Steven Wilson - The Overview

Miles Davis – Montreux Jazz Festival (1989) captures the legendary trumpeter's electric-era performance at the Casino de Montreux on July 21, 1989, as part of the annual Montreux Jazz Festival. The set brought together a tight band featuring Rick Margitza (tenor sax), Kei Akagi (keyboards), Adam Holzman (keyboards), Joe "Foley" McCreary and Benny Rietveld (basses), Ricky Wellman (drums), and Monyungo Jackson (percussion), with a guest appearance by Chaka Khan on "Human Nature". Nestled in the electric fusion phase of his career, the performance weaves together introspective originals like "Intruder," "New Blues," "Perfect Way," "Hannibal," and "Tutu," with emotive reinterpretations of pop repertoire.

Hand. Cannot. Erase. (2015) was recorded at London’s AIR Studios and saw Steven Wilson reuniting with Guthrie Govan (guitar), Adam Holzman (keyboards), Theo Travis (flute/sax), Nick Beggs (bass/stick), and Marco Minnemann (drums). “Hand. Cannot. Erase. is an album rooted in sonic and spiritual modernity… an inventive blend of bleak and brooding industrial soundscapes.” — The Guardian Hand. Cannot. Erase. is written from a female perspective; the concept and story were inspired by the case of Joyce Carol Vincent, a woman living in a large city who died in her apartment and went unnoticed for over two years, despite having family and friends.

"Wuthering Nights: Live in Birmingham" is a live album by Steve Hackett and his band. The title is a combination of 'Wind & Wuthering', the last studio album by Genesis on which Hackett played, and Hackett's album 'The Night Siren', which was released prior to this live album. Hackett did not play 'Wot Gorilla' from 'Wind & Wuthering', of course; the decision by the other members of Genesis to put this song on the album instead of 'Inside And Out' was one of the reasons for Hackett's departure. 'All In A Mouse's Night' is also missing. Recordings for the live album took place in May 2017 during concerts at the Symphony Hall in Birmingham.

This is the high resolution Blu-Ray format version of the Steven Wilson Grace for Drowning Release. It features the Album in hi resolution 5.1 stereo audio plus 2 bonus tracks, six work in progress demo versions and 5 promo videos. Tracklist: 1. Grace for Drowning 2. Sectarian 3. Deform to Form a Star 4. No Part of Me 5. Postcard 6. Raider Prelude 7. Remainder the Black Dog 8. Belle De Jour 9. Index 10. Track One 11. Raider II 12. Like Dust I Have Cleared from My Eye

The Raven That Refused to Sing (and Other Stories) is the third solo album by Steven Wilson, released by Kscope on 25 February 2013. Each track on the album is based on a story of the supernatural. Alan Parsons, who had previously been involved in the creation of Pink Floyd’s The Dark Side of the Moon, was responsible for engineering the album. Tracklist: Luminol, Drive Home, The Holy Drinker, The Pin Drop, The Watchmaker, The Raven That Refused to Sing

The video documents Steven Wilson's first ever solo tour in October 2011, performed throughout Europe with a six-piece band comprising Nick Beggs on bass, Marco Minnemann on drums, Aziz Ibrahim on guitar, Adam Holzman on keyboards, and Theo Travis on saxophone, flute and clarinet. The setlist runs to 70 minutes across six tracks, closing with the 24-minute Raider II. Also included are Lasse Hoile's live visual films for Index, Sectarian, Veneno Para Las Hadas and Raider II.

4 1⁄2 is a mini-album by British musician Steven Wilson. It was released on 22 January 2016. It collects songs that were written during the sessions for Wilson's previous two studio albums.

In March of 2018, Steven Wilson played a sell-out three night residency at one of the world's most iconic venues: London's Royal Albert Hall. Coming at the tail end of a lengthy European tour, these concerts were the crowning achievement of an incredible seven-month period that began with the release of Wilson's fifth album, To The Bone. This release is put together from footage filmed on the final night of that run. Multiple cameras from every conceivable angle in the auditorium and on the stage, and the audio has been specially mixed by Steven in both 5.1 surround and stereo.

In 1991 the young band that toured with Miles Davis in his later years reformed for an album and a tour in Japan under the name ESP. Three years later in 1994 the band returned as ESP2. This concert, which was recorded at the Jazz Open Stuttgart in July 1994, featuring Carla Cook on vocals, includes the music of Miles Davis and forms an empathetic and lasting tribute to the legendary trumpeter.

Closure/Continuation. Live. Amsterdam 07/11/22 documents Porcupine Tree’s triumphant return to the stage perfectly. A live recording captured on 7th November 2022 at Amsterdam’s 17,000 capacity Ziggo Dome, it places the listener/viewer right at the heart of the stage for the duration of the show as psychotropic visuals explode behind the band as they play a superlative set of songs that features - to use Steven Wilson’s words - “no hits”, where each one is received like an anthem from an alternate universe. Closure/Continuation Live includes live recordings of much of their 2022 reunion album (including the singles Harridan and Of The New Day) as well as classic tracks like Trains, Fear of a Blank Planet and Anesthetize.

85 minute documentary shot by Lasse Hoile over a period of 3 months

Filmed in Mexico City and directed by long-time visual collaborator Lasse Hoile during the Grace For Drowning Tour, the set is a superb representation of the spectacular live experience that Wilson and Hoile created for the tour. The shows submerged fans in a rich sensory experience: rear speakers provide surround-sound effects, giant screens show off Lasse's films made specifically to accompany these songs, and cutting-edge lighting designs giving texture to each song. Get All You Deserve captures one of the key shows from the tour. Recorded at a sold-out Teatro Metropolitan in Mexico City, the gig features tracks from both Wilson's solo albums along with the new, as yet unreleased, track Luminol.

With their already existing three studio albums, The Tangent have proved that even today you can still pull a dedicated fanbase with classic progressive rock with Canterbury elements. The fact that The Tangent are also an excellent live band is demonstrated on their first DVD. Luxury edition with DVD and two CDs in DVD digipak with slipcase that is limited to 3.000 copies worldwide. The DVD contains a bonus live recording of Tillison's first band, which was formed in 1981. The double CD features, in addition to the DVD titles, four further tracks including cover versions of '21st Century Schiziod Man' by King Crimson and 'America' by The Nice.

A complete document of the final concert of the European leg of Steven Wilson's hugely acclaimed The Overview tour. Recorded in front of a lively Madrid audience, the 2 hour plus show has been mixed from the multitracks by SW in stereo, 5.1, and Dolby Atmos.

When Theo Travis began experimenting with long-form improvised instrumentals for duduk – a woodwind instrument from Armenia sometimes described as ‘the saddest sounding instrument in the world’, he could hardly have imagined a world in which such a one-hour piece would clock up in excess of a million plays on YouTube. Yet that is precisely what happened, with the multi-functional music finding fans purely in its own terms as well as for an array of uses from meditation to yoga, to relaxation & more. Something about the sound, the performances, the context, found, built & maintained a much wider audience than most, far more mainstream music, all without hype, marketing or a dedicated record label supporting the release.