Sketch of Kanahama, the Repair Worker

An improvised film study starring Kumiko Watanuki's solo play in an empty room.

Nakagawa shot “Coming Future” on the nights of December 24 and 25, 2009, in Shibuya, making it his location for an idealized Bohemia in the heart of Tokyo. Interesting interviews/discussions with Kenji Murakami, Nobuhiro Yamashita, Kenji Onishi, Tetsuaki Matsue and more... By far the most interesting sequence is with Kenji Onishi (“A Burning Star”). Wielding a super-8 camera, Onishi documents his own interview, taking random shots of street-life and buildings. He leavens his monologue with statements bordering between cliché and outré. “A movie that aims to make a message is boring.”

Two police detectives Numata and Tosaka infiltrate a group of underground black market human organ dealers. Things go haywire during a raid on the group's surgical headquarters. Numata barely escapes, while a wounded Tosaka gets left behind. Through a series of surreal and gory events, the identities of the organ dealers are revealed as Numata plans his revenge.

Experimental short by Kenji Onishi.

A behind the scenes documentary of Kenji Onishi's never completed 35mm feature film "Shiroyasha", shot between 2002 and 2004.

Experimental short by Kenji Onishi.

An ordinary, everyday scene is transported to the scene of a bizarre, gruesome murder. An unreal world infiltrates the corners of everyday life. That eye, that man, kidnapped a woman, imprisoned and restrained her, assaulted and murdered her, and dismembered her body. But for the man, it was nothing more than an ordinary, unremarkable moment.

A woman spends her days with a sadistic man and decadent eyes. The man, with eyes drowning in drugs, constantly demands abnormal sexual acts from the woman. Eventually, after the man commits murder, the woman tries to escape this wrong way of life. The film depicts a world adorned with sex and violence. In the corners of the city, an exclusive individual builds their own colony. Imperfect human relationships, born from incomplete communication, unfold under the slow passage of time. The shadow-based imagery envelops the entire film more than necessary, in order to highlight the dark side of the human heart.

A girl called Zero stands in a crowded street, her occupation an assassin. As she completes her tasks one after another, Zero has been feeling uneasy lately. As her code name suggests, she has nothing to prove her existence. She overlaps herself with the vanishing landscape and begins to wander in search of the meaning of her own existence. At the same time, a young man named One is also wandering the streets, and like Zero, he is an assassin. Surrounded by a sense of emptiness, he is unable to find the value of his own existence. One day, the two of them meet as if they were led together. They sense each other, and by touching each other, they regain their existence and humanity. However, the organization feels that contact between assassins is dangerous, and decides to dispose of them. They call in a highly skilled assassin. Their battle for their own existence begins now!

Digital Video, Kanahama Natsuyo model.

Focusing on a woman addicted to sex and drugs in a corner of the city, this film depicts an exclusive and cold world on a monochrome screen. Attempting to fuse experimental film and dramatic film, this work exposes raw violence and eliminates explanatory expressions. It depicts the weight of the distance between a man and a woman that deepens after a small incident.

A woman spends her days with a sadistic man and decadent eyes. The man, with eyes drowning in drugs, constantly demands abnormal sexual acts from the woman. Eventually, after the man commits murder, the woman tries to escape this wrong way of life.. The film depicts a world adorned with sex and violence. In the corners of the city, an exclusive individual builds their own colony. Imperfect human relationships, born from incomplete communication, unfold under the slow passage of time. The shadow-based imagery envelops the entire film more than necessary, in order to highlight the dark side of the human heart.

Experimental film by Kenji Onishi.

The man was seeking pleasure beyond sex. And the ultimate ecstasy he sought was pace poles and the death throes of a person. The man drags his friend Shinichi and his girlfriend Akiko into his world of madness, gradually corrupting their relationship and manipulating them. Then, he murders Shinichi in front of Akiko. Akiko's mind and body collapse from the shock, and the man toys with her for his own pleasure. However, Akiko's mind gradually becomes abnormal, and she enters a world where madness can be sanity.