Station to Station

After getting a green card in exchange for assassinating a Cuban government official, Tony Montana stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.

For Lieutenant Pete 'Maverick' Mitchell and his friend and co-pilot Nick 'Goose' Bradshaw, being accepted into an elite training school for fighter pilots is a dream come true. But a tragedy, as well as personal demons, will threaten Pete's dreams of becoming an ace pilot.

Lincoln Hawk a hard-luck big-rig trucker takes us under the glaring Las Vegas lights for all the boisterous action of the World Armwrestling Championship. Relying on wits and willpower, Hawk tries to rebuild his life by capturing the first-place prize money, and the love of the son he abandoned years earlier into the keeping of his rich, ruthless father-in-law.

Billy Hayes is caught attempting to smuggle drugs out of a country. The courts decide to make an example of him, sentencing him to more than 30 years in prison. Hayes has two opportunities for release: the appeals made by his lawyer, his family, and the American government, or the "Midnight Express".

Alex Owens, a young woman juggling between two odd jobs, aspires to become a successful ballet dancer. Nick, who is her boss and lover, supports and encourages her to fulfil her dream.

Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his clients is murdered and Detective Sunday begins pumping him for details on his different clients, something he is reluctant to do considering the nature of his work. Julian begins to suspect he's being framed. Meanwhile Michelle begins to fall in love with him.

Martin Scorsese's documentary intertwines footage from The Band's incredible farewell tour with probing backstage interviews and featured performances by Eric Clapton, Bob Dylan, Joni Mitchell, Van Morrison, and other rock legends.

During the same summer as Woodstock, over 300,000 people attended the Harlem Cultural Festival, celebrating African American music and culture, and promoting Black pride and unity. The footage from the festival sat in a basement, unseen for over 50 years, keeping this incredible event in America's history lost — until now.

A small southern town has just been rocked by a tragedy: a young white woman has been raped by a black man. When young black man Garth witnesses the Ku Klux Klan's violent retaliation against his innocent friend, Garth declares a one-man war on the Klan and hunts them down one-by-one.

A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.

Three generations of powerful soul divas come together in this glittering collection of blistering live performances and classic videos. From Mavis Staples to Beyoncé ... from Mary Wells to Lauryn Hill ... the proud heart of female soul has never been more exciting.

A once-in-a-lifetime concert celebrating 15 million record-selling 13 time Grammy Award-winning, three-time CMA Award recipient, and two-time Americana Awards winner, Emmylou Harris. Recorded at the famous DAR Constitution Hall in Washington, D.C. January 10, 2015.

It's got that Purple Rain feeling through and though. And it's got The Kid, too! For the first time since Purple Rain, Prince is back as The Kid. And where he goes, there's music! With Thieves in the Temple, New Power Generation, Elephants and Flowers and more red-hot Prince tunes from the Platinum-selling Graffiti Bridge soundtrack. What time is it? Party time! Morris Day and the Time play Release It, Shake! and more. And you'll also see and hear George Clinton, Tevin Campbell, Robin Power, Mavis Staples and other hot performers, too. Graffiti Bridge is where the movie meets the music. Cross over on it now.

Lightscape is a captivating, hallucinatory portrait of the contemporary world, addressing a future hovering on the horizon. Accelerating through the diverse landscapes of the American West Coast like a sinuous, lucid dream the narrative seamlessly flows from character to character almost entirely without language or conventional dramatic structure. Instead, we move through an unpredictable series of interconnected encounters always driven by sound and music. The characters of Lightscape are in constant motion, navigating a wild, beautiful and at times, haunting modern world.

On a talkshow, actor and German TV ikon Joachim Fuchsberger recalls how the games for his show "Nur nicht nervös werden" (Don't Get Nervous), first broadcast on West German TV in 1960, were developed along the lines of American psychiatry. Asked "So how many crazy people watched you?", he responded: "A whole crazy, psychologically disturbed nation". Why were the Germans or to be more precise, the West Germans, a psychologically disturbed nation at that time? This is a film about cheerful and serious games, therapies for re-education and self-imposed re-education, as well as the history of the idea of permanent revolution. Those appearing include directors and producers of gameshows, psychiatrists, anthropologists, and the diversely paranoid.

A look at the life and music of legendary singer and civil rights activist, Mavis Staples.

A chronicle of Bob Dylan's strange evolution between 1961 and 1966 from folk singer to protest singer to "voice of a generation" to rock star.

Tells the history and importance of The National Film Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself.

On February 7th, 2003, renowned artists across multiple music genres and generations commandeered the stage at New York City's Radio City Music Hall to pay tribute to their common heritage and passion - the blues. Shared with thousands of fans in attendance, legendary performers from roots, rock, jazz and rap joined forces for a once-in-a-lifetime "Salute To The Blues" benefit concert whose proceeds went to musical education.

A bike messenger, an electrician, a postal worker, a business man and an office worker make their way through an evening in New York City. A collection of eight large-scale moving images projected on the walls of New York's Museum of Modern Art.

This film covers the early history of post World War II educational films, especially those involving traffic safety by the Highway Safety Foundation under direction of Richard Wayman. In the name of promoting safe driving in teenagers, these films became notorious for their gory depiction of accidents to shock their audiences to make their point. The film also covers the role of safety films of this era, their effect on North American teenage culture, the struggle between idealism and lurid exploitation and how they reflected the larger society concerns of the time that adults projected onto their youth.

A dream walk through the United States of America; a meditation on the thoughts and ideals of its inhabitants, as they are exposed in their silent but eloquent home movies.

This documentary short takes you inside the fascinating world of film preservation and restoration.

All-Is-Well collects ordinary adventures remembered only because they survive in home movies. Against a backdrop of distant news events, kids stampede for Easter eggs; horses run together; families read pulps and shoot craps; cooks fry; tin-can tourists work hard at leisure; people pose, clown and drink, pull back the husks of sweet corn. For them and for us, remaking the ephemeral gesture is both a small pleasure and an act of survival. The home movie segments used in the film date from 1930 to 1969, the period in which the near-infinite and mostly-unseen archive of home movies that awaits our attention was born.

While hiding from bullies in his school's attic, a young boy discovers the extraordinary land of Fantasia, through a magical book called The Neverending Story. The book tells the tale of Atreyu, a young warrior who, with the help of a luck dragon named Falkor, must save Fantasia from the destruction of The Nothing.

Aiming to defeat the Man of Steel, wealthy executive Ross Webster hires bumbling but brilliant Gus Gorman to develop synthetic kryptonite, which yields some unexpected psychological effects. Between rekindling romance with his high school sweetheart and saving himself, Superman must contend with a powerful supercomputer.

Ace assassin Frank Kitchen is double crossed by gangsters and falls into the hands of rogue surgeon known as The Doctor who turns him into a woman. The hitman, now a hitwoman, sets out for revenge, aided by a nurse named Johnnie who also has secrets.

After years of separation, Irena Gallier and her minister brother, Paul, reunite in New Orleans. When zoologists capture a wild panther, Irena is drawn to the cat – and zoo curator Oliver to her. Soon, Paul will have to reveal the family secret: that when sexually aroused, they revert into predatory jungle cats.

Clyde Williams and Billy Foster are a couple of blue-collar workers in Atlanta who have promised to raise funds for their fraternal order, the Brothers and Sisters of Shaka. However, their method for raising the money involves travelling to New Orleans and rigging a boxing match.

Aitken wanted to create three music videos, each with their own narrative, to be aired separately at different times as part of his commercial production. The resulting video, shown in galleries, fuses together the three separate narratives in a non-linear fashion. Located on the precipice between the oft-thought mutually exclusive realms of art and entertainment, Autumn stands as an emblematic example of Aitken's video practice, investigating the cultural numbness generated by the flow of media images.

An installation commissioned to be projected on the outer ring of the Hirshhorn Museum and Sculpture Garden in Washington, D.C.

In Doug Aitken’s cinemascope-like, walk-in, multi-sectioned, video installation, the public is transported into the atmosphere of an airport by night. A flaming car and an abandoned shopping cart compliment the eerie scenario while, in a parallel world, a noiseless, black rapper sashays through an urban landscape.