti, a brash local champion consumed by jealousy over his dancer girlfriend, Nonon. His insecurity deepens with the arrival of Komar, an educated urbanite who quickly gains the villagers' admiration. Unbeknownst to Sayuti, Komar and his comrade Malik are actually resistance fighters operating undercover within the Japanese ranks to steal weapons. When Sayuti impulsively decides to prove his worth by attacking the occupiers directly, his reckless heroism threatens to blow the cover of Komar's carefully planned operation.

Astri’s mother demands angrily for a porn-video cassette that embarrasses the son-in-law Dedi, and the two grandchildren. Mother also gossips with the neighbours and even protests by not eating. To cap it all, she wants to marry Item, the blind masseur whom she often hires. She is actually seeking attention and therefore wants to remarry. In desperation, she even runs away from home. Her daughter, son-in-law, and grandchildren miss her. In the end, she returns, and her daughter and son-in-law finally agree to her demands. All the acts and behaviour of the mother are comedy moments in the film.