A treat for adults and children alike - and following this ballet's successful premiere in Spain, "Snow White" is now available to all. Covent Garden's celebrated prima ballerina Tamara Rojo took time off from the Royal Ballet to return home and star in this delightful version of the beloved fairy tale. With a new score by Spain's popular conductor-composer Emilio Aragón, "Snow White" was acclaimed at its 2005 premiere: "Rojo recalls those earlier ballerina-heroines capable of making classical into a sublime religion" (El País, Madrid).
A fledgling ballerina falls in love with a brilliant composer, but the jealous head of the ballet company plots to drive them apart.
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American ballet dancer Joy Womack is accepted into Moscow's infamously tough Bolshoi Ballet Academy, with the dream of becoming a great ballerina.
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A Broadway artiste turns a faded film star's comeback vehicle into an artsy flop.
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Set to the music of popular hit 1980s songs. A beautiful coastal village, present day Italy. After a whirlwind romance, Maddie is preparing to marry gorgeous Italian Raf, and has invited her sister Taylor to the wedding. Unbeknownst to Maddie, however, Raf is Taylor's ex-holiday flame, and the love of her life...
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A committed dancer struggles to maintain her sanity after winning the lead role in a production of Tchaikovsky's "Swan Lake."
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Two dancers at an elite ballet academy in Paris must compete for a contract to join the highly coveted Opéra National de Paris as they confront their competitive nature, sexual awakenings and how far they would go to win.
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A washed-up filmmaker gets a second chance at stardom when he discovers stunning peasant Maria Vargas dancing in a Madrid nightclub. Goaded by his producer, the director convinces Maria to screen test for, and then star in, his next big picture. But as the producer's possessive nature and the realities of stardom weigh on Maria, she seeks a genuine lover with whom she can escape.
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As young dancers, they were best friends and fierce rivals. Deedee left the stage for marriage and motherhood, while Emma would become an international ballet icon. But when Deedee's teenage daughter is invited to join Emma's dance company and begins an affair with a young Russian star, the two women are forced to confront the choices they've made, the resentments they've hidden and the emotional truths they must face at the turning point.
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A former professional dancer volunteers to teach dance in the New York public school system and, while his background first clashes with his students' tastes, together they create a completely new style of dance. Based on the story of ballroom dancer, Pierre Dulane.
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Forced to give up his land and home, Texas rancher Red Bovie isn't about to retire quietly in a dismal trailer park. Instead he hops in his Cadillac and hits the road with his estranged grandson for one last wild adventure filled with guns, women and booze. It’s just another night in Old Mexico.
Same director
The diversity of Wayne McGregor's astonishing talent is demonstrated through Chroma, Infra and Limen, each created for The Royal Ballet, for whom he is resident choreographer. Intimate yet universal, light yet dark, frenetic yet lyrical, McGregor pursues his passion for exploring the inner workings of the human body and mind, his many-layered and beautiful dances providing visual, sensual and kinaesthetic stimulus for the viewer. Works: Chroma (Talbot; White III); Infra (Richter); Limen (Saariaho).
Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.
Nureyev & Friends, filmed in HD at Le Palais de Congres in May 2013, features dancers from the world’s finest ballet companies paying tribute to him in an exceptionally prestigious dance gala celebrating the 75th anniversary of his birth.
Marius Petipa’s exotic ballet set in legendary India is a story of love, death and vengeful judgement. Natalia Makarova’s sumptuous recreation of Petipa’s choreography, with atmospheric sets by Pier Luigi Samaritini and beautiful costumes by Yolanda Sonnabend, stars Tamara Rojo as the Bayadère (temple dancer) Nikiya, Carlos Acosta as Solor, and Marianela Nuñez as Gamzatti, whose alluring presence challenges Solor’s love for Nikiya. Live performance recorded in 2009.
The Royal Ballet performs a production of Manon, starring Tamara Rojo in the title role with the world-famous dancer Carlos Acosta as her lover Des Grieux. In decadent 18th century Paris, the young, beautiful and naive Manon is torn between a life of privilege and luxury with the wealthy Monsieur GM or love with the poor student Des Grieux. Manon has become one the Royal Ballet's signature works since its creation by choreographer Kenneth MacMillan in 1974. This typically sumptuous production is designed by Nicholas Georgiadis and staged by Monica Mason and Monica Parker.
Tamara Rojo, dancer and artistic director of English National Ballet, explores Giselle - the first great Romantic ballet, and a defining role for any ballerina. Through two radically contrasting 2016 productions - a traditional 19th-century recreation, and a gritty reimagining of the work by celebrated Anglo-Bangladeshi choreographer Akram Khan - Rojo examines the cultural and social background to the ballet’s genesis in 1840s Paris, and the spiritual themes that have fuelled its success over the last 175 years. Giselle is the story of a young peasant girl who personifies all that is good in life, and ultimately forgives the aristocrat who has seduced and betrayed her. With Giselle, the look and emotional heart of ballet was transformed forever, from mime-based storytelling to a fusion of emotion, music and movement, formulating a tradition that has inspired audiences, dancers and choreographers ever since.
Hailed as a masterpiece of 21st century dance, Akram Khan’s Giselle comes to cinemas for the first time with Artistic Director, Tamara Rojo, dancing the role of Giselle, one of a community of migrant workers cast out of their jobs in a condemned garment factory. The classic story of love, betrayal and redemption has been reimagined in this stunning new version, with sets and costumes by Academy-Award winning designer Tim Yip (Crouching Tiger Hidden Dragon), an ‘ominous, gothic’ (The Observer) adaptation of Adolphe Adam’s original score by composer Vincenzo Lamagna and performed by English National Ballet Philharmonic, dramaturgy from Ruth Little and lighting design from Tony Award-winner Mark Henderson. Filmed live at the Liverpool Empire in October 2017, Akram Khan’s Giselle is directed for the screen by Ross MacGibbon.
Carlos Acosta dances as one of the two star-crossed lovers in Shakespeare's timeless tragedy, presented with the classic Kenneth MacMillan choreography and beautifully staged by The Royal Ballet. In this perennial favourite, Carlos Acosta dances alongside Tamara Rojo in a celebrated stage partnership. The drama of the doomed lovers is set against the ravishing sets and costumes designs of Nicholas Georgiadis.
One of several collaborative dance films by the Brothers Quay & (dancer, choreographer) William Tuckett. Little enough info around on line, but there's briefly by way of Wikipedia entry. Adapted rather loosely from the works of the E.T.A. Hoffman. Familiar Quays' tropes, much in evidence: automata, trompe l'oeil effects, etc. No credit on the sound design (which is fairly elaborate), tho' that is possibly Larry Sider.
Ravel's work was choreographed by Frederick Ashton for a staging by Sadler's Wells Ballet (now The Royal Ballet) at Covent Garden on 5 April 1951, with Margot Fonteyn as Chloe and Michael Somes as Daphnis; decor was by John Craxton.
