Quiéreme siempre

Natalie, a poor but beautiful girl from a humble neighborhood, falls in love with and wins the heart of Victor Afonso—her childhood friend and the son of the city's wealthiest family. Natalie lives with a cruel old woman who forces her to beg to support her, yet also foresees through fortune-telling cards that "The Beast"—as Natalie is known—will one day find happiness and wealth. Believing this fortune is linked to "The Greek," a wealthy man in love with Natalie, the old woman sells her to him—unaware that Natalie and Victor Afonso had secretly married before he left the country for his studies. When the young man's parents discover the truth, they annul the marriage, indifferent to the fact that "The Beast" is pregnant with his child. Supported by her friend—a cabaret performer known as "La Costeña"—and by The Greek himself, Natalie turns her life around and gives birth to twins; however, she has no idea that The Greek intends to exact a price for all his generosity.

The Sentinel is a Canadian-produced television series. In the jungles of peru, the fight for survival heightened his senses. Now, Detective Jim Ellison is a sentinel in the fight for justice. Anthropologist Blair Sandburg works side by side with Jim, helping him develop these senses.

The title "Manana Sera Otro Dia" is the name of a Mexican telenovela. It began in 1976, with principal actors Jacqueline Andere and Eduardo Fajardo. The title in English means "Tomorrow will be another day", similar to Scarlett O'Hara's famous lines, optimistic of future victory, in the 1939 film Gone with the Wind. In the Spanish title, the accented word "será" is pronounced as "say-Rah" but often the word for day is not accented. The telenovela's runtime was 30 minutes, and it had 253 episodes. The TV series was produced in Mexico by Televisa S.A. de C.V. Viewers' reactions to the show have been highly favorable.

When Refugio and her three sons—Patricio, Edmundo, and Ignacio—are forced out of their home, a twist of fate brings them to Mexico City, where they begin a new life. Eighteen years later, they are settled in a small apartment in a working-class neighborhood. Refugio holds a modest job; although she suffers from serious vision problems, she neglects her own health to attend to her sons' needs. Patricio is studying law and dreams of a comfortable, prosperous future; his mother admires him for his charitable nature. Meanwhile, Edmundo begins courting Lucero—unintentionally hurting Ignacio, who secretly loved her—while Refugio tries in vain to make Patricio understand that he will never be happy with Olga.

Valentina Vilaça is a wealthy woman who inherited a vast fortune from her parents after they died in a car accident. She lives in a mansion in Mexico City with her aunt, Isabel Rangel de Dorantes, and her cousin, Ivana Dorantes Rangel—who treats Valentina with great indifference and harbors envy toward her. Everything changes for Valentina when her fiancé, Alonso Penalva, conspires with Ivana and leaves her waiting at the altar on their wedding day. From that point on, Valentina becomes a bitter woman, eventually discovering love alongside José Miguel Montesinos.

Cristina es una muchacha dulce y tierna, querida por todos en “El Platanal”, una hermosa hacienda propiedad de Severiano Álvarez, su padre, hombre recio de campo y de gran carácter. En este lugar trabaja como capataz Diego Hernández, un criollo fuerte que se ha enamorado de Cristina, y ella, ante el amor que siente por Diego, se entrega a él. Cristina confesses to her father that she is pregnant and that she loves Diego. Severiano orders that Cristina and Raquela, the servant, go to the capital and have the child there. Through the actions of Federico Rivero, little María del Carmen returns to the hacienda as Raquela's daughter. Cristina, because she is close to her daughter, is forced to marry Federico, a ruthless and ambitious man. And from now on she will be everyone's “godmother.” Federico causes an accident in which Cristina is blinded; Thus, her fortune passes into his hands.

Alondra is a Mexican telenovela shown in 1995, written by Yolanda Vargas Dulché and produced by Carla Estrada, starring with Ana Colchero and the late Beatriz Sheridan. This telenovela contains 78 episodes.

Vivo Por Elena is a Mexican telenovela starring Victoria Ruffo and Saul Lisazo with the antagonic roles of Ana Patricia Rojo and Sebastian Ligarde. The telenovela aired on Univision in 1998. The theme song for the telenovela was Vivo Por Ella, sung by Andrea Bocelli with a duet by Marta Sanchez. The telenovela has been repeated several times on different channels since its original airing.

Story about a woman that is unhappily married and with two daughters. She constantly reprimands Cristina and baby Raquel. What the people around her don't know is that Raquel is not her husband's daughter as everyone believes. Raquel is Eugenia and León's daughter. She has always loved him, not her husband. That is the reason she's always angry at Cristina.

Angela is a Mexican telenovela, which was produced by Televisa and broadcast on Canal de las Estrellas in 1998. The series was first debuted on May 17, 1999 on Univision in the United States, replacing that year's hit La Mentira, and ended on September 9, 1999, being replaced by Tres Mujeres. It aired a second and a third time on Galavisión on March 15, 2000 and May 8, 2001, and ended a second and a third time on July 1, 2000 and August 24, 2001. It aired a fourth time back to Univision's late night "Grandes Historias" lineup, aired on October 28, 2003, and ended on February 27, 2004. It aired a fifth time on TeleFutura on September 18, 2006, and ended on January 8, 2007. This telenovela contained 78 episodes.

Rebeca murders her sister Adriana to end up with the man she loved, and becomes the step mother of her niece Lucía. Nora, Lucía's half sister and daughter of Rebeca, resents Lucía for the same reasons Rebeca hated Adriana, as history repeats itself.

Mi destino eres tú is a 2000 Mexican telenovela. It is a production of Carla Estrada and the protagonists were Lucero and Jorge Salinas.

A woman who falls in love with a dashing younger man, when her marriage collapses around her.

Apuesta por un Amor is a Mexican telenovela produced by Angelli Nesma Medina for Televisa in 2004. Patricia Manterola and Juan Soler starred as the protagonists, while Alejandra Ávalos, Roberto Ballesteros and Fabián Robles starred as the antagonists.

The imaginary city of Vetusta, a symbol of anachronistic and oppressive traditions, is the realm of hypocrisy and intolerance that makes Ana Ozores’s life unbearable and inevitably tragic.

Framed for murder and on the run, a former thief struggles to expose the vanguard of an alien invasion with the help of a conspiracy theorist and newly discovered prophecies of Nostradamus.

Victoria's life is perfect. She is a famous designer, mother of two and the wife of an actor. But she suffers the absence of her daughter Maria, who was separated from her when she was a little girl.

After twenty years, María obtains her freedom and returns to Mexico to find Patricia's real murderer. She marries Esteban, her husband, again to regain the affection of her children, who reject her for being their stepmother.

La Hora Marcada was a 1986 Mexican television anthology series famous for its horror and science fiction themes in the vein of the Twilight Zone. Although virtually unknown outside the country, it achieved a popular and critical success in Mexico. It had a series of rotating writers and directors, among them Emmanuel Lubezki, Guillermo del Toro and Alfonso Cuarón.

The adventures of the members of a secret society known as the Legacy and their efforts to protect humankind from occult dangers.

A young innocent man pursued for murder finds refuge with a bored married woman. Soon they become lovers.

Mr.Manolito and Mr.Estrafalario– characters of Valle-Inclán’s plays– spend the last days of Primo de Rivera’s dictatorship chasing the plays written by their admired Valle-Inclán whose works are banned by a Government Law. One day, they find a piece of The Daughter of the Captain, a portrait of the crazy soldiers who returned home after losing the Spanish Colonies. In other occasion, they attend one of the limited performances of Valle-Inclán’s:The deceiving Mr. Friolera. They are just longing for the best premiere ever: the Second Spanish Republic, a drama on for a very short time. It was a beautiful dream thought, like the Esperpentos (strange-looking characters) of Valle-Inclán.