Sound of Youth

A young magistrate recalls three tales of heinous crimes committed by women, and the brutal punishments that ensued.

After being cruelly set up and deceived by Sugimi, a detective in cahoots with the mob with whom she was whole-heartedly in love, Matsushima’s desire for revenge knows no bounds.

A Japanese bullet train is threatened with a bomb that will explode automatically if the train slows below 80 km/h, unless a ransom is paid. Police race to find the bombers so the train crew can learn how to defuse the bomb.

Kumi Taguchi is a model who leaves her boxer boyfriend after he sustains an injury. She meets and quickly marries Hideo, the heir to a corporate empire. Hideo's father, Takehiko, lusts after Kumi. Takehiko sends his son away, ostensibly on a business trip, but actually so that he can be murdered by Takehiko's henchmen. Takehiko seduces Kumi, but is frustrated when she refuses to perform oral sex on him. Angered, Takehiko forces Kumi to undergo surgery in which her clitoris is transferred to her throat, thereby requiring that she engage in oral sex in order to have an orgasm. Hideo, the supposedly murdered son, returns having paid off his assassins. Hideo shoots and kills his father, but Kumi grabs the gun and kills Hideo so that she can inherit the family's fortune

Widower Shuhei Hirayama's caretaker is his 24-year-old daughter, Michiko. Gradually, he comes to realize that Michiko should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.

Feeling unhappy with his gun, Jigen is looking for the world’s best gunsmith. He finally finds out that Chiharu, who runs a watch shop, is the person he’s been seeking. Then, Jigen meets Oto, who comes to Chiharu’s shop looking for a gun. Jigen finds out about Oto's secrets and the mysterious organization that’s after her. After Oto is kidnapped, Jigen gets into a desperate battle to save her.

Wataru's outwardly liberal views on marriage are severely tested when his daughter declares her love for a coworker and is adamant to live her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.

After their lord is tricked into committing ritual suicide, forty-seven samurai warriors await the chance to avenge their master and reclaim their honor.

After handing in a report on the treatment of Chinese colonial labor, Kaji is offered the post of labour chief at a large mining operation in Manchuria, which also grants him exemption from military service. He accepts and moves with his newlywed wife Michiko, but when he tries to put his ideas of more humane treatment into practice, he finds himself at odds with scheming officials, cruel foremen, and the military police.

Kaji, sent to the Japanese army labeled Red, witnesses cruelties in the army and revolts against the abusive treatment against a fellow recruit. He also sees his friend Shinjô defecting to the Russian border, and he ends in the front to fight a lost battle against the Russian tanks division.

A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.

In Osaka's slum, capricious folks without futures engage in pilfering, assault and robbery, prostitution, and the trading of ID cards and blood.

Two boys beg their parents for a television set, nagging them until all patience is lost. The parents order the boys to be quiet and the boys do exactly that--refusing to utter a word. The boys' silence ultimately puts the whole neighborhood into turmoil.

A cosmetics company president launches an aggressive new business strategy while balancing corporate pressure, romantic entanglements, and a high-profile international partnership.

18 years after the mysterious death of her mother, Maya takes religious vows to find out what terrible things happened to her mother inside the Sacred Heart Convent. As soon as the door closes to the nunnery, the nuns start torturing her. She also has to deal with a lecherous archbishops and a lesbian mother superior.

A man is involved in a fatal car accident, and though he is blameless, his company transfers him to a remote branch in a small town. Before he leaves, he gives the man's widow a large sum of money that she uses to move back to her hometown.

When Koichi Takahasi (Miutani) is transferred from Tokyo to a small village in Iwate Prefecture, they set up hoe in a two-hundred year-old farmhouse. The family is split between those who hate the move and those who are happy. Fumiko (Yasuda), the wife, is unhappy at the change and doesn’t get on with her elderly neighbours, Azumi (Hashimoto) is sad about having to transfer to a new school. Koichi’s mother, Sumiyo (Kusabue), rather likes the new community while young Tomoya Takahashi (Hamada) really enjoys the new move because he can play outdoors. Koichi takes note of the split in the family but finds himself struggling at his new job. Thankfully the house has Zashiki Warashi (yokai) living there who will unite them with their antics. Judging by the poster these antics won’t be terrifying.

The Nakata family, father, mother, son Hideo, and daughters Taeko and Akiko live in the poorer section of modern Tokyo. Their troubles start when the father leaves with another woman, returns after he is rejected, and leaves again with the family's money.

In 1863, when American warships approach Japan, an enigmatic ronin becomes an important figure in a complex game of power between the Shogunate and the empire.

Japan and Russia clash in what comes to be known as the Russo-Japanese War. An attempt by the Japanese fleet and army to take Port Arthur fails, and a Russian fleet bears down on the Sea of Japan. Admiral Heihachiro Togo sends his fleet to confront the Russians, with results which stun both nations. Meanwhile, Major Genjiro Akashi makes secret negotiations with the Bolshevik revolutionaries in Russia, negotiations that have repercussions far beyond the conflict at hand.

This time, Kousuke investigates a murder in a hospital. The murderer leaves misleading evidence to divert Kousuke's attention on the case. Suspicion and doubt clouds Kousuke's mind.

Tashiro coincidentally meets his best friend Sugimoto in a bar very close to the apartment in which Sugimoto’s wayward wife is found dead. Although Tashiro is not a suspect in the police investigation, he is racked with guilt and confesses to his wife, Masako. In an effort to further relieve his tortured sense of guilt, he then confesses to Sugimoto. Neither his wife nor his friend can believe that he could have been involved.

The common-law wife and daughter of a wealthy old man plot to murder him and steal his fortune, with the help of their male acquaintances.

One of Uchida’s early sound films, Unending Advance is based on a curious story by Yasujiro Ozu, in which an examination of the quotidian problems of a middle-aged salaryman and his family segues into an idyllic dream of an implausible future. The surviving print, although incomplete, offers an essential glimpse into Uchida’s prewar period, when he was associated more with realist dramas than with the period films that dominated his work after the war.

Tane, the lady proprietor of an inn for amorous couples, lives there with her three children. When her eldest daughter loses her fiancé due to the fact her mother is a mistress, her despair drives her to become a cabaret hostess.

A young man hands in his notice at work and breaks up with his girlfriend in order to pursue his true nature and dream of shaping the world according to his own desires. Against all the odds, he manages to push through his business idea – the foundation of an airline. At the same time, his ex-girlfriend refuses to accept their separation and attempts to force her way back into his life by any means possible. He in turn feels attracted to a young woman, who turns out to be the wife of one of his airline investors and who has herself had a secret lover for several years.

When a tycoon passes away, he unexpectedly leaves the family fortune to outsider Tamayo on the condition that she marries one of the grandsons, pitting blood against blood.

A scruffy detective investigates the murders of three sisters on a small Japanese island in 1946.

1961 Japanese movie

Based on the novel of the same name by Seichô Matsumoto.

Akiko divorces her husband Fujikawa due to his infidelity, and when she returns to her parents' home, she finds that her family's toy factory is in decline, and she has to work hard to rebuild it. Thanks to the mediation of Niimura, who is a close friend of her brother Shinichi and has feelings for Akiko, they are able to secure a sales contract with a foreign trading company for the toy that Shinichi invented. However, Fujikawa, who has a grudge against Akiko, begins to interfere by making cheap imitations...

This film depicts women who throw themselves into the world of call girls as an easy way to make a living and seek pleasure, only to ruin their lives through money and sex.

Watanabe Kazuma and Kawai Matagorō from the Bizen Okayama Ikeda clan were close friends, but they inevitably became enemies after Matagorō killed Kazuma's younger brother, Gentayū, and fled. Seeking assistance, Kazuma asked his brother-in-law, Araki Mataemon, for help, but Mataemon refused, saying that it was against the code for a brother to avenge another brother's death. On the other hand, the lord of the clan, Ikeda Tadao, ordered a search for Matagorō, who was found to be sheltered by the Hatamoto, including Andō Jiemon, in Edo. Tadao was furious but unable to act. Matagorō, in Edo, came to regret his birth as a samurai. He met and fell in love with Okō, a bathhouse maid. As the discord between the Hatamoto and the Ikeda clan deepened, Tadao died of illness. Seizing the opportunity to ease the conflict, the shogunate ordered the Ikeda clan to be succeeded by the young lord Katsugorō and to relocate to the Ikeda clan of Inshū Tottori. Meanwhile, Matagorō was exiled from Edo.