The Beautiful Washing Machine

In a notorious prison, an invisible force begins killing inmates brutally, compelling enemy gangs and corrupt guards to work together as they try to survive the mounting bloodshed.

Nicholas Hathaway, a furloughed convict, and his American and Chinese partners hunt a high-level cybercrime network from Chicago to Los Angeles to Hong Kong to Jakarta. As Hathaway closes in, the stakes become personal as he discovers that the attack on a Chinese nuclear power plant was just the beginning.

3 brother return to the village of Bunohan with three very different reasons; they will encounter death, deceit and a very grim revelation.

A perpetual gambler wiling away his life in a pool hall, a dead-end copy shop worker and an old age home resident struggle to find a place to connect.

Two Malaysian sisters, Rohani and Rohana, run away from home to escape their wealthy father’s mistreatment. They find refuge in a small town where they get to know Brian Goh, a young Catholic schoolteacher. Brian is irresistibly attracted to the two girls. Impressed by their extraordinary courage in the face of adversity, their relationship forces him to confront the ghosts of his own childhood. Director Yasmin Ahmad explores the possibilities of emotional survival after being traumatised by loved ones. Through the wanderings of three lost souls who band together and console one another, Muallaf celebrates friendship, forgiveness, and the coming to terms with the past.

If It’s Not Now, Then When? mostly takes place in an apartment inhabited by three members of a family (though never at the same time): mother Pearlly Chua (from Tsai Ming-liang’s I Don’t Want to Sleep Alone), daughter Tan Bee Hung and young son Kenny Gan. Their father seems recently to have died. The mother leaves early and returns late, out on long walks in the park with a lover whom the daughter and her best friend try to spy on. The daughter pecks away at a computer at work and has a desultory affair with her married boss, which he carries on between his business and family phone calls. And the son breaks into cars and “recycles” the electronics he finds.

Ping Ping is 19 and wants to go to Japan to work in a car parts company. She's under the guardianship of her aunt, Madame Tien, who shuffles her between two jobs - working in a pig farm, and cleaning dishes in a rundown restaurant. Tien is also involved in a 'baby factory' scheme, pairing young women with migrant workers and then selling the babies for money. Both survive with each other in a love-hate symbiotic manner, until a truth about her aunt is revealed to Ping Ping.

Betrayed by the Dutch colonial forces, Arana manages to escape along with his nephews Jamar and Suwo, the newborn sons of Hamza, one of the last Indonesian sultans fighting against foreign tyranny. In 1860, after wandering for years on the plains of the American Wild West, Arana and the two brothers return to Indonesia to avenge their dead loved ones and punish the evil man who caused their misfortune.

Two men -- one elderly, one in his twenties -- are touched by tragedies linked to a single source in this drama from Malaysian filmmaker Woo Ming Jin.

The movie follows two unfortunate secret lovers who are constantly looking for a solution to their situation. Both of them are always arguing over their relationship. One day they went to a trip out of the city, into the outskirt. They hope they can solve their problems or at least escape them temporarily. They don’t have a solution, and they don’t understand why they are together. One thing that keeps them together is their love and care for each other. This is the second part of James Lee’s Love Trilogy which takes another look at unfaithfulness or rather faithlessness.

"Mrs K" is a story of a woman who gives everything that she has to protect her husband and daughter when enemies from her past come hunting her.

Village chief Tan is busy. His wife and best friend Lai have mysteriously disappeared and an undocumented worker is dead. While awaiting their return, Tan and Lai's daughter, Sandy, develop an unlikely friendship that opens old wounds and examines the nature of love and regret.

Three scenes about three couples with each portraying maybe the turning point of their relationship. First scene, Lim & Amelia are a couple who had been together for almost five years. While he works as a salesman and trying to save up for marriage, the girl are not sure if he’s the one she wants to marry. One day he confronts her about a letter from her admirer. Second scene, Pete & Bernice are a couple who had been together almost ten years. They’re not married because he doesn’t believe in marriage. While she tags along, one day she might realizes this may not be the man she wants to end up with. Third scene, we see Amy & Lai are a pair of secret lovers. This maybe their last meeting or maybe not. They may had loved each other in the past they may not now in this scene. This is the third and final part of James Lee's Love Trilogy which takes offers a glimpse of the life of three lovers.

Brothers Am (Shaheizy Sam) and Ad (Syafie Naswip) are involved in a baby-selling syndicate run by a woman known as Mama. As they progress, a friend's sister, Hawa (Sara Ali) gets involved too and Ad can no longer turn a blind eye. However, his moral struggle starts to shake his relationship with Am.

We often fall in love first, and then look for reasons, to justify why we love someone. To ask "why you love me?", is as silly as to ask "why you don't love me?". There is no reason, and there is no logic.

A dreamlike cinematic poem about a family. A boy runs an errand for his mother and realizes that she is dying. A man attends the funeral of a former lover and speaks to her ghost. A woman learns to appreciate the little things around her in everyday life. Meanwhile, in another place at another time, a young girl tries to photograph an incredibly beautiful snow landscape.

Fifteen short films with socio-economic subject matter by 15 directors of Malaysia's "New Wave" and "No Wave." 15Malaysia is a short film project. It consists of 15 short films made by 15 Malaysian filmmakers. These films not only deal with socio-political issues in Malaysia, they also feature some of the best-known faces in the country, including actors, musicians and top political leaders. You may think of them as funky little films made by 15 Malaysian voices for the people of Malaysia.