Sumpahan Orang Putih

During a film shoot at a crew member's ancestral home in Perak, a production team's set is plagued by escalating trouble and eerie disruptions that threaten the entire project.

# The Story of Hatta and Leyla as Boss and Employee Leyla falls in love with her boss, and it turns out her feelings are reciprocated as Hatta also harbors the same feelings for her. However, Hatta's dark past makes him afraid of losing Leyla. Dahlia, who has fallen in love with her brother Hatta despite them not being blood relatives, constantly gives Leyla the cold shoulder. The arrival of Zafran only intensifies Hatta's fear that his past will be exposed. Zafran keeps bothering Hatta, and in an unexpected moment, Leyla herself discovers the secret that Hatta has been hiding. What secret has Hatta been concealing?

The story follows Sofea, a daughter who is disobedient to her mother and neglects her responsibilities as a mother to her son, Haris. When Haris was young, his father passed away without leaving any inheritance, burdening his mother, Sofea, forcing her to work hard to earn income. To increase her income, Fatimah, Sofea's mother, suggests that Sofea take makeup classes. Sofea begins working in the makeup field and has somewhat helped increase Sofea's income. Unfortunately, Sofea's love and care for Haris begin to be neglected when she marries Iqbal. However, the marriage does not last long when Iqbal is involved in an accident, causing Sofea to lose her savings. Stressed by the loss of money, Sofea reduces Haris's allowance and household expenses. Sofea does not want to continue living in hardship and spends her money going to spas to maintain her appearance in order to find a rich man.

Jaafar (Hairi Safwan) is a village writer who strives to write all the stories of the community that constantly experience joy and sorrow. He also works as a construction laborer and is often oppressed by his employer, Harun. Jaafar rents a house from Ghani, but without Ghani's knowledge, Syakir (Razali Hussain) has been treating Jaafar and the villagers harshly.

Datin Nureen Azalea (Rita Rudaini) celebrates her 15th wedding anniversary with Datuk Nizar (Eizlan Yusof). Datuk Nizar hides his second wife from Datin Nureen's knowledge. Datuk Nizar's marriage to the scandalous woman named Fatin (Dayang Areeda) is exposed when their residence is broken into by a group of robbers. According to one of the robbers, named Iskandar (Jay Iswazir), the woman married by Datuk Nizar is his ex-wife. Moreover, Datin Nureen Azalea is shocked by this revelation, especially when she hears the story from her own husband's mouth. TV film actors No More

The telefilm Epilog Yasmin tells the story of Yasmin and Nasir, an engaged couple who are about to get married. Nasir is a writer who often shares his dreams with Yasmin. Nasir frequently states that his novel will become a "hot seller". Yasmin merely laughs off her fiancé's dream because she considers Nasir's aspirations to be nothing but fantasies. One day, Nasir has an accident and dies without having the chance to complete his novel. After Nasir's death, Yasmin strives to finish the novel for the sake of their love.

An insecure, status-obsessed man spirals into obsession and sabotage after a charming guest calls him “short” at his surprise birthday party.

Ex-convict Dali longs to meet his daughter for the first time. But when a drug raid shatters his chance at redemption, he is hurled into a deadly night that tests his survival and courage.

The movie is inspired by the famous Malaysian urban legend about a mysterious yellow-coloured Volkswagen seen on Karak highway. According to legend, when you see the car on the highway, do not overtake it as it will keep appearing in front of you, and what's worse, no driver seems to be driving the car.

# Translation The story follows Hajar Adira who lost both her parents when she was 5 years old. Since then, she has lived with her aunt, Nazimah. Hajar is constantly abused by Nazimah. Unable to endure the physical and mental abuse she has suffered for 5 years, Hajar desperately flees to Johor to meet her aunt Nasriah. However, upon arriving in Johor Bahru, Hajar becomes lost without knowing where to go. Her meeting with Firdaus, who is waiting for the arrival of his wife Fauziah, has brought Hajar into the lives of this married couple who have not yet been blessed with children. However, her misfortune worsens when her foster mother passes away, while her father becomes paralyzed. This situation indirectly places all responsibility on her shoulders to raise her other siblings. Ikhman appears, a man who often hurts her. Ikhman has fallen in love with Hajar, but his ego becomes an obstacle to confessing his feelings.

# Translation The story tells of Miss Siti who has two close friends, namely Mawar and Teratai. Siti is in love with Awang, but unbeknownst to her, Mawar is also secretly in love with Awang. Teratai, who discovers this, advises Mawar not to betray her close friend. Then, Miss Siti's face is suddenly struck by a mysterious illness with the growth of severe acne. Her condition becomes so severe that the villagers call her a ghost and she is ostracized, insulted and mocked; eventually Awang even abandons her. Disappointed, Miss Siti befriends Nadim, a woodcutter who becomes her confidant. Mawar has instigated Miss Siti to go to Mount Panti to seek treatment from Nenek Kebayan, hoping that Awang will become hers. Miss Siti is determined to go seek treatment from Nenek Kebayan, despite her mother's prohibition. During Miss Siti's absence, Nadim tends to her mother day and night. Moved by Nadim's kindness, Miss Siti's mother promises that she will marry Nadim to Miss Siti.

After the death of her parents, Qaisara works hard to continue life with her younger brother, Qhalish until she successfully opens a café. Now her brother, Qhalish has been engaged to Arisa for two years and is planning to get married but is forced to postpone his desire because he wants to take care of his unmarried sister's feelings, fearing she will be left behind. Qhalish invites his best friend, Radin to become his brother-in-law. After receiving Qhalish's invitation and also pressure from his mother to get married, Radin decides to get to know Qaisara through his own efforts. CAST The cast of the drama Cinta Belum Tamat Tempoh

A story about 3 sisters, Alya, Aimy and Alisa, who have each started their own families. Alya and Aimy married ordinary men living modestly. Meanwhile, Alisa married the son of a wealthy man and lives a luxurious lifestyle. Her lavish life makes Alisa arrogant and she often taunts her sisters who live modestly. Even her children frequently compare their expensive possessions to those of their cousins.

It tells the story of a journalist, Zamarul, who experiences delusions between reality and fantasy as a result of investigating a kidnapping case of a child belonging to a celebrity entrepreneur couple, where the investigation successfully unravels the mystery that happened to him.

Palace watchman is a documentary which follow a group paranormalnamely “The Seekers Team” that try track mystery that residing withinIstana Bilah, old palace that idle in Perak. In Feb 2009, crew a productionTV that undergoing shooting for drama series ’Last Epistolary’ have undergone an experience that horrible and dasyat. Listening to story this, Seekers group decision making to return to that mystery place to investigate the real thing that have occurred and collaborating with WanHasliza (director ’Last Epistolary’).

# Yusuf and Zulaikha: A Love Interrupted This tells the story of Yusuf and Zulaikha who fall in love but are separated along the way. Their first meeting occurs due to a misunderstanding at a commuter station between Yusuf (Shukri Yahaya) and Zulaikha (Nabila Razali), which unexpectedly and unintentionally sparks the seeds of love. Initially, Zulaikha dislikes Yusuf and often plays hard to get when he tries to approach her. Zulaikha is also worried because her mother, Hajar (Liza Abdullah), had warned her not to fall in love with a man in Kuala Lumpur. Hajar is disappointed because her most beloved son, Aakif, never returned to the village after marrying a city girl. Yusuf proposes to Zulaikha but she needs time to convince Hajar. On the same day Zulaikha returns to the village to tell Hajar about Yusuf's proposal, they are shocked by news of an accident that has claimed the lives of Aakif and his wife Maryam. Aakif's death deeply affects Zulaikha.

Sequel to Takluk: Lahad Datu (2024).

The story of Ahmad, a single father who is steadfast despite living in poverty. He perseveres in raising his son who suffers from dyslexia. Ahmad works as a gardener during the day and becomes a clown in the evenings.

The story of Maryam who falls in love with Mikael without realizing that Mikael actually has a split personality. Maryam, a girl who is getting older and whose heart has not opened to a lover after being disappointed before. Until she begins to be approached by someone who speaks well and smiles generously. Unexpectedly, the two of them live in the same condominium. Days pass until a different character in the same body appears in front of Maryam for the first time. This mysterious young man can sometimes transform into someone hot-tempered, rough, evil and all sorts of despicable attitudes! Questions begin to play in Maryam's mind. Who is Mikael? And who is Hafez? Before the matter of Mikael and Hafez even settles, another character emerges—a child named Adam looking for his mother! Maryam becomes even more confused! Who is Adam? Mikael and Maryam's relationship grows closer and almost leads to marriage after pressure from Maryam's father who keeps insisting that she marry soon.

Three men have met and want to find a famous shaman to cure their strange ailments like falling asleep anytime, gentle and hot tempered men. With a strange method of treatment and their acquaintance with Matila has unraveled a secret that needs to be unraveled.

Tells the story of three men who are good friends with a beautiful vampire. However, he had to betray the vampire in order to help the villagers who were permanently disturbed.