More young cinephiles in part three of Skorecki's three part film.
Shares a lead actor · Same director
Esther and André are a part of a group of young people. They go to the cinema and speak about it often. They love each other from time to time; the group eventually comes undone. Jean is in fact the only true cinema enthusiast. Coming back from the cinema, he watches TV and thinks that, certainly, the cinema is buried well and truly.
Shares 2 cast members · Same director
Christina Goering and Frieda Copperfield suddenly decide to abandon their suffocating universe. They embark on a trip around the world in search of an impossible sanctity.
Shares a lead actor · Same director
Reflection on the relationship between image and voice-over in cinema, punctuated by the reading of a short story by Sade recounting the incestuous love of a father for his daughter.
Shares 3 cast members · Same director
This film is an audio interview of Louis Skorecki, filmmaker and film critic for Cahiers du cinéma, by Patrice Kirchhofer and Gérard Courant. This interview, later put into images by Gérard Courant, is centred around the feature film Eugénie de Franval, based on Sade's novella, which Louis Skorecki shot in 1974 and which was awarded the prize of "la porte entrouverte" at the festival of young cinema in Toulon in 1975 by the jury composed of Marguerite Duras, Shuji Terayama and Dominique Noguez.
Shares a lead actor · Same director
Documentary about the the film critic and filmmaker Jean-Claude Biette.
Shares a lead actor · Same director
Continuation of the essay on the cinema of Louis Skorecki through the relations of some young cinephiles.
Shares 2 cast members · Same director
Estranged siblings reunite after years apart, forced to confront unresolved tensions and reevaluate their strained relationships with their emotionally distant parents.
Shares a lead actor
Shares 2 cast members · Same director
Film by Patrice Kirchhofer.
Shares 2 cast members · Same director
Estranged siblings reunite after years apart, forced to confront unresolved tensions and reevaluate their strained relationships with their emotionally distant parents.
Christina Goering and Frieda Copperfield suddenly decide to abandon their suffocating universe. They embark on a trip around the world in search of an impossible sanctity.
A village in southern Spain. On a hot summer afternoon, a woman grabs a rabbit, strokes it, then kills it with her bare hands before skinning it. Her grandchildren witness this rite of death which they will never forget. The streets echo with an ancestral legend which has it that the spirit of a woman with a broken heart prowls at night, so that she will not be forgotten.
An adaptation of Michelangelo Antonioni’s notes on un-made films published in “That Bowling Alley on the Tiber.” Starring French film critic Philippe Azoury in the role of “The Critic.”
In the South of Spain, a multicolored pigeon race will be won not by the fastest bird, but the one who will be able to seduce a female pigeon and fly alongside her the longest.
This film is an audio interview of Louis Skorecki, filmmaker and film critic for Cahiers du cinéma, by Patrice Kirchhofer and Gérard Courant. This interview, later put into images by Gérard Courant, is centred around the feature film Eugénie de Franval, based on Sade's novella, which Louis Skorecki shot in 1974 and which was awarded the prize of "la porte entrouverte" at the festival of young cinema in Toulon in 1975 by the jury composed of Marguerite Duras, Shuji Terayama and Dominique Noguez.
Franck Landron follows photographer Antoine d'Agata wherever he goes, to the edges of the world, in a discreet presence, camera in hand. He has been doing hours and hours of rushes, patiently, without hurrying or rushing, he wants this film as fair, as honest, and as long as it takes: it lasted six years.
Ana, her mother and grandmother live in a small town in southeastern Spain where all three are regarded with suspicion.
More young cinephiles in part three of Skorecki's three part film.
Documentary about the the film critic and filmmaker Jean-Claude Biette.
Esther and André are a part of a group of young people. They go to the cinema and speak about it often. They love each other from time to time; the group eventually comes undone. Jean is in fact the only true cinema enthusiast. Coming back from the cinema, he watches TV and thinks that, certainly, the cinema is buried well and truly.
