For three difficult orphans living by her aunt the former employee of the family searches a new premouth; he releases with it a result of tumultuous involvements. - Humble-entertaining mistake farce, completely fitted on Hans Moser.
For three difficult orphans living by her aunt the former employee of the family searches a new premouth; he releases with it a result of tumultuous involvements. - Humble-entertaining mistake farce, completely fitted on Hans Moser.
Mathilde Kratzer owns the entertainment venue "Bei Mathilde" (At Mathilde's). Her roommate Max also has a financial stake in the establishment, but only as a silent partner, which is why he works either as Mathilde's servant or as the bouncer. He would love to rename the venue "Bei Max und Mathilde" (At Max and Mathilde's), but Mathilde would rather return his investment. Because she can't afford to do so, Max is in financial trouble and is being relentlessly pursued by the tax authorities.
Eberhard gets into a brawl with Dr. Spindler not knowing that he just slapped his boss. To avoid the embarrassment Eberhard asks his friend Frank to substitute for him in the meeting with Dr. Spindler. Which accelerates the ensuing chaos.
A foreign pianist who comes to visit Paris is ripped off by a young man and his sister. But he soon falls in love with this one.
In the crazy twenties, safecracker Orje is released from prison and, through the mediation of his friend Nelly, finds a job at the "Sparverein Biene". The honorable gentlemen train him as a pimp, but because he is bored, he starts an affair with Olga. Soon his colleagues are planning his murder.
During rehearsals for a provocative stage play, director Gregor clashes with young actress Dinah, who resists performing an intimate love scene. To challenge her views, he guides the cast through a series of imaginative theatrical tableaux spanning the history of love, art, and desire. As rehearsal and fantasy blur, past ideals confront modern attitudes, forcing the actors to reconsider what intimacy and morality mean both onstage and off.
Daisy, the daughter of Hellmann, a millionaire toy inventor, is a reporter for Damenwelt, a women’s magazine. In a series of reports, she sets out to prove what men are really like. Above all, Daisy’s aunt is thrilled by her niece’s journalistic zeal, while her father reacts with less enthusiasm, especially since Daisy’s methods keep drawing warnings from the police for causing a public nuisance.
Despite their social differences Luise, called Pünktchen, a girl from rich parentage befriends Anton, a boy who has to earn his own money in order to afford life for his sick mother and himself. Together they undergo different adventures, even preventing a theft in Pünktchens home
West Germany in '50s is becoming an economic superpower. In such climate, Rosemarie is just one of many enterpreneurs who wants her piece of new fortune. She uses her charms to bring members of West German industrial elite to her bed. There she finds business secrets and later sells them to French competition. However, when scandal errupts, Rosemarie would find that she can't beat the system.
Who said a patchwork family is without problems? Two years after the turbulence of Kokowääh, everyday life turns to everyday chaos…
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Mathilde Kratzer owns the entertainment venue "Bei Mathilde" (At Mathilde's). Her roommate Max also has a financial stake in the establishment, but only as a silent partner, which is why he works either as Mathilde's servant or as the bouncer. He would love to rename the venue "Bei Max und Mathilde" (At Max and Mathilde's), but Mathilde would rather return his investment. Because she can't afford to do so, Max is in financial trouble and is being relentlessly pursued by the tax authorities.
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