This film is based on the Indian Mythological love story of Radha and Krishna.
Rural melodrama about Durga, an adolescent child of nature, living with her aged mother Heera. Unable to get the medicine required to prevent her mother's death, one misfortune after another befalls the heroine in spite of the sympathies of the newly arrived village doctor, Jawahar.
The film is family social drama, which deals with the issue of young widows. It put a special focus on the Indian society's attitude towards them, and society's bigoted approach to "man- woman relationships"
Lata, daughter of a dancing girl, is brought up by social worker Mathuradas and is engaged to marry the rich Ranjit when the villain Chand arrives to blackmail her with her undisclosed ancestry. Lata is forced to disclose the truth to Ranjit and the assembled wedding guests. Ranjit disowns her but they are reunited when Ranjit, blinded by an explosion, is nursed back to health by a devoted woman who turns out to be his wife.
An allegory of contemporary political attitudes presented in terms of differing approaches to the institutionalisation of sexuality: marriage. There are three college friends: the liberal Vijay the conservative Loknath and Jagdish, a careerist. Vijay rescues a damsel in distress and marries her. Later, his son Anand repeats his father's history by rescuing Jagdish's daughter from a bandit and marrying her, resolving the differences between the three friends.
Jayanta Chowdhury, a ground engineer, is gravely injured and is received by his fiancé, Kuntala who takes care of him. However, Jayanta is not at peace as he suspects a conspiracy. He returns to Kolkata, much to Kuntala’s dismay, and starts following another ground engineer Sandeep Mukherjee, who he believes has betrayed his employer. Jayanta gets together with the Intelligence Officer Ranjit Mitra and traces Sandeep’s whereabouts. Sandeep is actually involved with the criminals Krishn Chand and Abdullah who force him to plant a bomb on an international flight. Sandeep, rather unwillingly, gives in as he needs money to treat his handicapped younger brother. Although he loves a girl named Ruby, he is unable to marry her for the same reason. Jayanta takes up the name of Arun Roy and befriends Sandeep to learn more about him. And the plot thickens.
Two half-brothers, Mahesh and Ramesh, whose paths cross with Geeta, a spirited village girl. As both develop feelings for her, misunderstandings, hidden identities, and emotional tensions begin to surface, setting the stage for a heartfelt romantic drama.
A nationalist rural drama. The plot has Ajau and his girl friend Protima working on behalf of Indian villagers, incurring the enmity of the local zamindar and the villainous Sanatan. Ajay's relentless goodness eventually persuades the zamindar to bequeath his property to the hero, and general well-being reigns as class conflict is transmuted into class collaboration. The film includes the nationalist song 'Jai jai janani janmabhoomi' and other choruses with a similar thrust.
Nirmala (Devika Rani) is a modern girl - young, beautiful, dressed in the latest fashions, attends college, and is even the only female in an all-male class. She doesn't take second place to the men, besting all but one in the annual exams. She tied with Ramdas (Ashok Kumar). But, at the same time she is tied to the age-old culture, traditions and religion. She yearns for a husband and for motherhood. And this conflict forms the crux of the story.
Jamai Shashthi was the first Bengali talkie short film produced in 1931.
Sashibhushan who is the orthodox patriarch, has a tough time dealing with the youngsters who want to live life on their own.
Jamai Shashthi was the first Bengali talkie short film produced in 1931.
Shares 2 cast members · Same director
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A historical drama about the conflict between Magadha and Vaishali. When Vaishali refuses Magadha's suzerainty, its commander Abhayaraj is released. Abhayaraj seeks to marry Pali, the Chief Minister's daughter, but she falls for the disguised King Bimbisar of Magadha. Abhayaraj subsequently declares Pali a public woman. Pali, now pregnant, lives as a public woman until her son grows up, leading to a philosophical resolution of the central conflict.
