Seven Seas: Virginity Chapter

An elderly Nagasaki hibakusha spends a summer caring for her four grandchildren, whose curiosity about the 1945 bombing stirs buried memories and moral questions. When an American nephew from Hawaii visits, the family confronts grief, guilt, and the possibility of reconciliation across generations.

Ryoichi and Chikako, brother and sister, live together. Chikako toils during the day and, at night, prostitutes herself to fund his college tuition.

After arriving in the town of Shimonita, Ichi finds that a price has been put on his head by a local yakuza boss. He's drawn into a trap, but after hearing of the slaying of a former love, Ichi furiously fights his way through the entire clan to face the killer, a hired ronin.

A detective goes out of his way to crack the case of a serial killer who specialises in murdering police officers.

Wataru's outwardly liberal views on marriage are severely tested when his daughter declares her love for a coworker and is adamant to live her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.

A gangster tries to find redemption with the inadvertent help of an innocent shop girl and his jealous girlfriend will do anything to keep him.

Blind swordsman Zatoichi, jailed briefly, is implored by another prisoner to aid him in proving his innocence of a crime for which he is sentenced to death. Zatoichi is reluctant to get involved, because he knows how often such involvement has led to trouble in the past. But events conspire to thrust him repeatedly into involvement, and gradually he comes to believe in the man's innocence and determines to free him.

Two sculptors spend the night in a mountain lodge after being caught in a snowstorm. A female spirit appears and takes the life of one of the men. She spares the other man's life on the condition that he never tell anyone what happened that night.

In the Meiji period, a schoolteacher tries to hide his lower-class upbringing as he supports a visiting liberal intellectual.

Taki dedicated her life to her daughter Miyoko, but they were separated by Taki's parents-in-law. Many years later, they reunite in a party, but Taki falls gravely ill with a long disease. During those years, Miyoki studies Medicine and will be finally able to help her mother.

Meiji Tenno portrays the buildup to the Russo-Japan War. In addition to showing the political events that led to war, it also shows the era from the story of a farm family in rural Japan that sends their son off to war. As such, it could be considered an anti-war movie, showing how, while war is devised by governments, the people do not really understand what war is, and its combatants often do not know what they are fighting for.

After the death of her husband, an elderly woman and her youngest, unmarried daughter are forced to sell their house to cover his debts and decide to move in with one of the former's children, each of whom is scarcely happy to accommodate.

Inside a bustling postwar Tokyo beer hall, a diverse group of patrons, performers, and workers spend a single evening navigating their personal frustrations and social anxieties. A disillusioned professor, a struggling artist, and various laborers find their lives intersecting through chance encounters and heated arguments fueled by drink.

A middle-aged factory engineer trains, marries, and ultimately loses a teenage bride after she enslaves him to her whims.

A maritime action drama set aboard a whaling ship rocked by a labor-management conflict. Shintoho's second color feature.

Set in the port city of Yokohama, two girls, Sunako and Dora who attend a Christian school, pledge to be friends. But when a youth named Henry appears on his motorcycle and offers to take Sunako for a ride, we know that this friendship won't last and that the lives of both girls will change in ways they are barely able to comprehend, and can do little to change.

Okawa Hashizo as 'Young Lord', the unlikely sleuth sets out to untangle the riddle of what went on at the Inner Palace, where a young woman who had served the Shogun came home in fear for her life. Will the Young Lord uncover the truth of what went on at the Palace, and does it relate to a series of murders that have been occurring just before the festival?

An aging geisha, whose angry teenage son is ashamed of her profession, works alongside a young geisha, resentful of her family for forcing her into a life of shame.

By day, he is a young master whose beauty melts women’s hearts. By night, he is the elusive “White Hood.”

Shochiku melodrama about the lives of the humble people living in the poor tenement called the Ryuheiso.

A young man discovers that the woman who raised him is his stepmother. His stepbrother, who is unaware of the revelation, resents his mother for always punishing him more severely than his stepsibling.

Part two of Shimizu's major silent Seven Seas, a family drama of the intertwining fates of the rich, decadent Yagibashis and the far less prosperous Sone family.

This 1932 adaptation is the earliest sound version of the ever-popular and much-filmed Chushingura story of the loyal 47 retainers who avenged their feudal lord after he was obliged to commit hara-kiri due to the machinations of a villainous courtier. As the first sound version of the classic narrative, the film was something of an event, and employed a stellar cast, who give a roster of memorable performances. Director Teinosuke Kinugasa was primarily a specialist in jidai-geki (period films), such as the internationally celebrated Gate of Hell (Jigokumon, 1953), and although he is now most famous as the maker of the avant-garde silent films A Page of Madness (Kurutta ichipeji, 1926) and Crossroads (Jujiro, 1928), Chushingura is in fact more typical of his output than those experimental works. The film ranked third in that year’s Kinema Junpo critics’ poll, and Joseph Anderson and Donald Richie noted that 'not only the sound but the quick cutting was admired by many critics.

Three couples connected to rival business and theatrical families navigate complicated romances, workplace disputes, and family opposition.

"The Dancing Girl of Izu" tells of the story between a young male student who is touring the Izu Peninsula and a family of traveling dancers he meets there, including their youngest girl. The student finds the naïve girl attractive even though he eventually has to part with the family after spending memorable time together.

Fujio is beautiful, talented, well-heeled, and engaged to up-and-coming diplomat Munechika. She has promised him a gold watch, a family heirloom, as an emblem of their engagement. However, she becomes enamoured with Ono, a student employed to tutor her in English, who is attracted by her beauty and wealth. Ono himself is bound by an engagement to Sayoko, daughter of his mentor, Professor Inoue.

A 1948 Japanese film.

Jie attended a women's university with the financial support of her geisha sister Oha and became a lawyer. The aim. Michiko, one of the seven best friends from the same women's college, is getting married. The man she's marrying is her sister's lover.

A period piece about the love of a wealthy blind woman, a teacher of koto and shamisen, and her devoted manservant. Based on a novella by Tanizaki Junichiro.

Keitaro is a law student and Yaeko is a high school girl. They are neighbors, and their friendship is starting to develop into something more romantic. Then, Yaeko's sister Kyouko has a breakup with her husband and returns home. Kyouko is clearly interested in Keitaro and Yae becomes anxious.

A ghost man with his face hidden entirely by bandages is killing beautiful nude models. Detective Kindaichi investigates.

Kurama Tengu appears in the Great Edo, where conspiracies swirl. The righteous sword flashes as the mystery of a beautiful woman’s disappearance unfolds.

A spider-like man kidnaps young women and tortures them in his cellar. Adaptation of Edogawa Ranpo's novel.

A swordsman must foil a minister's sinister plan to assassinate the shogun.

The sixth and last Moonlight Mask film in the original series produced by Toei in the 1950s.

Japanese silent film directed by Yasujirô Shimazu, originally released as a two-part movie on December 11, 1931.

Japanese Warmovie

Japanese war movie.