Salome - Opera Ballet Vlaanderen

An opera based on the life of celebrity and actress Anna Nicole Smith.

Production from Antwerp. The knight Titurel has built a fortress for two sacred objects he has miraculously obtained: thechalice from the Last Supper in which Christ's blood was later collected, and the spear thatwounded Christ on the cross. The chalice is believed to be the Holy Grail that gives life and has apurifying effect on the human race. The Grail has become the focus for a community of knightswho, strengthened by the holy chalice, are willing to fight for the faith. All the knights have takena vow of chastity. However, the Grail King Amfortas, their leader and Titurel’s son, fails to resistseduction by Kundry, a woman with a double life: she is both a Grail messenger and temptressin the service of Klingsor.

Don Quichotte (Don Quixote) is an opera in five acts by Jules Massenet to a French libretto by Henri Caïn. It was first performed on 19 February 1910 at the Opéra de Monte-Carlo.

Experience Claudio Monteverdi's three-act opera in the environment it was meant to be seen with this release of a filmed performance captured live during a 2000 production staged at the Festival d'Aix-en-Provence in France. Mireille Delunsch, Anne Sofie Von Otter, and Sylvie Brunet star, and conductor Marc Minkowski leads the Les Musiciens du Louvre, Grenoble. Klaus Michael Grüber directs for stage.

At first glance, Hofmannsthal's libretto ARABELLA is a comedy of mistaken identity which, had it been composed by Rossini, could have been a snappy buffo opera. But the music of Richard Strauss, who pulls out all the stops of his orchestral art, from the late romantic intoxication to the most modern discord, creates a subtle, colorful panorama of a society in transition, whose late-bourgeois values ​​are crumbling. One's own identity and interpersonal relationships have to be tested from scratch. Central is – even more than the title character, who oscillates between romance and rebellion – Arabella's younger sister Zdenka, who, disguised as a man by her parents for lack of money for girls' clothes befitting their status, has to struggle all the more desperately with her/his role as an outsider.

Christoph Willibald Gluck's opera Alceste, based on Euripides' ancient Greek tragedy, tells the story of Queen Alceste of Thessaly. Alceste was performed at the Teatro Real de Madrid between February 27th to March 15th 2014.

This release captures a performance of the Leoš Janáček opera Katia Kabanova recorded at the Salzburg Festival in 1998.

Opening the 2026 Bayreuth Festival in its 150th anniversary year, this live stream presents Wagner’s Rienzi, his early grand opera and once his greatest success, in the Festspielhaus for the first time. The staging is entrusted to award-winning directors Alexandra Szemerédy and Magdolna Parditka, while Nathalie Stutzmann conducts a superb cast led by Heldentenor Andreas Schager in the title role, with Gabriela Scherer as Irene and Jennifer Holloway as Adriano. With its massed choruses, public spectacle and private tragedy, Rienzi promises to open this landmark Bayreuth Festival in unmissable style.

A dive into the delirious daily life of Mr. Follavoine, his wife and Toto, their tyrannical son who suffers from constipation.

Calixto Bieito's controversial but visually stunning production of Wozzeck is set in a grisly, chaotic, post-industrial maze, giving a contemporary edge to the disturbing and hair-raising intensity of Alban Berg's expressionistic masterpiece.

Premiered in 1926, Leoš Janáček’s absorbing masterpiece Veˇc Makropulos reflects all the dominant musical styles of the early 20th century, from Bohemian tunefulness to big Straussian phrases, Berg-like jaggedness and primeval rhythms. With the “breathtakingly grandiose” (Salzburger Nachrichten) Angela Denoke in the lead role, this emotionallypowerful opera was given superior treatment at the hands of the Wiener Philharmoniker under Esa-Pekka Salonen. Recorded live at the Salzburger Festspiele on 8 & 30 August 2011. Angela Denoke stars as Emilia Marty, with Raymond Very as Albert Gregor, Peter Hoare as Vitek, Jurgita Adamonyté as Krista, and Johan Reuter as Jaroslav Prus. Esa-Pekka Salonen conducts the Wiener Philharmoniker.

British director Phelim McDermott offers the audience a new take on the culture of the people of Ancient Egypt in Aida, one that allows us also to question the world in which we live. This new perspective entails a number of bold creative choices that do not make use of the traditional staging imagery associated with Aida. Aida’s command to Radames — “Ritorna vincitor!” — comes at a price. The triumphal march of the victorious Egyptians is a procession for the coffins of the heroes fallen in battle, the chorus are their grieving kinsfolk. McDermott’s staging resonates keenly with the images of so many civilian and military funerals that crowd our newsfeeds. Here is a triumphal march that does not seek to hide the true, lethal and disastrous nature of war, whatever side you are on.

‘You could have a blow job aria – begins with words, ends with humming.’ Using the story of a public scandal, the librettist Philip Hensher inspired the 23-year-old British composer Thomas Adès to portray the fall of the libertine and notorious socialite beauty the Duchess of Argyll, remembered in history as the Dirty Duchess. Powder Her Face is inspired by a sex scandal in 1963 that shocked the British upper class.

Jeanine, an earnest theatre director, has been given the task of remounting her former mentor’s most famous work, the opera Salome. Haunted by dark and disturbing memories from her past, she allows her repressed trauma to color the present as she re-enters the opera world after so many years away.

Performance of Janacek's opera performed/streamed live in Vienna on April 27th, 2017.

Poseidon demands Medusa’s submission. Hoping to protect her, her sisters send her to live with the priestesses of Athena’s temple. But the god of the sea emerges from the waves and rapes the young woman, defiling the temple. To punish her for this desecration, Athena turns Medusa into a monstrous creature: her hair becomes a nest of snakes and her gaze turns anyone who looks at her to stone. This terrifying power arouses the lust of heroes, who pursue her in her exile…

Cardillac is a master jeweler who cannot live without his creations, killing his clients to recuperate them and assert his authorship, and conferring the status of art upon the act of murder.

The tetralogy of four operas that form Der Ring des Nibelungen (The Ring of the Nibelung) explores the conjunction of love and power in a mythic landscape in which true power resides in possession of the Ring. Composed over more than a quarter of a century, monumental in scale, and structured after the precedent of Greek drama, the cycle was first performed in 1876. Staged by the award-winning director Stefan Herheim, this innovative new production from Deutsche Oper Berlin features a leading international cast conducted by Sir Donald Runnicles.

Gathered in the Scottish Highlands, the spirits grant the vampire, Lord Ruthwen, another year of life on the condition he sacrifices three young women within 24 hours. Although a young man Aubry knows Ruthwen is a vampire, he is sworn to secrecy. When the young man’s own lover Malwina is about to become the vampire’s next victim, Aubry has to choose between saving his bride or remaining true to his oath. Der Vampyr is by a formative figure in Hanover's musical life; the composer Heinrich Marschner led the theatre that preceded the Staatsoper, as Royal Hanoverian Kapellmeister and Intendant, for almost three decades from 1831. Marschner adapted John Polidori's novella ‘The Vampyre’, which was modelled on British dandy and writer Lord Byron. Our fascination with the bloodsucking outsider is still as strong two centuries later. Brilliant German director Ersan Mondtag and his team explore social outsiderness and the curse of immortality.

Seeking revenge for her sister’s suicide, Violanta vows to have her seducer killed. As hatred turns to love, can they still escape the deadly fate she has plotted herself? Set during the carnival in Venice, Violanta is Korngold’s second opera, composed at the tender age of 17. This production marks Violanta’s Italian premiere over a hundred years after its creation, contributing to its well-deserved rediscovery.