Asako lives in Osaka. She falls in love with Baku, a free-spirit. One day, Baku suddenly disappears. Two years later, Asako now lives in Tokyo and meets Ryohei. He looks just like Baku, but has a completely different personality.
It depicts the lives of a man and a woman who love flowers and grasses blooming on the roadside while suffering from life, and who live in small ways with tenderness and intensity.
Asako lives in Osaka. She falls in love with Baku, a free-spirit. One day, Baku suddenly disappears. Two years later, Asako now lives in Tokyo and meets Ryohei. He looks just like Baku, but has a completely different personality.
Misa, battling PMS and stigma, starts anew at Kurita Optics. Amidst work and sweets, she meets Takatoshi. Despite his quiet demeanor and struggle with panic attacks, a deep bond forms.
Adapted from the popular manga of the same name, director Masahiro Takada's coming of age drama follows five Hama Art College students as they prepare to venture out into the real world on a great voyage of self-discovery.
A young couple's announcement of their engagement to their friends is followed by a series of interactions and conflicts that forces everyone to reflect on their lives.
Komari Sano's parents ran a small Tokyo factory that manufactured aircraft parts. With her parents' influence, Komari Sano dreamed of becoming a pilot. During World War II, her older brother died as a kamikaze pilot and her parents died during the bombing of Tokyo. Komari Sano became an orphan and lived with her aunt. Her aunt ran a ryotei (high end traditional restaurant). After the war, all aerial activities were initially banned in Japan. After long negotiations with the Supreme Commander of the Allied Powers, Sizuo Matsuki, who is the security chief of Civil Aviation Bureau, finally launched Japan's civil aviation. Komari Sano applies for the position of a cabin attendant.
Two of the most radical student groups form the United Red Army (URA) and head into the mountains to conduct a training camp. Ideology devolves into despotism, and the URA's leaders begin to arbitrarily persecute their followers, a harrowing ordeal that culminates in violence and murder.
From the streets of Harajuku comes a heartwarming movie featuring the popular HARAJUKU KAWAii! models of the aomoji-kei scene! Fumiko is signed to a modeling agency in Harajuku, but she has begun to feel uncertain about her future as a model. Encouraged by her manager to pursue acting, she starts attending an acting workshop. There, the instructor bluntly tells her, “Anyone who has no interest in people can’t become an actor.” By chance, Fumiko ends up taking a part-time job at a handyman service. One of her assignments involves a business specializing in helping former couples get back together. As she coordinates all kinds of reconciliations, she gradually begins to enjoy this unusual job of dealing with people and their relationships. Fumiko has always had a habit of giving up on things halfway through, but observing the many different ways people live their lives begins to influence her own way of thinking. Then, a turning point arrives in Fumiko’s life...
Yuzo and Mitsuki live together in Yuzo's small apartment, their constant companionship tender and indifferent in turn. Then Yuzo receives a call from Satsuki, a documentarian resolved to make a film about a now-distant family tragedy, and the three meet, to search for some way to account for their relationship with one another, the memories they share, and those they've kept to themselves.
In Spring 1969, 21-year-old Megumi Yoshizumi goes to Wakamatsu Production. The company makes films popular with young people. Pink film director Koji Wakamatsu gathers there with young talented people who are all fascinated with movie making. When they are not making movies, they spend their time smoking, drinking alcohol, scouting for actresses and looking for material for their next film. When filming begins, everybody immerses themselves into the production and will do everything on the filming set from running, shouting to acting.
Yamano Yamame, an entertainer who can't sell, is unreasonably told by his seniors that he should live in the accident property because he will put it on TV, and he moves to the property where the murder occurred due to his appearance on TV and the low rent. At first glance, the room was a normal room, but a mysterious white object was reflected in the image of the room, and the sound was disturbed. The program in which Yamame appeared became lively, and Yamame moved around the accident property in search of new material. Yamame, who encounters various mysterious phenomena in the room where he lives, makes a big break as an "entertainer who lives in the accident property".
A famous chef who is tasked with tracking down a 70-year-old missing recipe.
Accompanied by his friend Miyata, Sano returns to Izu, a seaside resort in Japan where five years before he fell in love with his wife Nagi.
The story of a would-be actor, his larger-than-life classmate and their friends. Unfolding their past and present, Sasaki in My Mind looks head-on at adolescent sparkle and the pathos of bygone days.
In a rural port town, Kenji Ishikawa runs a barber shop together with his new wife, who speaks very little and has mysterious eyes to match her amorous presence. Running the shop isn’t easy as hardly any customers come… One evening, a man comes to the shop, as if lured by the faint hum of the wife. As the man takes a seat, Kenji exits his shop. The wife then gently fingers the man’s neck…
Itchan and her older sister Satchan go to the house of their grandmother, who is currently in a nursing home. They start cleaning the house in preparation for its renovation, but gradually the two discover the subtle gulf that lies between them.
Shibuya Haruko is a high school student living in Tokyo. One night, she is instantly smitten by Kanagawa Kenichi, who is lying prone on a bridge. But Kenichi becomes far more interested in a girl he impulsively hits on, Mayumi, over the high-spirited Haruko.
Defence lawyer Emi is assigned to a particularly unusual case: a man is suspected of murdering his wealthy wife, and his only alibi is a 421-year old ghost, Rokubei. At first Emi is hesitant, but when she pursues her lead she is visited by the ghost herself. And so the fun begins in the courtroom when Prosecutor Osano starts to cross examine.
A professional scammer is hired by a wealthy young businessman to find a hidden treasure looted from the Bank of Japan and supposedly stashed away by a group of men after WWII in various locations around the globe. Eventually an assassin is put on their trail.
Hiroko is a young, alienated woman "in love" with a blow-up male torso. Tension rises when her sister discovers her secret desire.
A man is immobile and incapacitated, but has professional and nonprofessional volunteers serve and help him. Though, he takes full advantage of the situation and uses and abuses the volunteer crew.
In 1970s Japan, Satoshi Kirishima was a member of the "Scorpion Cell" of the East Asian Anti-Japan Armed Front, a recently formed left-wing extremist group. Wanted for a series of corporate bombings, he spent half a century evading capture while living under an assumed identity. What did he discover in the depths of his loneliness? What did he spend his life chasing?
The semi-biographical The Extremists' Opera follows the everyday and inner struggles of a women-only alternative theater group delivering explosive and politically controversial explosive stage performances under the control of tough mannered director Naoko.
A timid young woman who lives with her domineering mother accepts an Adult Video scout's offer to "become somebody else" by performing in porn videos. As she rises in popularity, the boundaries between her two lives begin to disintegrate.
This avant-garde entertainment film depicts a group of young people today who are fascinated by the works of Kaita Murayama (a Taisho era painter who died prematurely at the age of 22) and who revive Kaita's works with their own unique interpretations.
'We have to kill him', the wife and her lover thought. When three childhood friends reunite, it doesn't take long before two of them feel the woman's husband is in their way. They push him into a lake, but the boat capsizes and all three are thrown into the water. The lovers reach the shore, but the husband is nowhere. Has he drowned? They decide to wait at a lakeside hotel for his body to be found.
Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter.
Haru is living a disintegrated married life with her then high school teacher, Yuichiro. After Yuichiro's sudden death, Haru meets his mistress, Shiori, who was also one of his students. Fueled by jealousy, unexpected events begin...
The incinerator of a waste treatment facility, where a fire blazes fiercely behind a circular window. The sound of a government official’s voice over the radio announces that the name of the era is changing. A nameless protagonist whose coworker delves into mountains of garbage. A boss abusive towards his subordinates. A bus driver asking where he should go. A woman who has lost her mother. Unable to ask for help and or to help themselves, everyone is going through their own madness.
Shiori, Yukiko, Kyoko and Sachiko continue to live each day with untold feelings inside. Unable to forget a colleague on a trip, a father who is ill, a friend who works at a store that is about to close, and a long-lost husband, each woman takes a step forward. There is a light that sometimes embraces them, calmly and gently.
A young couple's announcement of their engagement to their friends is followed by a series of interactions and conflicts that forces everyone to reflect on their lives.
Shares a lead actor · Viewers also picked
Hiroko is a young, alienated woman "in love" with a blow-up male torso. Tension rises when her sister discovers her secret desire.
Shares a lead actor · Same director
A man reflects on the lost love of his youth and his long-ago journey from Taiwan to America as he begins to reconnect with his estranged daughter.
Viewers also picked
Four siblings' lives change drastically when their ailing mother takes a turn for the worse over the holiday season.
Viewers also picked
94-year-old Eleanor Morgenstein tries to rebuild her life after the death of her best friend. As a result, she moves back to New York City after living in Florida for decades.
Viewers also picked
In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.
Viewers also picked
A jazz musician seeks refuge from a lynch mob on a remote island, where he meets a hostile game warden and the young object of his attentions.
Viewers also picked
On the outside, Helen has it all – a loving family and a successful career – but when her suppressed mental illness resurfaces, the world crumbles around her. Crippled by depression, Helen finds solace through her friendship with Mathilda, a kindred spirit struggling with bipolar disorder.
Viewers also picked
A pair of twin brothers from East L.A. choose to live their lives differently and end up on opposite sides of the law.
Viewers also picked
An uninterrupted rehearsal of Chekhov's 'Uncle Vanya' plays out by a company of actors. The setting: their run-down theater with an unusable stage and crumbling ceiling. The play is shown act by act with the briefest of breaks to move props or for refreshments. The lack of costumes, real props and scenery is soon forgotten.
Viewers also picked