A Broadway artiste turns a faded film star's comeback vehicle into an artsy flop.
The Band Wagon
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That's a Good Girl is a 1933 British comedy film directed by Jack Buchanan and starring Buchanan, Elsie Randolph and Dorothy Hyson. The film was based on a musical show of the same title that opened at the Lewisham Hippodrome on 19 March 1928, in which Jack Buchanan also starred. The music was written by Joseph Meyer and Phil Charig, with lyrics by Douglas Furber. The film omitted much of music of the original show, but popularised one song in particular, Fancy our Meeting. The song remained a Jack Buchanan favourite and a version of it was also recorded by Al Bowlly shortly after the film's release.
A Broadway artiste turns a faded film star's comeback vehicle into an artsy flop.
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A filmed version of the stage musical from London's West End, Jack stars in a frothy tale of a bachelor who finds himself engaged to two girls simultaneously. Elsie Randolph, Jack's long standing stage partner co-stars with him, along with Jean Gillie who was rapidly establishing her career in films as a bubbly comic player. Songs include the title song & "There isn't any limit to my love", both quite popular hits in the UK at the time.
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Happy-go-lucky soldier Guy De Vere must leave India and return to the family seat at Little Twittering, for he has inherited the family title. Sir Guy finds all his relatives to be frozen stuffed shirts... except lovely cousin Rowena, who is mad about knighthood and chivalry. Struck in the head by a falling suit of armor, Guy dreams he and Rowena are back in 1400, as the unabashed farce continues...
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John Forrest, an insurance investigator with a weakness for model railways, is on the trail of a gang of smash-and-grab thieves targeting Europe's most prestigious jewellers. As the chase leads him to Ireland, Forrest finds he needs help and who better to call upon than his impossibly elegant, highly capable wife, Alice?
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John Forrest is anticipating a quiet retirement spent penning detective fiction when he learns that a priceless collection of jewels belonging to a foreign potentate, Prince Homouska, has just vanished from the safekeeping of the Stamford Assurance Company. Aided by his butler, his Cockney assistant and his (initially) unwilling wife, Forrest sets out on the trail of the thieves.
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A countess fleeing her husband mistakes a count for her hairdresser at a Monte Carlo casino.
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Now hear this. The studio that gave the cinema its voice offered 1929 audiences a chance to see and hear multiple silent-screen favorites for the first time in a gaudy, grandiose music-comedy-novelty revue that also included Talkie stars, Broadway luminaries and of course, Rin-Tin-Tin. Frank Fay hosts a jamboree that, among its 70+ stars, features bicyclers, boxing champ Georges Carpentier, chorines in terpsichore kickery, sister acts, Myrna Loy in two-strip Technicolor as an exotic Far East beauty, John Barrymore in a Shakespearean soliloquy (adding an on-screen voice to his legendary profile for the first time) and Winnie Lightner famously warbling the joys of Singing in the Bathtub. Watch, rinse, repeat!
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The suburban peace of the Bentley household is shattered when John Bentley is informed by his wife Stella that their two married daughters, Pat and Corrine, are in trouble and need funds to come home and bring their husbands, Peter, a penniless Parisian artist, and Barnaby, a Texas cowboy, with them. And the youngest daughter, Gwen, has tricked an American singer, Bobby Denver, into visiting them on the pretext that it is the home of a noted British film magnate. When all the women in the household – including the maid – fall for the singer's charms, Bentley consults a crackpot psychiatrist, Dr. Schneider, who almost succeeds in ousting not the singer but Bentley's wife, with his advice to Bentley to make her jealous by living it up with Pearl, a showgirl recruited for the purpose.
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In 1927 Hollywood, a silent film star falls for a chorus girl just as he and his paranoid screen partner struggle to make the difficult transition to talking pictures.
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The manager of a foreign branch of an American toy company attempts to entertain his visiting American boss to obtain a partnership.
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