A story centered around an Indian family who moves to France and opens a restaurant across the street from a Michelin-starred French restaurant.
Swami, Radha and their kid shift to Mumbai after selling off their ancestral home in a village. In Mumbai, they get their kid admitted to a school that's patronized by children belonging to affluent families. Everything is going fine until Radha falls ill and is diagnosed with a life-threatening illness. Swami starts working overtime to raise funds for the operation, but Radha spends the entire amount on a chair that Swami wants to possess so dearly. Radha passes away with just one desire: The kid should settle down in America some day. How Swami works towards that dream is the remainder of the story
A story centered around an Indian family who moves to France and opens a restaurant across the street from a Michelin-starred French restaurant.
In the early 70s, aspiring actor Om Prakash Makhija, and a famous starlet Shantipriya, are murdered. Thirty years later, his reincarnation Om Kapoor sets out to discover the mystery of their demise.
Squadron Leader Veer Pratap Singh, a pilot in the Indian Air Force, rescues the stranded Zaara, a woman from Pakistan, following a bus accident, and their lives are forever bound.
Set against Indias 1990 economic crisis, Governor follows Raman, a reluctant bureaucrat unexpectedly appointed as the Governor of the RBI when the nation stands on the brink of bankruptcy. As inflation rises, fuel runs low, and panic spreads, Raman must navigate political pressure and a collapsing system to prevent the country from falling apart.
It is the story of a fiercely fought election campaign, where money power and corruption are the accepted norms, and where treachery and manipulation are routinely used weapons. As the personal drama of these conflict-ridden characters unfolds against this gritty backdrop, love and friendship become mere baits, and relationships get sacrificed at the altar of political alignments. The darkness that rises from their souls threatens to envelope all that they hold precious. Until eventually, in the crescendo of increasing violence, the line between good and evil blurs, making it impossible to distinguish heroes from villains. Raajneeti is the story of Indian democracy. And its ugly underside. It is about politics. And beyond.
A veteran Shakespearean actor steps off the stage and into the painful tragedy of old age, facing ungrateful family and his fleeting legacy. Based on a play of the same name written by playwright Kusumagraj (V. V. Shirwadkar).
Living in a posh mansion named Swarg, this is the story of Sahabji, his wife sister Jyoti, two brothers, and a sister-in-law. Sahabji has a clash of wits with Dhanraj, who successfully schemes with Sahabji's two brothers, and takes over the prestigious mansion and vast business empire, leaving Sahabji virtually penniless, and devastated with the passing away of his wife. His brothers have now taken over the money, and his business. It is now up to a servant of the mansion, Krishna to set things right for Sahabji's household. How can a poor servant succeed against rich and powerful individuals?
A fearless woman fights social injustice; creating a sanctuary for abused women and battling a crooked politician.
Three inmates on death row become the reluctant subjects of a documentary made by Chandrika. Gradually, they begin to trust her and reveal their stories.
2nd version of marathi blockbuster Mi Shivajiraje Bhosle Boltoy but this time its not Shivaji Maharaj,its Balasaheb Thakre..a common man fight for his cast people for marathi people for the existance of marathi people in mumbai
I Am is a 2011 Indian anthology film by Onir. It consists of four short films: "Omar", "Afia", "Abhimanyu", and "Megha". Each film shares the common theme of fear and each is also based on real life stories. The film was financed by donations from more than 400 different people around the world, many of whom donated through social networking sites like Facebook. There are four stories but the characters are interwoven with each story. "Abhimanyu" is based on child abuse, "Omar" on gay rights, "Megha" is about Kashmiri Pandits and "Afia" deals with sperm donation. I Am was released with subtitles in all regions as six different languages are spoken in the film: Hindi, English, Kannada, Marathi, Bengali and Kashmiri.
A devout priest must face-off against his atheist/trouble-maker brother. The film is about an honest person who finds happiness in spiritual life and goes up against his atheist brother who rejects religion. Mithun Chakraborty plays a double role as both brothers.
Raj Malhotra lives with his mother, and comes from a very wealthy family. He meets Priya Bhatia, who works with a real estate agency, and instantly falls in love with her.
Krishna Patil is a poor, unemployed, unsuccessful and short tempered youth who stays in a chawl with his father Ramakant and elder sister Mansi. He tries to secure a job in the police department but fails. One day he happens to meet Kavita Choudhary, a young, rich, beautiful, intelligent lawyer. He falls for her instantly and begins wooing her. Kavita, having recently lost her father, stays alone and feels lonely and depressed. There is a certain void in her life. She is looking for someone to share her loneliness and an unemployed Krishna suits her requirements perfectly. Hence she accepts him as her boyfriend despite his mediocre looks, poor family background, jobless status and lack of personal hygiene.
Dreams highlights the role played by a happy-go-lucky flamboyant Bollywood film Director in uplifting the mundane existence of a poor girl. Derided by people, including her own parents, the girl considers her birth to be curse until the Director instills her with new-found confidence, hope and self-belief.
Two estranged sisters are brought together when their mother falls ill. As they reunite under one roof after years apart, old memories help them understand each other again, until a secret their mother has kept for decades is revealed.
June is a coming of age drama set in Aurangabad. Drawing from writer-producer Nikhil Mahajan's own childhood and of those known to him, June is a soaring portrait of two troubled people who help each other heal.
Avinash Malhotra (Bobby Deol) is married to Sanjana (Lara Dutta). One night Sanjana is murdered, and Avinash is arrested for the murder of his wife.
Operating a Television Network from Vancouver, Sardar Jasbir Singh Grewal, arranges the marriage of his only child, Simar, with Mulhapur-based, Inder Veer Singh, the son of his friend, Arjun, much to the chagrin of his snobbish wife, Kuldip. Simar and Inder find themselves compatible, and an engagement ceremony is arranged. It is during this event that they find out that Inder has no intention of re-locating to Canada, and the ceremony is canceled. After sometime, Inder decides to visit the Grewals in order to try and convince Simar to return to India, and also visit his married sister, who he has not seen for over 7 years, as well as a former girlfriend, Jaspreet, who also live in Vancouver. Once there, he witnesses the plight of his sister, Jaspreet, and other Punjabis, making him question whether Canada is really the perceived 'heaven on Earth'; what C.B.C.D. really means; little knowing Simar has no intention of ever settling down in India.
Raj, a married man, is falsely accused of rape by his ex-girlfriend who is also his employer's wife. He decides to sue her for sexual harassment despite societal pressures.
Businesswoman Sia Malhotra lives a wealthy lifestyle in Bangkok, along with her twin, Ria, who is deaf and dumb due to a neurological disorder. She meets with Raj Oberoi, and both fall in love. Their endeavors to cure Ria are all in vain. Sia plans to travel to the United States to improve her business, and has no one to look after Ria. So she decides to get married to Raj so that he could move in with Ria and look after her. Raj agrees, and both obtain a marriage certificate from Pattaya City Hall, and Sia departs for America. Sia does not know that after her return she will be a suspect in the brutal killing of a female Caucasian, Diana, and will not be permitted to leave Bangkok; and she will face further trauma and shock when she finds that her husband has been sexually molesting her handicapped sister.
Before passing away, U.S.-based widower Surjit Singh informs his doctor son, Varyam, that he has a step-mother, Santoh, who lives in Punjab along with a daughter, Rani, who he did not provide for nor communicate, and that he was compelled to marry his U.S.-citizen mother as he was in the county illegally. He instructs him to take his ashes there and let Santoh immerse them. Surjit subsequently passes away, and Varyam travels to Punjab to fulfill his father's last wish. Upon arrival, he will soon start learning Punjabi from gorgeous Preet; running the village dispensary, as well as meet Santoh and Rani without informing them of his identity and intent. His intentions to make amends with them will be misunderstood as he will be expected to get married to Rani; while the local Police will be compelled to re-investigate the mysterious disappearance of a male named Kirpal.
During the partition, Tara marries Sakina and they live a happy life. However their happiness is short-lived when Sakina's father forces her to stay in Pakistan and separates her from her family.
Punjab-based Satkar Kaur initially resents fellow-collegian Sahibdeep Singh, believing that he won a number of competitions by resorting to unfair means, but eventually falls in love with him. When her sister, Amrita, invites her to visit London, she does so, and is introduced to Sharandeep, who loves her. Satkar is thrilled when she finds out that Sahibdeep also has re-located there and has taken up singing as a career. She looks forward to meeting him but faces heartbreak when she finds out that he has a gorgeous girlfriend, Raman Kaur, the only daughter of aspiring politician, Bikramjit Singh; while back home Sahibdeep's father, Arjun, faces trauma and humiliation of losing their family home due to unpaid debt
It is the story of a fiercely fought election campaign, where money power and corruption are the accepted norms, and where treachery and manipulation are routinely used weapons. As the personal drama of these conflict-ridden characters unfolds against this gritty backdrop, love and friendship become mere baits, and relationships get sacrificed at the altar of political alignments. The darkness that rises from their souls threatens to envelope all that they hold precious. Until eventually, in the crescendo of increasing violence, the line between good and evil blurs, making it impossible to distinguish heroes from villains. Raajneeti is the story of Indian democracy. And its ugly underside. It is about politics. And beyond.
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