Sikuruliya

In rural Sri Lanka, two sisters pursue love and personal ambitions despite their family's strict social expectations. As class barriers and financial struggles intensify, both women are forced to abandon their dreams for family duty.

Sandesaya (Sinhalese language word meaning The Message) is a 1960 film. The film based on the war between the Sinhalese people and the Portuguese invaders in Sri Lanka. It was directed by Sri Lankan film director Lester James Peries. It was produced by K. Gunaratnam on behalf of the Cinemas Company on the request of Raj Kapoor.

Lasanda is the name of the girl played by the famous actress Nita Fernando. Her acting amplifies the moral qualities of her heroine – a proud woman, irreconcilable to everything that degrades human dignity. The world is divided into two clearly delineated camps. In one of them are the rich mine owners and their accomplices, in the other - the working class, the poor, forced to make ends meet with odd jobs. The first reign supreme, believing that they can buy off any crime with money, although they fear an organized uprising by workers. The second are almost powerless in the face of tyranny and violence; their existence, their future depend on the whim of their masters.

Cyril (Tony Ranasinghe) is dissatisfied with his introverted fiancée Sujatha (Punya Heendeniya). He starts a relationship with the outgoing Sarojini (Anula Karunatilleke) and gets her pregnant. Sujatha meanwhile is fascinated by a wandering Buddhist nun. Due to the pregnancy, Cyril breaks off the engagement having no intention to marry Sarojini. Till the birth of the child he supports her and then leaves her for an older rich woman. Sarojini is distraught and contemplates suicide. Sujatha by this time is planning to become a nun.

Wassanaye Sanda (Moon of the Autumn) (Sinhalese: වස්සානයේ සඳ ) is a 2018 Sri Lankan Sinhala romantic drama film directed by Udayakantha Warnasuriya. It follows the story of two young lovers Mihiri & Sandesh and struggles they face.

Baddegama or, more correctly, Beddegama is a 1980 award winning Sinhalese language film directed by Lester James Peries that follows the lives of village people in British Colonial Sri Lanka. The film is based on the 1913 book titled as "The Village in the Jungle" by Leonard Woolf. Silindu is a hunter in a small village where he and his family endure a life of hardships. After facing disease and poverty under colonial rule, the final blow comes when Silindu is tried for murder.

Madol Duwa (Mangrove Island) is a 1976 Sri Lankan drama film directed by Lester James Peries and produced by Upasena Marasinghe. The film stars Ajith Jinadasa as Upali, a young rebellious youth who travels to a small island to get away from the restrictive society around him. The film is based on Martin Wickremasinghe's 1947 novel Madol Doova. It was a commercial success

During Sri Lanka’s Independence Day on its eve, the holiday and the day after, and involves the participation of four oppressed souls: a World War II veteran, a prostitute, her thieving pimp and a clerk who have chosen the base of a tree as their asylum from the spectacle of pageantry.

Jaya Sikurui is the 597th movie in Sri Lankan cinema history.

Abirahasa is the 231st movie in Sinhala cinema.

Susila lives in a small village with her mother and two brothers. Growing up facing the bitterest realities of life, her coming of age is delayed. But once it happens, she instantaneously attracts the attention of the young men in the village leading to conflict.

Nommara 17 (Sinhala: නොම්මර 17) is a 1989 Sri Lankan Sinhala action thriller film directed by Hemasiri Sellapperuma and produced by Preethiraj Weeraratne for Weeraratne Enterprises. It stars Vijaya Kumaratunga, Sanath Gunathilake and Jeewan Kumaranatunga in lead roles along with Mervyn Jayathunga, Freddie Silva and Sabeetha Perera. The music was composed by Ernest Soysa. It is the 691st film in the Sinhala cinema. The film was screened after the assassination of lead actor Vijaya Kumaratunga, which influenced the fans to come and watch his famous movie star for the last time on the silver screen. Thus recorded as one of the huge blockbuster hit in Sinhala cinema, which also won Sarasaviya Award as well. It successfully passed 200 days at theatres.

In a fishing village, Anton Aiya is an exploiter who outwardly resembles and acts like a regular fisherman, but he exploits and feeds off the other fishermen. In this setting, members of the urban entrepreneurial youth. They have adapted to Western culture, dressing like Westerners and preferring Western music. Conflict arises between Anton Aiya and Baby Mahattaya (Victor), a representative of the urban youth. A middle-class leftist, Weerasena, is also part of this group. The arrival of these youths has clearly caused a social crisis requiring a solution, and all Weerasena can do is stand on a platform and deliver a speech that no one listens to. He finally leaves for the city.

Dharmesena Pathiraja's only Tamil language film, Ponmani (Younger Sister) is about a starkly different socio-economic culture and political climate. Set in the northern city of Jaffna, it traces the fortunes and concerns of an economically depleted upper caste, lower middle class family. An evocative film about land, women, romance and tragedy, narrated in an idiom of understatement.

Awaragira is a 1990 Sri Lankan film directed by Lester James Peries and produced by Dilman Jayaratne for Dil Films. It stars Joe Abeywickrama, Iranganie Serasinghe and Tony Ranasinghe in lead roles along with Lucky Dias and Vasanthi Chathurani. Music composed by Premasiri Khemadasa.

The film deals with the inter-ethnic, communal violence between Sinhalese and Tamils. It demonstrates the ambivalence of the Sinhala socio-political establishment towards the Tamil people.

This psychological drama attempts to dwell into the mind of Aravinda, whose Buddhist empathy and detachment are contrasted with his worldly friends and relatives. The English translation of the title, "The Way of the Lotus" implies Aravinda as Lotus-rising above dirt and mud to blossom.

Malin parts ways with his father Simon after realising that their ideologies do not match. While the father believes in using fear to control his employees, the son believes in equality and justice.

A Coincidental meeting of a Soldier and an Army officer at a dark night, in a forest burning with war, between Sri Lankan Army and the Liberation Tigers of Tamil Eelam (LTTE). The Soldier's efforts born out of sheer respect to save the life of his critically wounded senior Officer become futile at the end. At the Senior officer's death, the soldier nagged constantly by his conscience and its questioning, feels that he too was responsible for the death of his Senior Officer. in the face of this, the soldier begins to probe into the past of the Senior Officer's life and engages in boundless sacrifice to bring justice to him, and in that process soldier gets Senior Officer's past wrongs corrected.

An elderly man who regrets certain events in his past life displays his struggle to relieve the bottled-up feelings which had disturbed him throughout his life. Opening with the funeral of the elderly Guneris' wife the film follows the revelation of his past which is filled with a number of tragic events including a triple murder he had committed 52 years ago.

A continuation of “Bawa Duka”; via Peduru’s family, the narrative exposes the social stasis/class discrimination encouraged by the local Sinhalese Buddhist clergy, while the arrival of the Christian missionaries signals a more progressive mindset, though at the cost of conversion to a monotheistic faith. Tyranny is not only practiced by the British colonials but equally facilitated by local traditional institutions--thus, the resultant suffering (Duka) of Peduru is a combination of the two.

Lalith is a chief Clarke of a Government Department. He falls in love with Nilanthi, a newly recruited typist. But Nilanthi is attracted to another handsome young Clarke in the same department named Sagara. Lalith detests this. He starts to suspect each and every act of Sagara and Nilanthi. ‘Dahasak Sithivili’ is based on Lalith’s efforts to prevent himself from getting carried away by these endless suspicions.

The film is based on the life of Jesus Christ until the crucifixion. It was the first Sinhala film based on Christianity and directed by a Buddhist.

Three young men have to face the realities of adult life as they move on from youthful frolicking to battle issues of unemployment, restlessness and the allure of the city. Two of them, Jaye and Gune, unlike their other friend who finds both a job and a wife, have only each other for company, In search of quick and easy money, they fall into hands of a scheming network of underworld figures.They become hustlers and decide to outwit their contact.

Set during the British colonial reign in Sri Lanka (1905), this powerful drama follows Peduru who descends from a line of traditional drummers, crossing over to three generations. Peduru's struggle for survival in this harsh rural hamlet exposes the repressive Buddhist institutionalization of the locals, and the hierarchical structure backed by the British colonials.

The son of a newly rich industrialist becomes embroiled in a murder cover-up.

Dr. Sarath (Tony Ranasinghe) domineers over his timid wife Vineetha (Sriyani Amarasena). When she is to have a Caesarean delivery of their baby, Sarath refuses to be present even though he himself is a doctor. She dies during surgery and Sarath is forced to live with the spectre of his wife hanging over him.

The cost of living sky rocketed. The government introduced an income ceiling. Private practice for doctors was abolished. It was the fate of Dr. Moladanda to live with a struggle he did not create.

Based on a short story written by G.B. Senanayake in one of his short story collection known as "The Revenge," the film revolves around a murder committed for the purpose of gaining access to a hidden treasure.

An intense, cat-and-mouse drama between newly appointed ASP Randeniya and a local thug (Goring Mudalali). Randeniya's life gradually falls apart as he wages war against Goring Mudalali's crime syndicate, erupting in a shocking climax.