Romeo and Juliet: Beyond Words

A tribe of cats called the Jellicles must decide yearly which one will ascend to the Heaviside Layer and come back to a new Jellicle life.

Tita, who lives on a ranch in Mexico, falls in love with a boy, Pedro, who lives nearby; but when they want to get married, Tita's family prevents it, because she must remain single to take care of her mother.

From The Royal Ballet’s classical origins in the works of Petipa, to the home-grown choreographers who put British ballet on the world stage, this mixed programme highlights the versatility of the Company. Petipa’s Raymonda Act III is Russian classical ballet summarized in one act, full of sparkle and precise technique, while Ashton’s Enigma Variations is quintessentially British in every way – from its score by Elgar and period designs by Julia Trevelyan Oman, to Ashton’s signature style, the essence of British ballet. Concerto, MacMillan’s fusion of classical technique with a contemporary mind, completes a programme that shows the breadth of the Company’s heritage.

Join Clara at a delightful Christmas Eve party that becomes a magical adventure once everyone else is tucked up in bed. Marvel at the brilliance of Tchaikovsky’s score, as Clara and her enchanted Nutcracker fight the Mouse King and visit the Sugar Plum Fairy in the glittering Kingdom of Sweets. Peter Wright’s much-loved production for The Royal Ballet, with gorgeous period designs by Julia Trevelyan Oman, keeps true to the spirit of this festive ballet classic, combining the thrill of the fairy tale with spectacular dancing.

Prince Siegfried is celebrating his coming of age. The Queen Mother informs him that, the following day, during the grand ball held to mark his birthday, he must choose a future wife. Displeased at not being able to choose her out of love, he goes into the forest during the night. It is then that he spots a flock of swans. He raises his crossbow, prepares to shoot, but stops immediately: before him stands a beautiful woman dressed in white swan feathers, followed by twelve other women dressed in the same way, four of whom are known as the ‘little swans’. ‘Swan Lake’ is a ballet by Pyotr Ilyich Tchaikovsky, comprising 4 acts and 4 scenes, or 3 acts and 4 scenes. The staging is based on a libretto by Vladimir Begichev and Vasili Geltser. The story is an ancient German legend recounting the tale of the beautiful Princess Odette, transformed into a swan by the curse of the evil sorcerer Rothbart. Recorded live at the Royal Opera House, Covent Garden, on 17 March 2015.

Clara is given an enchanted Nutcracker doll on Christmas Eve. As midnight strikes, she creeps downstairs to find a magical adventure awaiting her and her Nutcracker. Recorded on stage 3 December 2018—15 January 2019 as part of the Autumn 2018/19 season.

The Royal Ballet presents the world premiere of Cathy Marston's first work for the Company on the Main Stage alongside a revival of Jerome Robbins’s timeless classic of pure dance. The Cellist is a one-act ballet about British cellist Jacqueline du Pré, from her discovery of the cello through her celebrity as one of the most extraordinary players of the instrument to her frustration and struggle with multiple sclerosis. Jerome Robbins's Dances at a Gathering is a fluid exercise in pure dance for five couples, set to piano music by Fryderyk Chopin.

The wicked fairy Carabosse is furious she wasn’t invited to Princess Aurora’s christening. She gives the baby a spindle, saying that one day the Princess will prick her finger on it and die. The Lilac Fairy makes her own christening gift a softening of Carabosse’s curse: Aurora will not die, but will fall into a deep sleep, which only a prince’s kiss will break. The masterful 19th-century choreography of Marius Petipa is combined with sections created for The Royal Ballet by Frederick Ashton, Anthony Dowell and Christopher Wheeldon. Recorded live as part of the Royal Opera House Live Cinema Season 2019/20 with encore screenings broadcast online during the #OurHousetoYourHouse programme.

At a garden party on a sunny afternoon, Alice is surprised to see her parents’ friend Lewis Carroll transform into a white rabbit. When she follows him down a rabbit hole events become curiouser and curiouser.

The first revival of Wayne McGregor’s critically acclaimed ballet triptych to music by Max Richter, inspired by the works of Virginia Woolf.

Clara is given an enchanted Nutcracker doll on Christmas Eve. As midnight strikes, she creeps downstairs to find a magical adventure awaiting her and her Nutcracker. The magician Drosselmeyer transforms the drawing room into a battle between mice and toy soldiers. During the battle, Clara saves the Nutcracker’s life – so breaking a magical spell that turned him from a boy to a toy – and the Mouse King is defeated. In celebration, Drosselmeyer sweeps Clara and the Nutcracker off to the Kingdom of Sweets, where they meet the Sugar Plum Fairy and take part in a wonderful display of dances. The next morning, Clara’s adventures seem to have been more than just a dream.

Distraught by her mother's refusal to allow her to meet gardener Jack, Victorian teenager Alice retreats into a book gifted to her by Lewls Carroll.

Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a life of luxury as his mistress she can’t resist.

Christopher Wheeldon's Within the Golden Hour is based around seven couples separating and intermingling, to music by Vivaldi and Ezio Bosso and lit with the rich colours suggested by sunset. In Flight Pattern, Crystal Pite combines Górecki's haunting “Symphony of Sorrowful Songs” with a large dance ensemble to create a poignant and passionate reflection on migration. Between them, Medusa is new work inspired by the Greek myth, created for The Royal Ballet by the acclaimed choreographer Sidi Larbi Cherkaoui, which juxtaposes Purcell arias with an electronic score by Olga Wojciechowska.

This classic fairy tale depicts the struggle between good and evil, and love's quest to conquer all. The magic of the lakes, forests and palaces is breathed into life through the splendid setting by John Macfarlane and the perfect score by Tchaikovsky. The Royal Ballet's magnificent production of Swan Lake returns to the stage of the Royal Opera House after its 2020 revival was interrupted by the theater's closure amid the pandemic. This classic of the repertoire is a testament to the late choreographer Liam Scarlett's enduring love of classical music and innate musicality, which are also evident in this productionv

An unprecedented and intimate look at the life, work and enduring legacy of British actress Audrey Hepburn (1929-1993).

Kenneth MacMillan's passionate choreography for Romeo and Juliet shows The Royal Ballet at its dramatic finest. Sergey Prokofiev's iconic score provides the basis for the ballet's romantic pas de deux and vibrant crowd scenes, while 16th-century Verona is created by Nicholas Georgiadis's magnificent designs. In 1965, MacMillan's Romeo and Juliet was given its premiere at Covent Garden by The Royal Ballet and was an immediate success: the first night was met with rapturous applause, which lasted for 40 minutes, and an incredible 43 curtain calls. The title roles were danced by Rudolf Nureyev and Margot Fonteyn, although the ballet had been created on Christopher Gable and Lynn Seymour. It has been performed by The Royal Ballet more than four hundred times since, as well as touring the world, and has become a true classic of the 20th-century ballet repertory.

The last sovereign Zulu King, a female British missionary, an ambitious colonial official and a young Welshman are all voiced by actors to make AMASHINGA a beautiful and epic explanation of the British invasion of the Zulu Kingdom in 1879.

A part of "Body Limits II," a series of video works that use dance video recordings selected from the Internet. The multiplication of bodies and the transformations made to colors and speed turn these recordings into video art works that question the boundary between figuration and abstraction. The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements (appropriations). The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

Join Clara at a delightful Christmas Eve party that becomes a magical adventure once everyone else is tucked up in bed. Marvel at the brilliance of Tchaikovsky’s score, as Clara and her enchanted Nutcracker fight the Mouse King and visit the Sugar Plum Fairy in the glittering Kingdom of Sweets. Peter Wright’s much-loved production for The Royal Ballet, with gorgeous period designs by Julia Trevelyan Oman, keeps true to the spirit of this festive ballet classic, combining the thrill of the fairy tale with spectacular dancing.

With atmospheric music by Joby Talbot and powerful designs by Bob Crowley, The Winter’s Tale is a masterful modern narrative ballet. The story follows the destruction of a marriage through consuming jealousy, the abandonment of a child and a seemingly hopeless love. Yet, through remorse and regret – and after a seemingly miraculous return to life – the ending is one of forgiveness and reconciliation. The Winter's Tale received ecstatic praise at its premiere for its intelligent, distinctive and emotionally powerful story, told through exquisite dance. It is now widely judged to be a modern ballet classic.

The Royal Ballet’s dazzling Principals lead an evening not to be missed, their sparkling talents a perfect fit for a diamond anniversary. Celebrating the 60th anniversary of The Friends of Covent Garden, this programme recognises the amazing support of all ROH Friends past and present. The showcase will demonstrate the breadth and diversity of The Royal Ballet’s repertory in classical, contemporary and heritage works. It will also include world premieres by Pam Tanowitz, Joseph Toonga and Valentino Zucchetti plus the Company’s first performance of For Four by Artistic Associate Christopher Wheeldon and a performance of George Balanchine’s Diamonds.

Stuck at home and put to work by her spoiled Step-Sisters, Cinderella’s life is dreary and dull. Everything changes when she helps a mysterious woman out... With a little bit of magic, she is transported into an ethereal new world – one where fairies bring the gifts of the seasons, where pumpkins turn into carriages, and where true love awaits.