Surf Surf

Janco and Samuel own a detective agency, in school. While investigating the disappearance of a volleyball, Janco tries to approach Dariana, the girl he is in love with.

Eric is in love with his best friend Eduarda. But Michel is quicker and gets her heart first. At the kart tracks, Eric has a chance to beat his opponent in a wild competition. Love and speed, love for speed. Those were the Thunder Days.

Broke and daydreaming about Hawaii, Jairo envisions an easy life without hard work. His chance comes when his depressed half-brother, Barãozinho, gets involved with the sister of an art smuggler. Jairo sees the perfect opportunity to steal from the guy and make his dream a reality. But he didn’t plan on falling in love—or accidentally getting tangled up in a string of murders, turning his dream scheme into a full-blown nightmare.

The story of William da Silva Lima, the last survivor of the group that founded the Comando Vermelho at the end of the 1970s. It shows him living together with the political prisoners incurred under the same National Security Law and his leadership in the Ilha Grande Prison creating a type of unheard of conduct and solidarity in the Brazilian prisons. The film goes on to tell of the group's actions on the streets of Rio de Janeiro during the beginning of the 80s when they irritated the police with their daring robberies, as well as portraying the surprising love story between William and Tereza. The narrative weaves its way between the intimate conflict and the spectacular assaults and escapes.

Toni is about to move. He decides to spend his last day in town drinking with his friends.

Winter holidays. Monique goes to the beach with her parents. With no friends around, she tries to find something to do. Then she meets a young man on the volleyball court.

Euller Miller is a young native Brazilian of kaiwá ethnicity who leaves his small village just outside of Dourados (MS) to study dentistry at a public university in the crowded capital city of the state of Paraná. The film follows the complex transition between two very different worlds and the search for new horizons without abandoning his indigenous roots.

“Almost Absent” ultimately refers to the gestures of a generation of films that have originated and developed amid the contexts and aesthetic restrictions of the pandemic. While elaborating these elements, the film also explores how our screen-mediated reality affects our way of looking at the world, and in what way this gaze allows us to reflect upon cinema.

After an ecstatic drunken party, a couple wakes up without any recollection of the events of the previous night. When they find traces of a possible hit and run on the car's bumper, they come to believe they may have committed murder.