Rastorhuev

An intimate portrait of Russian opposition leader Boris Nemtsov — once Deputy Prime Minister and “an heir of President Yeltsin”, later an uncompromising adversary of Putin — that was assassinated near the Kremlin in February 2015. Election campaigns and hotel beds, protest rallies and office routine, train compartments and courtrooms, night walks and police vans – you have never seen any politician so close. This is a story how a journalist assignment turns into a genuine friendship.

In the winter of 2011, after a controversial election, Vladimir Putin was reinstalled as president of Russia. In response, hundreds of thousands of citizens rose up all over the country to challenge the legitimacy of Putin’s rule. Among them were a group of young, radical-feminist punk rockers, better known as Pussy Riot. Wearing colored balaclavas, tights, and summer dresses, they entered Moscow’s most venerated cathedral and dared to sing “Mother Mary, Banish Putin!” Now they have become victims of a “show” trial.

Аlina Makarova is a mother of six of her own children and one adopted child. Her ex husband is from Ethiopia, and all her own children are mixed race. Only her adopted son is white, but he has serious health problems and is psychologically unstable. Alina's older children realise what complications the adoption might bring and are afraid that there won't be enough room, time and love for everyone. But she convinces them that it's the right thing.

The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.

Never before in Russian history has the Russian domestic intelligence services been more powerful than today. The FSB is a murky organisation that can ruin people’s lives who are deemed enemies of the Russian state and even commit murder on behalf of the Kremlin. Four people in exile open up about their experiences with the FSB.

Pussy Riot: The Movement embarks on the odyssey of the girls who rocked a country and continue to fight for human rights throughout the world. Documentary follows Masha Alyokhina, Nadezhda Tolokonnikova, and Yekaterina Samutsevich through their harsh two year sentences for playing music to their freedom. What started as a punk rock collective has catapulted to a world movement for human rights.

A youth comedy about the tragedy of the first love. An experiment in the area of the film language. REC, accidentally pressed in the middle of a fight. Jealosies, breakups, reunions. A few bedroom scenes, shot with a home camera. Cries and whispers of the urban outskirts. The audience of the film are both Bergman fans and YouTube viewers.

Amid the war in Ukraine, Tanya and Zenit’s fragile love story unfolds, stretched between moments of closeness and conflict. Meanwhile, a group of children play war, building block posts, and imagining futures defined by violence.

Russian activists Nadezhda Tolokonnikova and Ekaterina Samutsevich decide to separate from the well-known activist group Voina and create their own group named Pussy Riot that would express their ideas of female independence, combining activism, feminism, and punk rock music. Their defeat in court becomes their moral victory, as Pussy Riot are cheered on by thousands of their new-found fans.

The film is about Alexey Popogrebsky's film "How I spent this summer". In the film, there are no tedious reflections of the actors and the director about their film against the background of posters of the same film. But there is life itself, real, unmasked, and, despite the sea of comicality, it makes you horrified at how the Russian film process can take place…

In St. Petersburg, in a house near the Neva, a father and son live. The father does not let go of the video camera. With her help, he keeps his "diaries", taking pictures at home and away, on the streets of the city and while traveling. Among the protagonists of his film are random passers-by, lonely old people, St. Petersburg bohemia, young people, friends and acquaintances of his son, former prisoners of the Mordovian camps. One day, not finding answers to important questions, the father decides to go to Jerusalem. For some time he and his son travel together, then part. In the life of the father, meanwhile, a serious change is coming.

His motto was laconic: "I promised - stay still." This is how Alexei Balabanov lived, raised his sons, was friends, and so filmed. A legendary director and an extraordinary person who made both "festival" and "mass" films with equal ease. He was a great father and a difficult husband, a loyal friend and an honest guy. Balabanov with his life, passions, losses, burning pain on the way to God in the memories of those closest to him - mother, sons, wife and friends. He seems to be telling the crew again: "Let's do it talentedly!"

Alla Demidova ranks among the greatest actresses to have graced the Russian-language stage over the past six decades, as well as screens big and small. She's famous for her tragic characters. Perhaps because she, above all, understands the world as a realm of worries and sorrow?

Russian Federation, May 6, 2012. On the eve of the ceremony of inauguration of Vladimir Putin, elected for a third term, the police brutally repressed a march of protest over the lack of freedom existing in the nation. Some people believed that this demonstration would be the beginning of a peaceful revolution, but it was the day when silence and fear won the game. Realize what happens when a person has too much power in his hands.

Burned-out ex-baseball player Hank Thompson unexpectedly finds himself embroiled in a dangerous struggle for survival amidst the criminal underbelly of late 1990s New York City, forced to navigate a treacherous underworld he never imagined.

After an alien ship crash lands in a Russian city, many who see the inside and the occupants start to question their own existence while others demand the aliens leave Earth.

A small but powerful orchestra with strict melodies and rhythms in the spirit of “Avia” unleashes a mechanical frenzy: artists under a thick layer of make-up are throwing replicas from Harms' stories and notebooks. Ultimately, this plotless musical by Maxim Didenko with the artists of the Gogol Center claims to incarnate (literally, from the word “flesh”) the universe of a unique writer, the demiurge of a dislocated reality.

Captain Fedor Volkonogov works in law enforcement. He is on the good books of the management, and his colleagues respect him. But one day, his life abruptly changes: he is declared a criminal. The Captain manages to run away before he is arrested. Suddenly he turns into an outcast, whom his former colleagues search across the whole city. At night Volkonogov is visited by a messenger from the other world, who warns him that after death he will go hell and be tormented forever. But he has an opportunity to change his fate and get to paradise if he repents, and at least one person forgives him. The Captain embarks on his way to find forgiveness. But he cannot even fathom what tests are awaiting him on this way.

Filmed theatre play based on 'Rocco and his brothers"

Returning to Saint Petersburg after a long exile, the dashing Yakovlev, a retired army officer, makes a comfortable living by winning other people's duels. An enigmatic, focused, and extremely skilled professional, he leaves a trail of dead bodies behind him as he swirls through polite society, frequently called upon to wield a pistol as a surrogate in duels at dawn. But when Yakovlev meets the naïve young Prince Tuchov and his beautiful sister, Princess Martha, the normally cold-hearted mercenary is surprised by hitherto undetected emotions. What transpires uncovers a series of revelations about his past and his present self.

In the 1970s, the family of a young teacher named Lebedev, who lived on the outskirts of a Buryat village, suffered a tragedy. Wolves were rampaging in the settlement. They showed no mercy to Alexei Lebedev himself or his wife, Katya. During the bloody massacre orchestrated by the predators, the man and woman perished. Their young sons, Kirill and Philip, somehow miraculously managed to escape the same fate as their parents. But one of the boys was bitten on the arm by an old wolf… The boys ended up in an orphanage. But only Kirill survived to our time. His brother Philip dies under mysterious circumstances, but no one has seen his body. And now, in our time, in a village near Moscow, the livestock of a local farmer is killed by a bloodthirsty monster. The case is being investigated by local law enforcement officers Stanislava Oshurkova and Anton Mikhailishin. During the investigation, local residents die one after another in the village…

With the city in the throes of a flu epidemic, the Petrov family struggles through yet another day in a country where the past is never past, the present is a booze-fueled, icy fever dream of violence and tenderness, and where – beneath layers of the ordinary – things turn out to be extraordinary.

Continuation of the New Year saga "Yolki". This time, all the stories in the film will be based on real events.

This movie is about soccer hooligans, the most aggressive and violent soccer aficionados. They are an exclusive group, the elite of all soccer fans. Whoever they may be in their everyday lives—college students, bankers, musicians, or car mechanics—they are a “firm.” It’s easy to get into a firm, but once you’re in, it’s for life. There’s no going back. The movie is based on actual events

They have been abandoned in a world adorned with concepts such as family, friendship, love, and opportunities. In search of answers to their questions, they devour themselves like a chemical substance that corrodes the world around, in order to eventually learn not to listen but to hear, not to look but to see. And to find their way.

A storry about a friendship between two very different women.

On the eve of Women's Day, wives receive an SMS with a ransom amount for their husbands, who have gone away to vigorously celebrate their friendship. Having gone through all the events of last night in the lives of their faithful, the wives learn that the guys are in the hands of a crime boss and they are in mortal danger.

The production by Kirill Serebrennikov revives all four of Alexander Pushkin's classic blank-verse dramas: "Mozart and Salieri", "The Miserly Knight", "The Stone Guest", and "Feast in Time of Plague". Without changing a single word of the original text, Serebrennikov seamlessly blends classic literature with the stark realities of the 21st century. The director explores human nature through a modern lens, reflecting on envy, greed, egocentrism, and the profound fear of aging and oblivion. In this reimagining, the Miserly Knight becomes an archivist of a vast library, his son turns into a motorcycle racer, and the grim "Feast in Time of Plague" takes place inside a modern nursing home. Serving as the central musical and thematic thread, famous Russian rapper Husky performs his own songs between the acts, acting as a contemporary Prophet and bridge between eras.

Autumn 1929. Lina, from the noble Golitsyn family, arrives on a date with her husband Georgy Osorgin, who is serving a prison sentence in the Solovetsky special purpose camp. Lina does not know that after she leaves the island, her husband will be shot. Osorgin received a terrible sentence after he, a deeply religious man, secretly brought holy gifts to the dying Archimandrite so that he could take communion before his death. The camp authorities took the Russian officer's word of honor from Osorgin not to tell his wife anything about his predetermined fate. Only on this condition did they agree to temporarily release him from the punishment cell for his last meeting with Lina. The spouses spend the precious three days allotted to them and feel happy in the most inappropriate circumstances. Osorgin says goodbye to Lina on the pier. When the ship becomes a dot on the horizon, the guards escort George back to the punishment cell, where he carefully dresses for his final journey.

A story of a Moscow's apartment building that is slowly falling apart, literally. First, the hot water has been cut off by an old man from Asia, who could not stand it being wasted. Then the roof is starting to collapse. Finally, the electricity has been cut off. All the tenants of the building, no matter how different they were, find themselves in the same situation.

The unsuccessful actor Sasha, finally, was going to make an offer to his girlfriend Marina. He bought a ring and pre-booked a table in a restaurant and, it seems, almost does not doubt the correctness of his decision. But on the right day, Sasha didn’t voluntarily linger on the set and was therefore forced to hurry terribly. In his car, he drives to the chosen one and rehearses the speech of the sentence, reflects on how to present the ring more correctly and what to say. During the rehearsal of the speech, Sasha suddenly realizes that she does not want to get married and must leave Marina.

An aspiring director arrives in the Moscow region to film a documentary about a legendary Counter-Strike coach. However, instead of an esports legend, she's met by a forty-year-old security guard who doesn't own a computer, and whose training methods only fit on a couple of notebook pages. To save the project, the director decides to turn the charlatan coach into a youth icon, uncovering who's really deceiving whom.

A look at the story through the prism of the present. Artists in front of the audience reincarnate in the heroes of the film (the poet Vladimir Mayakovsky; the women he loved and left him; the friends who admired him and backed away from him; the ruthless “Knights of the Revolution” who proclaimed him his banner) and lead the viewer “to” Mayakovsky, forcing him to live his love, creative, and human drama as his own.

Five short films where reality and modern characters are presented in unusual genre settings. In the comedy "Good Afternoon", the courier witnesses an unpredictable family quarrel. "Africa" is the story of a rapidly maturing girl's return to her eccentric and eternally young mother. "Update/Delete" will record the existence of an ordinary passerby in the lenses of several cameras throughout the day, and the nascent revolutionary spirit in the drama "Aquathlon" will turn out tragically. In the "House on the Head of a Clausewertz", a house begins to grow on the head of a lonely person.