Silent Shout: An Audio Visual Experience

The history of Swedish electronic music from the early pioneers to today's DJ superstars. This is the story how the music that was misunderstood and ridiculed for centuries suddenly has become bigger than pop and rock for your music lovers. The whole film is edited in one pace - 125 bpm from beginning to end.

Liz walks between different rooms of the city. A bar, a toilet, a wasteland, a garden, a trailer. The cruising body can't, unlike the flaneur, be alone. She won't leave the world outside of her. Several eyes follow her: the women holding the cameras, the director. The director is sending her a love letter. The director needs her cruising body. They are a part of each others fantasies and share a dream about a city's possibility of providing safe sexy spaces. They travel together to look for the rooms in between, to find rooms of their desires.

More than two decades after reshaping electronic music as one-half of The Knife, Swedish avant-pop artist Fever Ray brought their radical sonic vision to Sydney Opera House at Vivid LIVE 2024 for their highly anticipated Australian debut. From the spectral synth beats of The Knife to the shapeshifting pop soundscapes of their solo work, Swedish avant-garde alchemist Karin Dreijer – aka Fever Ray – carved a singular, uncompromising path through 21st-century electronic music. Following The Knife’s wildly successful third album, Silent Shout – named by Pitchfork as the best album of 2006 – Fever Ray released their 2009 self-titled debut, a modern masterpiece of haunting, left-field electro-pop. It was followed by 2017’s Plunge, which found Dreijer embracing their newfound queer identity through a set of irresistibly sensual, alien pop songs.

Communist ideals have long lost their value in Yiwu, a city with 600 Christmas factories, in which Christmas as we know it is produced for the entire world. With rising wages, the workers in Christmas factories can now afford newest iPhones, but they still live in crowded dormitories. All migrants in their own country, nostalgic for some place far away, some miss their families left in hometowns, other miss their friends and lovers from the factories when they go home for holidays. Young generation is already tired of long factory hours, chemical fumes and glitter particles, and they do not care for their parents' wishes to get educated. Stuck in between Chinese tradition and the newly discovered Chinese dream, they want their own businesses, to be rich, to be independent, to be in love.

The full length official film The Knife - Live At Terminal 5. Filmed in New York in 2014 on the North American leg of their final tour Shaking The Habitual.

Beautifully grotesque, politically confrontational and utterly unique: Karin Dreijer's Fever Ray project has come a long way since the immaculate icebox of their eponymous 2009 debut. It's been a thrilling journey. Mournful explorations of parental paranoia and Scandinavian solitude crumbled under the force of a newly emerging identity straining to devour societal interdictions and accepted gender frameworks with 2017's Plunge. Splintered facets of a stridently non-binary personality were explored with 2023's Radical Romantics along with a very human need for intimacy, its most vulnerable moments still as steely and unsettling as a shark circling its prey. Experience the idiosyncratic Fever Ray vision for this exclusive Passengers session beamed in from an abandoned factory in northern France.

A lonely Frankenstein travels to 1930s Chicago to ask groundbreaking scientist Dr. Euphronious to create a companion for him. The two revive a murdered young woman and The Bride is born. But what ensues is beyond what either of them imagined.

Valerie is in love with a brooding outsider, Peter, but her parents have arranged for her to marry another man. Unwilling to lose each other, Valerie and Peter plan to run away together when Valerie's older sister is killed by a werewolf that prowls the dark forest surrounding their village. Panic grips the town as Valerie discovers that she has a unique connection to the beast--one that inexorably draws them together, making her both suspect ... and bait.

SchlopSchlop (SS) and KK are two annoying women who work at the Office of Development in Krabstadt, a small town located in an Arctic region of sorts where the Nordic countries have sent their unwanted people. One day a group of whaled women are stranded on Krabstadt’s shores, and it is now up to KK and SS to deal with the situation.

Hannah is a young woman who lives on her own. She starts to get this feeling that she is being watched. The phone starts ringing at night and when she answers, no one is there. Is she imagining everything or is it for real?