Rubinstein in Concert

A socialite pretends to be poor and blind in her plan to help a blinded pianist.

Sir Peter Hall's remarkably faithful interpretation of Beethoven's opera at Glyndebourne. Elizabeth Söderström plays Leonore, with Elizabeth Gale as Marzelline and Curt Appelgren as Rocco.

During World War II, all the studios put out "all-star" vehicles which featured virtually every star on the lot--often playing themselves--in musical numbers and comedy skits, and were meant as morale-boosters to both the troops overseas and the civilians at home. This was Universal Pictures' effort. It features everyone from Donald O'Connor to the Andrews Sisters to Orson Welles to W.C. Fields to George Raft to Marlene Dietrich, and dozens of other Universal players.

Live from Glyndebourne 1994. The first production to be filmed Live in Glyndebourne´s new opera house May 1994. The Marriage of Figaro is a continuation of the plot of The Barber of Seville several years later, and recounts a single “day of madness” in the palace of the Count Almaviva near Seville, Spain. Rosina is now the Countess; Dr. Bartolo is seeking revenge against Figaro for thwarting his plans to marry Rosina himself; and Count Almaviva has degenerated from the romantic youth of Barber into a scheming, bullying, skirt-chasing baritone. This follows the Count trying to obtain favours from Susanna, Figaro’s bride to be, under the nose of the Countess.

Don José is a guard who begins an affair with the tempestuous Carmen. He is imprisoned and loses his job, then flees with her to the mountains. When the relationship starts to break down José refuses to acknowledge it and will not leave, even when he gets news that his mother is dying. Carmen, meanwhile, has taken up with the bullfighter Escamillo. Bizet's most famous opera is brought to the Glyndebourne Festival Opera by Sir Peter Hall, with Maria Ewing and Barry McCauley heading an international cast.

The Marriage of Figaro is a continuation of the plot of The Barber of Seville several years later, and recounts a single "day of madness" in the palace of the Count Almaviva near Seville, Spain. Rosina is now the Countess; Dr. Bartolo is seeking revenge against Figaro for thwarting his plans to marry Rosina himself; and Count Almaviva has degenerated from the romantic youth of Barber into a scheming, bullying, skirt-chasing baritone. This follows the Count trying to obtain favours from Susanna, Figaro's bride to be, under the nose of the Countess.

The Glyndebourne Opera's 1981 production of the Benjamin Britten opera, based on Shakespeare's play.

Translucence, transparency – warmth’ are the qualities identified by Bernard Haitink as necessary for an ideal sound performance of Beethoven's only opera, and all are present in this fantastic recording of Katharina Thalbach's 2008 production for Opernhaus Zurich. Haitink conducts the Zurich Opera Orchestra in a magnificent performance in which Leonore Overture No. 3 provides an interlude between the two scenes of the second act, following a tradition started by Gustav Mahler. German soprano Melanie Diener, in the role of Leonore, leads a brilliant cast including Alfred Muff as Rocco, Roberto Saccà as Florestan, Sandra Trattnigg as Marzelline and Christoph Strehl as Jaquino. This High Definition recording with true surround sound marks the start of the exciting collaboration between Opus Arte and Opernhaus Zurich.

A young Irishwoman comes to the United States to live and work with her mother as a cleaning lady at Carnegie Hall. She becomes attached to the place as the people she meets there gradually shape her life. The film also includes a variety of performances from some of the foremost musical artists of the times: conductors Bruno Walter & Leopold Stokowski, solists Arthur Rubinstein & Jascha Haifetz, singers Lily Pons & Jan Peerce and bandleader Vaughn Monroe among many others.

Documentary about Polish-American pianist, Arthur Rubinstein.

Arthur Rubinstein performs Grieg's Piano Concerto in A minor, Op. 16, Chopin's Piano Concerto No. 2 in F minor, Op. 21, and Saint-Saens Piano Concerto No. 2 in G minor, Op. 22 with Andre Previn at the London Symphony at Fairfield Hall, Croydon, England.

Jay Follet is suffering a mid-life crisis while his wife, Mary, is expecting their second child. When Jay takes his family to visit his 103-year-old grandmother, he begins to realize that life is passing by too quickly. He turns more and more toward alcohol to escape from reality. When Jay doesn't come home one night, Mary learns that he was in an accident and waits anxiously for his return. Screen adaptation of Tad Mosel's 1960 Pulitzer Prize-winning play based on James Agee's Pulitzer Prize-winning autobiographical novel A Death in the Family.

Recorded live at The Glyndebourne Festival Opera. Idomeneo, King of Crete, has been away from home during the long years of the Trojan War. Idamante, his son and now regent of the island, waits for his return, heralded by the arrival in Crete of Trojan prisoners. One of these prisoners is Ilia, daugher of the murdered King Priam of Troy. Idamante has fallen in love with Ilia, but is loved by Electra, daughter of the Greek King Agamemmnon, who has taken refuge in Crete. This production marked the operatic debut of Trevor Nunn. It has been much-acclaimed for its dramatic effect, blending Minoan Crete with the ritualistic delicacy of Japanese theatre. This dynamic stylisation is appropriately reclected in John Napier's considered and elegant designs. Bernhard Haitink conducts the London Philharmonic in a forceful account of the music.

Following the success of the Art of Conducting-Great Conductors of the Past, this second edition focuses on a further six of the twentieth century's greatest conductors, complemented by commentary from music personalities who knew the artists firsthand. Rare film clips are also included of Herbert von Karajan, Hermann Scherchen, Andre Cluytens and Vaclav Talich.

German-Brazilian production on the life of Brazilian composer Heitor Villa-Lobos.

A lothario is dismayed to learn that his teenage daughter has embarked on an adulterous relationship with a married man very much like himself.