Sehra

Pushpanjali (An Offering of Flowers) is a 1970 Hindi, romantic drama film, produced and directed by Kishore Sahu. The film was made under the "Kishore Sahu Productions" banner. Dinesh Khanna, his wife, Lata, and their son, Pappu, lead a harmonious and happy upper-middle class life in Bombay, India. Despite of their happiness, they know that Lata's heart is weak, and unable to withstand shock or over-excitement. While on a outing, Pappu starts having health problems, and must be admitted in hospital, so that various tests can be carried out to isolate and treat the problem. A few days later, Dinesh is at work, and the phone rings in the Khanna household. Lata answers the phone, and what she is told the shocking truth - a truth so devastating that it may take her life, and change the lives of her husband and child forever.

When mistaken to be a sage by some villagers, an ex-tour guide reflects on his past and lost love to search for spiritual wisdom to guide the villagers in this lesser-known English-language version of R.K. Narayan's classic.

Meet Pyarelal, a simple-minded, naive young man, orphaned at birth, living with a Muslim landlady, Fatima, who treats him like her son. When the police arrest Pyarelal on the charge of murder, no one really believes that this harmless man could harm anyone, leave alone kill. Their belief is shattered when Pyarelal openly admits in Court that he has indeed committed this crime, and demands capital punishment for it.

Anita is a weird girl, who either loses her memory or pretends to not remember.

When a spoiled heiress runs away from her father's yacht to marry her wealthy fiancé, she is forced to rely on a cynical, jobless newspaper reporter to get her across India, inadvertently falling in love with him during their misadventures on the road.

A wealthy widower, Amar, swaps identities with his servant Dayal to test prospective brides. He ends up falling for Geeta, the household servant, while posing as Dayal.

When Vishnu, a reputed judge, is mistakenly assumed as Anil, who is the murderer of Dhanraj, he decides to travel to Anil's home town and unravel the mystery behind it.

Haunted by the past, Vijay turns to crime, while Ravi, his brother, becomes an honest police officer. Fate pits them against each other when Ravi is sent to nab Vijay.

Gul Mirza is a poet who sings ghazals at Shahenshah Arkat-Ul-Daula's palace and wins the heart of his daughter, Sahebzadi Aalam. They agree to marry once he finishes his service in the royal army. But when his widowed mother is murdered one night, Gul Mirza speaks out against Arkat and gets labeled a rebel, perhaps never able to meet Aalam again. Inspired by a famous legend from the Mughal era.

Sophistication is the dominant factor in the present day life of the people belonging to upper strata of Society. Parents belonging to upper strata of Society have their own lives to lead. They hardly have time to attend to their children. Children are left to the care of the servants. Bonds of relationship between parents and children, when they grow up, do not exist at all.

While defending his sister's honor, Shanker kills a man. His ashamed family say he is away in Africa, while he spends the next ten years in prison. What happens when the truth comes out, can he ever find forgiveness or acceptance?

Two close friends, Munish and Jai, with unbreakable bond become rivals when they both fall in love with the same woman, Meena. When Jai gets falsely accused in a case involving a collapsed railway bridge, Munish has to decide if he should put their rivalry aside to help and save once close friend Jai.

A guitar-carrying musician and a rebellious runaway wealthy woman go on the run from organized gangsters.

Sunil lives with his mom and sister in a middle-class dwelling in Delhi, India. He works for Chopra & Co., Chartered Accountants. He comes across a beautiful woman posing for a painting and instantly falls in love. The only problem, Sunil hates rich girls and this girl is very wealthy.

A respected village schoolteacher falls for a travelling dancer and faces a moral dilemma.

Ramesh, the youngest son of a well-to-do family, falls in love with a woman he hears singing on the radio -- even though he's never seen her. When he finds out his mystery woman is Ksama, a servant in his parents' house, everything is thrown into turmoil. Will Ramesh accept Ksama? Will they get married? Love may just conquer all in this classic Bollywood melodrama.

A tourist guide meets an unhappy married woman who wants to take up dancing. With his motivation, she becomes a successful dancer but success corrupts the man's mind.

Do Bhai (English: The Two Brothers) is a 1947 Indian Bollywood film directed by Munshi Dil. Its starred Ulhas, Kamini Kaushal, Dipak Mukherjee, Tiwari, Rajan Haksar and Paro Devi in lead roles. It was the second highest grossing Indian film of 1947. Raj Karan, Nirmala's father and Forest Officer of the State had brought up Jai from childhood like his son. With the comming of youth the playful comradeship between Nirmala an Jai had naturally changed into deep love. Sarala and Shiva Karan, Nirmala's mother an brother, however hated Jai and they succeeded on day in ousting him from their home. Jai comes accross to know he has a stepmother and stepbrother. He was mistaken as the real son of his stepmother and made Yuvraaj.

Abandoned as a child, Brahmachari lives in a mortgaged house with twelve young orphans. He saves a woman from dying, and she changes his life forever. But first she has to deal with her own affairs.

Set in the 19th century against the backdrop of the Mutiny of 1857, the film is about the bravery of queen Lakshmibai, Rani of Jhansi, who took up arms and led her army against the British.

Dancer maestro Mangal Maharaj wants his son, Girdhar, who is a dancer par excellence, to enter the once-in-ten-years Nateshwar Utsav dance competition, win it, and be crowned the Bharat Natraj. While Girdhar can do a solo dance number, he is also required to dance the Shiv-Parvati Tandav dance with a female partner. Mangal Maharaj would like Roopkala to be his partner, but ends up being disappointed with her. Now with only a year left for the Utsav, he chances upon talented dancer and singer, Neeladevi, and recruits her. He subjects her to strenuous training and he is pleased with her performance. Then he finds out that Girdhar and Neela have fallen in love with each other, and their involvement is interfering with their performance. Unhappy with Neeladevi, he dismisses her, and sets forth to look for another dancer. The question remains: Will he be able to find another one, train her, and make her compete just in time for the Utsav, or will he lose this opportunity altogether and ...

Progressive, reform-minded young warden gets permission to take six surly murderers from prison to dilapidated country farm, to rehabilitate it and themselves through hard work and kindly guidance.

Diwakar is a poet and loves his wife Jamuna on everything. But Jamuna does not agree that Diwakar lives out of sheer poetry in a fantasy world and the real world less and less responsible. Diwakar goes so far that he is a fantasy woman in his wife's body creates what he calls Mohini. Diwakar will soon become a recognized poet and Jamuna gives birth to a boy. Unfortunately, the happiness does not last long: Diwakar loses his job because of a critical songs against the British. Now he can no longer feed his sickly father nor his son, who is starving. All this makes Jamuna angry, but above all Diwakars growing obsession with Mohini. As Jamuna decides to live apart from Diwakar, it is destroyed internally and no longer capable of proof. Jamuna slowly realizes that she can not live without Diwakar and forgives him.

The story of the complete Ramayana, from the birth of Lord Rama to his Pattabhisheka after completing his exile.

Veteran director V. Shantaram spins this bio-pic about poet and musician Honaji Bala, best know for popularizing the Lavani dance form and for writing the classic raga Ghanashyam Sundara Shirdhara.

Born into the opulence of a Lucknow palace, a young man’s silver-spoon childhood is shattered when his mother succumbs to a sudden cardiac illness. Driven by grief and a newfound purpose, he dedicates his life to medicine, becoming a heart specialist to save others from the tragedy that defined his youth.

One day, a landlord belonging to a rich family gets murdered and the crime is imposed on Anandar, his innocent brother, and his lovely wife Karpagavalli.

This was the first of the two films based on the same mythological story directed by B.K. Adarsh, featuring his wife Jaymala as the female lead, and having the same title. The second film, released in 1970, featured Pradeep Kumar as the male lead and was produced by Jaymala. This film had Prithviraj Kapoor in the lead role and was produced by Adarsh himself.

Radical journalist Diwakar clashes with his traditional father and a scheming politician, Vithalrao, who seizes his newspaper. Disgusted, Diwakar leaves home. His wealthy girlfriend, Nalini, initially supports Vithalrao but later campaigns for Diwakar, who represents slum-dwellers in an election. Despite her father's support, Nalini urges voters for Diwakar. Nalini wins, but Diwakar's loss is depicted as a moral victory, critiquing middle-class materialism.

While working at an excavation site, a young engineer (Feroz Khan) notices an abandoned mansion where he hears a female voice singing a tragic song. When he investigates, he finds a beautiful apparition; what's more, there seems to be something quite familiar about her. He wonders if this is the ghost of someone from his past life.

A top secret microfilm gets stolen and secret agent 077 aka Rakesh is assigned to retrieve it from the enemies. The adventure of returning the microfilm to its rightful owner intertwined with Rakesh's evolving love story forms the basis of the plot

In rural India a small village is ruled by a Panchayat, a group of Hindu men who run the lives of the villagers dictatorially. There are three men who challenge their authority.

Father Henry (Rehman) entrusts a newly-born infant in the care of an unwed Maya (Nutan), leaving her to explain the presence of the child. She is literally thrown out of the village and runs away to Bombay. There she is taken care of by a kind-hearted Muslim taxi-driver (Jayant). Years later, the child grows up to be called Ram (Jeetendra), but the question haunting everyone's mind is who is Ram's biological father?

A stage actor from Bombay becomes entangled in a murder mystery after he falls in love with a mysterious woman in Darjeeling and marries her.

Beautiful Sapna lives with her wealthy father, Dhanraj, and a younger brother in a palatial house. Her father comes across some valuable diamonds and conceals them in a secret place. While driving one day, Dhanraj is killed, but her brother escapes without any injuries, but loses control of his vocal chords unable to tell anyone how the accident occurred, and goes missing. After Sapna wins a beauty contest, she travels to Bombay and meets with a young wheel-chair bound soldier named Gopal, and both fall in love with each other. What Sapna does not know is that Gopal is a fraud, a con-man who is only after her money. Then her life is even more complicated after she finds out that her father was killed by a man named Diwan. Before she could think of taking any further action, Diwan and his men track her down - their goal to find the secret location of the diamonds hidden by Dhanraj - and kill anyone who dares to get in their way.

Five former friends are abducted and held in a locked mall by a person dressed as Santa Claus.