Quei figuri di tanti anni fa

A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.

Covering only the first 22 chapters of the Book of Genesis, vignettes include: Adam and Eve frolicking in the Garden of Eden until their indulgence in the forbidden fruit sees them driven out; Cain murdering his brother Abel; Noah building an ark to preserve the animals of the world from the coming flood; and Abraham making a covenant with God.

In an Italian seaside town, young Titta gets into trouble with his friends and watches various local eccentrics as they engage in often absurd behavior. Frequently clashing with his stern father and defended by his doting mother, Titta witnesses the actions of a wide range of characters, from his extended family to Fascist loyalists to sensual women, with certain moments shifting into fantastical scenarios.

Full-throttle melodrama about an ill-starred romance set against the backdrop of the siege of Sarajevo. A mother brings her teenage son to Sarajevo, where his father died in the Bosnian conflict years ago.

A young widow flees from Rome during WWII and takes her lonely twelve-year-old-daughter to her rural hometown but the horrors of war soon catch up with them.

Story of an ambitious young doctor through unethical means intend to make a quick career. Now is primary in a luxury clinic where administers the sick with the same cynicism of his young years.

In 1920s Bagheria, Giuseppe 'Peppino' Torrenuova works as a shepherd to financially help his poor family. Over the next fifty years, Giuseppe's life, as well as the life of the village, is observed. Giuseppe grows up, joins the Communist Party, marries a local girl, has children, and forges a political career for himself.

Three tales of very different women using their sexuality as a means to getting what they want.

When Joe Valachi has a price put on his head by Don Vito Genovese, he must take desperate steps to protect himself while in prison. An unsuccessful attempt to slit his throat puts him over the edge to break the sacred code of silence.

During the bombing of Naples in World War II, a cynical businessman helps a naive prostitute, who spends the next two decades desperate to have him reciprocate her feelings.

Villa Borghese, Rome's biggest urban park, is the place where everyday laughs and dramas are consumed. The movie is made of six vignettes set there.

The charismatic Snaporaz encounters an alluring woman on a train and pursues her through a forest. He ends up at a hotel populated by women gathered for a feminist conference, where he is an unwanted presence. Snaporaz soon discovers he’s entered a phantasmagoric world where women have taken power.

A tribute to Naples, this film presents six episodes: a clown exploited by a gangster, a pizza seller losing her husband’s ring, a child's funeral, a gambler beaten by a kid, a prostitute's unusual wedding, and a "wisdom seller" offering advice.

Two jerks are enlisted in the Italian army during W.W.1 and by pure luck manage to help win an important battle.

Nine episodes about life in Italy in the period just before its economic boom.

Antonio Barracano is a respected figure among the Neapolitan underworld, keeping order and administering justice according to his own criteria, beyond the law. One day he's faced with a dilemma after a youth asks him permission to kill his father.

Two convicts escape from prison and evade the law by taking hostage the middle-class family of a doctor. One of the jailbirds calls the local television station, requesting that they broadcast his demand for a plane so they can escape the country. The television director and his crew show up to film the hostage crisis, and then things get progressively more bizarre and satirical. Not content with the living drama, he directs everyone's actions to make the event more newsworthy.

When Italy surrenders to the Allies, part of the Italian army is dispersed and soldiers begin to return to their homes.

September 1943. After Italy surrenders to the Allies, people in Naples believe the war is finally over, but soon they realize Germans are still in control — and as ruthless as ever. Armed with makeshift weapons, civilians rise up en masse against the invaders — and overwhelming odds.

Young Father Giulio returns to Rome, where he was born and raised, to replace a priest who has left the clergy to start a family. He is delighted to reunite with his loved ones, especially his mother, sister, and old friends. Once radical leftists like Giulio himself, the latter are now each coping in their own way with the defeat of the revolution. Soon, however, Giulio realizes that despite his best efforts, he seems unable to solve the problems troubling those around him.

In 18th-century Rome, impish aristocrat Onofrio del Grillo amuses himself by playing pranks on all sorts of people — his reactionary family and fellow nobles, the poors, the French occupiers trying to modernize society, and even the Pope himself.

The relationships between a veteran marshal, his bride-to-be, a rookie and his fiancée are severely tested when the young carabiniere is temporarily sent to a distant town.

Tracing the journey of a free thinker, engineer, writer, scriptwriter, actor and director through his life and work, Così Parlo De Crescenzo harnesses the energy of a man determined to transform the lives and culture of those around him. Born in Naples, Luciano De Crescenzo graduated in engineering and worked as a programmer for IBM until 1976, when he escaped the routine of his 'corporate prison' and published his first book.

Greedy relatives hire a sensual caregiver to hasten the demise of a wealthy count suffering from a heart condition.

Comedy about the flawed Italian healthcare system of the time and a doctor's expeirence with it.

Teenage problems intertwine during the occupation of a high school in Rome. Silvio—much like his peers desperate to lose his virginity—wants to make his move on the girl he likes, despite her being already his friend's girlfriend and not knowing that her best friend harbors feelings for him—while clashing also with his parents, onetime Sixties radicals who look down on the kids' aimless political commitment.

Three families go into crisis when their daughters get engaged because they are convinced that their young daughters have all chosen a wrong partner.

Based on the tragicomedy written by Edoardo de Filippo in 1931, Christmas at the Cupiello's captures a life episode of a middle-class Italian family around Christmas. Shot in Neapolitan language, the movie has a whimsical charm.

The young Antonio wants to participate in a reality show and leaves Naples for Milan with his best friend Eugenio.

When his girlfriend Giorgia leaves him for his boss, journalist Giulio suddenly finds himself without a woman and with no job. Determined to win back his ex, he attends Valeria's classes, who teaches single men the art of seduction, convinced that relationships between people are motivated by simple biological stimuli.

A few days before Inspector Ambrosio's holiday, a bank robbery takes place opposite his house.

A naive girl's love for Switzerland is put to the test in this satiric comedy. Irina is a woman from Russia who all her life has always been fascinated by Switzerland and longs to live there some day, though her notion of Swiss life has more to do with Heidi and old movies set in the Alps than reality.

Bruno Fioretti, known as "Mandrake", is an inveterate gambler who never misses a day at the horse racing track in Rome. He is doubly unlucky: he bets too much on one horse, and his wife is sleeping with his best friend because Mandrake is always at the track. Penniless and cuckolded, Mandrake decides to make one last bet.

Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.

Reporter Marcello has a brief encounter with Irene while waiting for a train. A young woman who has lost her sight finds herself falling for the voice of a ship's captain she hears over a radio broadcast. Egle, a massage therapist who is soon to be married, finds herself pursuing one last fling with Gabriele -- though the odds are not in her favor, since he happens to be gay. Elena is a young woman with a child who wants to abandon her husband. And Carla wonders if she has any future at all with her lover -- who is married to someone else.

A woman suffering from compulsive-type psychological problems falls for an older divorced neighbour. Will her love be returned? A slow story of confusion and loneliness.

A mature mother of several children is concerned that her beloved husband is losing interest, so she does her best to provoke some jealousy in him.

Members of the Camorra on the run and actors seeking for authority meet after a shipwreck on an island-prison. The theatre turns into a free zone where everyone may not be able to recover their social role but for sure their humanity. Somebody can even get love back. Shakespeare and Eduardo De Filippo blend together in a picaresque comedy full of coup de théâtre.

Luca Cupiello, like every Christmas, prepares the crib, amid the disinterest of his wife Concetta and his son Tommasino. Ninuccia, the other daughter, writes a letter to her husband in which she communicates that she leaves him for her lover. The letter happens in the hands of Luca who hands it over to his son-in-law, who thus learns of his wife's betrayal. During lunch on Christmas Eve, the two rivals, who were confronted by Luca's carelessness, clash violently.

The comedy, centered on five characters (Rita, Rodolfo, Agostino, Bettina, and Don Attilio - "o viecchio pazzo"-), has as background the Italy of the 60s between the economic boom and the perennial unemployment crisis. The cylinder, well explained by "Agostino-Eduardo" in the comedy, is a representation of power, designed to intimidate the ignorant for its only evocative "power". It can also be seen as a sort of "Pirandellian mask", where the character of Augustine wears it to defend himself and represent something that he is not.

Thanks to the legacy of an English lord, the cobbler Andrea has become a baron and now has delusions of nobility: he wants a high-ranking marriage for his stepdaughter Virginia and does not recognize the brothers of his wife, Rosina and Michele, even after the latter has saved the his house from a fire. Virginia does not like her promised Marchese Alberto, but Felice Sciosciammocca, a shy and poor master of calligraphy, who reciprocates her. But when Felice learns that the girl will soon marry another, out of spite he accepts the court of the late Marquise Zoccola, Alberto's mother.

Having withdrawn his complaint from the police station, Alberto now finds himself in trouble: the public prosecutor, suspicious, believes that he acted in this way out of fear or something else.

Oreste Campese is the leader of a traveling troupe of actors—made up of his family—who find themselves in the middle of winter in an unspecified town in central Italy. During the prologue, Campese recounts the events leading up to the present: the troupe has suffered the misfortune of losing their "shed," a mobile theater structure that was destroyed by an accidental fire. The flames spared only the boxes of props and costumes, which were opportunely saved.

Guglielmo Speranza is a young man who, having just graduated from university, decides to ask his beloved to marry him, convinced that the most challenging period of his life is now behind him. This is how we meet the protagonist, who repeatedly addresses the audience directly to explain what is happening on stage. He always wears the same suit and, during the play, changes three beards, black, gray, and white (one for each act), symbolizing the transition from youth to old age.