That Lovely Green Grass

Aunt Ilka, who likes company, opens her house standing in the middle of a six-acre rose garden in the little town for the golden youth of the town. As a result of her benevolence, the tenants are in the position to adore not only the roses but a nice bunch of to-be-married girls of the town.

The celebrated actor considers his wife a nitwits actress of a mediocre talent. But an influential playwright, a friend of theirs, has written a play with the main role designed for her, Kati, particularly. Its title is "The Most Intelligent Woman in the World". On the day of the first night performance Kati recalls their past, the times she had together with her husband.

The top management of the co-operative in the rural community at Lake Balaton goes on coaches everywhere to irritate Mrs. Peczöli, the snobbish wife of the only individual farmer. Peczöli would readily join the co-operative, should it not oppose his apple improving experiments.

Against the backdrop of the Adolph Eichmann trials, an elderly paraplegic pharmacist is summoned to the police station, where he believes that his hidden wartime guilt has caught up with him, unaware that it is all in fact an elaborate practical joke.

A young peasant boy stands up to tyranny, aided by his trusting friend- a goose.

The Tóth family resides in Northern Hungary. The couple has a daughter and a son, the latter a member of the armed forces. When his weary major is ordered to take a vacation, the son talks him into a visit to his family home. Hilarity ensues when the Tóths go overboard trying to make things pleasant for the visiting major in hopes of an easier life for their son, the soldier.

Éva, the young, wild girl, the "wild rose", who was raised by her grandfather, Uncle Ábris, on the country estate, runs away from marriage to her father, the famous divorce lawyer Sándor Sziráky, in Budapest. In Budapest, Eva is welcomed by her kindly grandmother Clementine, who then becomes acquainted with her father's affairs with women. His secretary, Mária, is in love with Sziráky, but to make him jealous, she pretends to be his friend, Dr. Ámon. Mrs Tertayn, who is on the verge of divorce, is also vying for Sziráky. Éva springs into action, brings her father together with Maria after much complication, and finally finds happiness and peace of mind with Doctor Ámon.

The composer Berki András, in his co-tenancy noisy with the barking of dogs and the hullabaloo of children, is unable to compose the new song for his fiancée, the singer, although the premiere is near. He cannot believe his eyes as he sees the official decision that he will soon get an apartment on his own. Yet his joy is soon over. The pharmacist Ács Éva arrives with identical documents. The situation which evolves as a result of the new co-tenancy forces them to cover up things before their partners.

Our old friends Bence the Great Hunter, Andris, aka Mr. Doolittle, the Painter and then Bonca the Bird appear in this film. But then Nora appears and everything goes haywire. The film follows Nora and her mum as they become "Bonca".

The protagonists of a comic Romeo and Juliet story full of gags are two widowed pensioners. Nádor and Mrs. Komáromi meet in the cemetery while mourning their dead spouses and they fall in love.

Mr. Schneider became wealthy after the end of the communism, but still remained a simple man. Her wife although wants a lackey.

Péter runs S.O.S. Love!, a matchmaking agency for wealthy clients, until Tomi, a rich but clumsy suitor hopelessly in love with kindergarten teacher Veronika, proves unbeatable even for their team. Desperate, Péter rents a country manor and stations his staff there as “Tomi’s family” to lure Veronika into visiting, setting the perfect stage for Tomi’s conquest. Everything goes according to plan, until Péter himself falls under Veronika’s spell.

Tamás, a jaded ad executive, is taken hostage during a gas‐station robbery where both fellow captives and criminals are so unhinged that you never know who holds the gun or when it might fire. No one in this motley crew is who they claim to be, as World Cup commentary blares in the background, a mysterious shipping container surfaces; by the end, even the U.S. president makes an appearance.

Mocorgó, the well-meaning worker boy, is a tough guy. In his 40s he is still a mechanic's apprentice, but he is disappointed by his family, women and friends, and becomes a criminal. He goes to prison several times and tells the story of his life to the writer, who follows his story until 1956, until Mocorgó's death.

Miskei, the popular and dynamic president of a co-op falls in love with Mari, the attractive wife of the elderly Pató. The deeply feeling woman is fed up with the service beside the haughty land holder, she is longing for tenderness and a child. The passion of Miskei is growing when he sees how crudely, humiliating Pató treats her. During a powerful summer shower, when chance brings them together in an abandoned press house, he storms on Mari confessing love. The woman refuses him bitterly. Miskei calms down and he keeps on expressing his love and high esteem with the woman by steadfast and tiny compliments. Early one morning Mari leaves her husband and sets off to the city to learn and to begin a new life.

The changing and turbulent history of Hungary is seen through the eyes of three men over a 30-year period in this somber drama. The three recall the highlights of their lives in flashbacks as they reminisce in the mid 1960s. The venerable trio begin their story in the 1930s, through World War II, and the decade beyond the communist invasion of 1956.

Based on the stories of Hungarian writer Gyula Krúdy, this film is a lush and sensuous depiction of the life, loves and memories of serial seducer Szindbád. As the protagonist looks back on his life, past and present, imagination and reality flow inseparably into one another.

October, 1956. Colonel lieutenant Szabó sends a platoon with the mission of calming the people demonstrating in the town. The platoon is lined up under the command of Lieutenant Csendes and the soldiers aim at the demonstrators. Szusza Kis changes sides, and Csendes is unable to shoot at his childhood mate. They withdraw.

Karoly Makk's heartbreaking story of two unmarried sisters who cast wistful glances back at their lives, but still believe in hope and love, earned an Academy Award Nomination for Best Foreign Language Film in 1974. In this follow-up to the director's internationally acclaimed Love, Makk once again exhibits his extraordinary skills at drawing emotionally compelling performances from his talented female leads. Makk's film opposes the bleakness of the outside world with passion, love, and loyalty.

A past world is revived in the little cottage in the outskirts, next to the housing blocks under construction. Tamburás, the old hobo collects swerved youth: Diák, who desires freedom, the bus driver who is deprived of his license for having run over someone, and the rest. They have got an easy and unbound life there, with constant music, small thefts, occasional labour, tricks.

Nagy István, the formerly poor peasant boy returns to his native village as a teacher. His conviction is that the abyss between rich and poor can be diminished by good will. The rich Böröcz Horváth Klári returns his love, and also Böröcz Horváth is willing to help the poorest family, the Bakos. Bakos Jóska, who was sent to serve the tough Böröcz Horváth as a payment, dies of an infected wound and the people in the village hold the teacher liable as well. Nagy István realises, that the abyss cannot be ceased, what is more, it is impassable. He breaks up with his fiancée and stands by the side of the poor.

László Dömötör, the divorced registrar, cannot get rid of his ex-wife any more than he can get rid of marriages. He is desperate to find new love, with little success. After Dömötör gets drunk as a tension reliever at work and turns one of his weddings upside down, his boss fires him. On his way out, he catches a glimpse of Norbert Lázár, an up-and-coming, semi-secret producer who runs nightclubs. Unconfirmed reports say he died in Africa. The man looks exactly like him. All of this spurs him to a crazy idea. A modernised adaptation of the 1942 comedy.

The story recalling the spirit of Gilgamesh, the Sumerian king quarrelling with his approaching death, takes place in a cancer hospital in Budapest. Dávid, the young ethnography scientist resigned to his lot and is indifferent to his approaching death. His specialist reckons, however, that such a searching and stubborn mind with thorough knowledge of the nature of his own illness, will be able to fight death.

A TV movie version of István Örkény's short novel. The fate of Sister Glória, or Ilona Tarr, who has lived in a convent since her childhood, in the historical situation after 1948, when the nuns' orders were dissolved in our country. The film presents the reality of this extraordinary fate with lyrical beauty. At the age of 26, Gloria is taken out of the closed and safe world of the convent - both spiritual and everyday - and into a changing reality with shifting values. In the course of conflicts, while maintaining her individuality and integrity, she finally finds her place among everyday people.

The head of the nunnery is dying, and the members are divided in two groups as the election of the new head approaches. Led by Virginia, the younger nuns stand up for changing the strict religious dogmas and would like a modern school with genuine science, a bathroom to be built, and a freer spirit. Their candidate is sister Magdolna, who went to secular universities, too. The seminarists, led by Király Erzsi, also rebel against the older nuns' strict discipline and the depressed atmosphere of the institution. However, Magdolna does not want to stay involved in the fight because she is deterred by Virginia's sinful attraction towards her and the tools Virginia is using to gain victory at any price.

1938 screen adaptation of the 1904 musical version of the classic Hungarian fairy tale poem by Sándor Petőfi about the romantic adventures of Kukorica Jancsi and his beloved Iluska.

The "sleepless years" in this propaganda piece by director Felix Marlassy occur on Csepel Island, an island south of Budapest that is home to an armaments factory. The factory workers are shown being exploited by imperialists, capitalists gone berserk, and fascists, more or less in that exact chronological sequence. The heavy-handed approach does much to undercut the belief that when socialism finally takes over, the lives of the workers are brought up to a human level. In this instance, audiences might prefer a more nuanced and subtle statement, no matter what the message.

During the worldwide Depression of the 1930s, a young shopgirl is in love with a man of her own financial class, but succumbs to the seductive machinations of her wealthy boss.

János Háry, the old veteran is telling his stories in the pub without end.