Rule 34

In this retelling of a real case, a former escort discovers her wealthy husband's infidelity and struggles to cope as betrayal poisons their marriage.

In the concrete jungles of lawless futuristic Brazil, enemies spout slam poetry in duels as their movements remind us of parkour. The adrenaline rush breaks into three timelines: the past introduces teenager Riobaldo and handsome Diadorim, the present depicts a bloody clash and reveals sexual identities, and the future exposes Riobaldo’s deal with the devil.

The social project of a teacher faces failure as the pupils' priorities are love affairs and work. Their days are devoted to desire and Brazilian funk, seeking an utopic independence, while reality creeps up on them.

It begins in 1983 in Salvador city, with the attack against José, an ex-member of a left-wing political group. Meanwhile, his nephew Adonias is worried about an assignment his teacher has given him. Consequently, Adonias has to deal with his family's suffering, conflicts at school, and the anguish of having to write his school essay.

Vera, imprisoned at a military fortress during the dictatorship, 1969, get to know a soldier, Armando, who, in the face of torture, decides to take messages from Vera to his family and establishes an affective relationship with D. Maria, Vera’s mother. Despite the horrors of the time, the film works on this possibility of a dialogue between two lonely and lost human beings: a high-middle-class lady and a young southerner of rural origin. Today, Vera, aged 70, is a professor at the university, and debates with her students about politics, forgiveness and Hannah Arendt.

A post-apocalyptic thriller set in near-future Brazil, where a select few are allowed to join a privileged society after undergoing an intense and competitive process.

It’s dripping through the ceiling, the space for sleeping is scarce. Under poor living conditions, a young mother handles everyday life with her two daughters in the Brazilian suburb as best she can. When they unexpectedly acquire a load of frog legs, this gives rise to a celebration that will not soon be forgotten.

Between the urgency of running away and wanderings, Glória exists in the strange instinct of the night and living crowd.

Fernando is a loner who has a platonic passion for his neighbor. He invites her to watch a movie and she accepts. After the session, she says she doesn't want to see him anymore, and Fernando rebels.

This biopic follows Silvio Santos in his 1989 presidential race, as a young journalist joins his campaign to uncover his past and what drives him to run.

Following in his deceased brother's footsteps, power-hungry drug lord Evandro embarks on a ruthless rise to power in Brazil's crime-ridden favelas. Evandro's ascension puts him on a collision course with Victor, a reckless detective with nothing to lose.

In 1980, best friends Juliano and Joaquin join the gold rush at Serra Pelada, Bald Mountain, a mountain town near the mighty Amazon river. As the town grows in numbers, it also sees an explosion in violent crime and pollution. Soon the friends' dreams of hitting the jack pot are shattered. Winner of the 2014 Cinema Brazil Grand Prize.

Elias is a handsome young deputy manager in a garment factory in São Paulo. When he’s not working, he enjoys casual encounters in the big city. The arrival of a young African, Fernando, on the production line piques his interest and Elias finds himself increasingly drawn into socialising with his work colleagues.

The couple Laura and Israël have a five-year-old son, Lucas. They live together but seem to have lost interest in one another's thoughts and cares. Their relationship seems headed for the rocks, and the only one who seems to still be looking for something from life is Lucas.

Recently divorced, Roberta is living her best life, until she discovers that someone has turned her biggest secret into the plot of a soap opera — where she is the villain.

To escape her abusive husband, garbage collector Gal packs her two young children, Rihanna and Benin, onto the top of her cart and heads across São Paulo to her cousin’s house. As she struggles to avoid the dangers of the streets along the way, she convinces the children that they are on a big and exciting adventure. When they arrive at her cousin’s house, they are warmly welcomed and fed. However, what initially seems like a safe haven soon turns out to be a trap. Gal realises that not only her own safety is at risk, but also the future of her children.

Ficções Sõnicas #2 is a film-play made in downtown São Paulo, during the pandemic. In history, they occupy the Municipal Theater and rehearse a play without an audience, in a search path that awakens them from the inaction and automation of sensitivity. The film-play is part of the Sonic Fictions Project, idealized by Grace Passô, where a series of artistic creations are made to experience children and act on the basis of black lives in diaspora.

In 1992, during a meeting held at the family estate in the interior of Minas Gerais, all young heirs of the Baumann family mysteriously disappeared. The event is revisited by filming and old photographs, hoping to reconstitute his last days and solve the case.

Lucas and Bebel decide to get married and have no idea that religion will be a reason for discord in families. While the bride's father wants to strengthen Jewish traditions, Luke's mother wants her son to take Umbanda traditions to his future family.

A short film that shows the encounter and love between three women of different ages and backgrounds. As they build a new way of being together, Etna, Nadia and Indigo, in their intimacies, fears and memories, live a volcanic story.

Mia is a self-centered witch who possesses an unusual power: whoever kisses her falls in love with her or falls back in love with the last person they loved. In one of her jobs, however, she ends up falling in love with the woman she was supposed to cast a spell on.

Fralda and Tito only think about enjoying the graduation party. However, for different reasons, plans for the big night go awry. To improve the situation, Tito proposes a trip.

Two girls arrive at a strange house - the place where they decided to live their last days. A mysterious yet kind woman welcomes them. They feel ready to face their destiny. An enigmatic third girl, though, seems to have other plans for them.

Two teenagers from different social classes fall in love after meeting in a conflict at a party and will have to face challenges to be together.

A couple decides to have a free pass to be with another person without it being considered cheating, causing them to question the terms of their relationship. Maia and Caetano have been living together for a year and, upon signing a cohabitation agreement for their health insurance, they experience the true impact of monogamy. During a game with friends, they both choose one that is permitted for themselves. However, when the hypothetical situation becomes reality, they rethink the limits and desires of their relationship.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.