Suede's live performance from Milan's City Square in Italy.
Take a musical odyssey through five weird and wonderful decades with brothers Ron & Russell Mael, celebrating the inspiring legacy of Sparks: your favorite band’s favorite band.
SKY ARTS presents Suede's Coming Up (released on Nude Records in 1996) in the Classic Albums series.
In August 1995 Blur and Oasis were engaged in a head-to-head chart battle which divided music fans and led to a wider argument about British pop music. John Harris, journalist and author of The Last Party - the definitive study of the entwinement of music and politics in the 1990s - presents a documentary charting the rise of Britpop, its brief romance with New Labour and the emergence of 'new lad' culture. Finally, as Britpop declines, he asks what legacy it has left. Including contributions from Blur's Graham Coxon, Elastica's Justine Frischmann, Sleeper's Louise Wener, former New Labour insider Darren Kalynuk, and the founder of Creation records, Alan McGee.
The story of the 1995 charity compilation album, "Help!", released to raise funds for the War Child charity.
Two protagonists wrestle with their feelings at a fraught emotional crossroads.
Love and Poison is a live concert video of Suede's show at the Brixton Academy venue on 16 May 1993, notable for performances of songs from their debut album Suede and early B-sides.
A journey through some of the finest moments of acoustic guitar performances from the BBC archives, from Jimmy Page's television debut in 1958 to Noel Gallagher and Biffy Clyro.
Suede LIVE at Phoenix Festival, 1995.
Suede brings their fourth studio album 'Head Music' to Tokyo.
More than two decades after it left our screens, BBC Two’s iconic and much-loved music documentary series, Rock Family Trees, is back for a one-off special. The iconic music documentary series returns to examine the real story behind the birth of Britpop and how a handful of like-minded musicians, struggling to find an authentic voice, would pave the way for a revolution in British music. It is an intricately connected story of three of the biggest bands of the 1990s – Suede, Elastica and Blur – and how, for a brief moment in the middle of that decade, they changed British music forever, kickstarting a movement that still reverberates to this day.
Suede performing live in concert at the Roundhouse, London, in 1996 during their tour of the 'Coming Up' album.
Suede's live performance at the Justin Herman Plaza.
Lost In TV is a complete collection of Suede's music videos, arranged in chronological order. It reveals a band that has fallen repeatedly in and out of love with the video medium over the course of four albums. It begins with a low-budget performance clip for their first single, "The Drowners", in which all Suede's members are clearly, and rather endearingly, putting on poses they've been rehearsing and imagining for years. And it ends with "Can't Get Enough", which they couldn't rouse themselves to turn up for, instead allowing the song to soundtrack a short, though undeniably amusing, film about revenge. In between the quality varies with Suede's enthusiasm. Some of the videos here are every bit as awful as the band think, especially the altogether bewildering "Stay Together". Others they should give themselves more credit for "The Wild Ones", for example, retains a haunting quality that was worth any amount of plodding around a freezing Dartmoor.
Taylor Swift takes the stage in Dallas for the Reputation Stadium Tour and celebrates a monumental night of music, memories and visual magic.
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Trip, a young roadie for Metallica, is sent on an urgent mission during the band's show. But what seems like a simple assignment turns into a surreal adventure.
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Lost In TV is a complete collection of Suede's music videos, arranged in chronological order. It reveals a band that has fallen repeatedly in and out of love with the video medium over the course of four albums. It begins with a low-budget performance clip for their first single, "The Drowners", in which all Suede's members are clearly, and rather endearingly, putting on poses they've been rehearsing and imagining for years. And it ends with "Can't Get Enough", which they couldn't rouse themselves to turn up for, instead allowing the song to soundtrack a short, though undeniably amusing, film about revenge. In between the quality varies with Suede's enthusiasm. Some of the videos here are every bit as awful as the band think, especially the altogether bewildering "Stay Together". Others they should give themselves more credit for "The Wild Ones", for example, retains a haunting quality that was worth any amount of plodding around a freezing Dartmoor.
Shares 4 cast members
In the town of Normal Valley, an eccentric magician named Maestro entertains the local children every day in his spooky mansion. One stormy night, the town's mayor leads a group of angry citizens to the mansion in an attempt to run Maestro out of town.
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Nearly 2 hours of the short films that made HIStory... Including never before released short films.
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At a sold-out concert in her hometown of LA, Olivia Rodrigo pours her heart into an electrifying night of chart-topping hits and pop-rock power ballads.
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Love and Poison is a live concert video of Suede's show at the Brixton Academy venue on 16 May 1993, notable for performances of songs from their debut album Suede and early B-sides.
Shares 4 cast members
Suede LIVE at Phoenix Festival, 1995.
Shares 3 cast members
Suede performing live in concert at the Roundhouse, London, in 1996 during their tour of the 'Coming Up' album.
Shares 3 cast members
Suede brings their fourth studio album 'Head Music' to Tokyo.
Shares 3 cast members
Bored socialite Florence Pancho Barnes decides to learn to fly.
A young female writer whose father was a militant activist struggles to come to terms with this cumbersome legacy.
Looking at identity, power, happiness, self-destruction and acceptance, this is a thematic exploration of a group that opened the door for Britpop and led the way for a new era of guitar music.
Shamelessly, Jürgen Brüning samples and remixes clips and scraps of material from his own work as a director and producer (among others for Bruce LaBruce & Shu Lea Cheang) with borrowed pop cultural references from around the world for this video essay on gay identity. His reflections are connected by songs that address miscellaneous news and social issues with egalitarian verve, sung by hot guys in a public toilet. A film full of meandering associations and unexplained references, it's at the same time a political musical and the taking stock of a romantic revolutionary. Anti-religious, anti-authoritarian and somehow also a bit anti-everything!
After an audacious jewellery robbery the whole James family heads for home on the run with the obsessive detective Julia Armstrong in hot pursuit.
