Quando c'era Berlinguer

A historical perspective to understand Neoliberalism and to understand why this ideology today so profoundly influences the choices of our governments and our lives.

Luca Parmitano is the first italian astronaut to perform an extravehicular activity, currently part of the crew engaged in the Expedition 61 mission on board the International Space Station (SSI), is ready to tell his latest space adventures.

A film of Enrico Berlinguer's funeral in Rome, briefly tracing his career as leader of the Italian Communist Party.

Documentary follows the life and work of Italian singer and composer Paolo Conte.

Much-censored documentary encompassing thirty years of Italian politics under the governance of the Christian Democracy (DC), entirely composed of — occasionally dubbed — archival footage.

Over the past hundred years, dramatic social upheavals have taken place in the name of Karl Marx's theories. In Western Europe, the student movement of 1968 and the Eurocommunists were inspired. And in recent times, the thinker has experienced a renaissance.

Documentary about the life of Giovanni "Gianni" Agnelli, an influential Italian industrialist and principal shareholder of Fiat.

The last days of Marco Pannella’s life - indomitable and disruptive protagonist over 60 years of Italian political life - shown through never before seen repertory materials, as well as unpublished interviews and illustrious interventions. A deserved portrait, dedicated to one of the most independent figures of the 900 Italian.

On a speech by Berlinguer, in 1981, in Turin, images of oceanic crowds, amateur films and faces with a propensity for the future unknown to us flow. That voice, which addresses the search for happiness and the moral question, has the strength and authority of a Politics so far from what we know today, to be, for us, touching and painful.

The formation, the political rise and the fall. Following a chronological order and using exclusive and unpublished materials, the documentary traces a portrait of Bettino Craxi, one of the most influent Italian politicians.

Alessandro D'Alatri directed this Italian drama about Jesus Christ, covering his childhood, adolescence, and early adulthood, an 18-year span not chronicled in the Bible. The film uses names of the period instead of names given in the Bible. The adult Jeoshua (Kim Rossi Stuart) reflects on past events -- his journey into the desert, baptism, acceptance into the Essenes' community, Jewish life in Galilee, his yeshiva studies, education from his father Josef (Omar Chenbod), and his spiritual growth. After seeing slavery, crucifixions, the stoning of an adulteress, and brutal Roman soldiers, Jeoshua turns to God for answers, leaves the village, and is betrayed by his friend Aziz (Said Taghmaoui), who leaves him to die in the desert. Issues such as carnality bring Jeoshua in conflict with the Essenes, yet he speaks out on behalf of the Essene David (popular Italian singer Lorenzo Cherubini).

A gay couple living in San Francisco takes in two strangers traveling from Italy to start a new life in America, discovering each other and forming the most unlikely of relationships along the way.

Working in the shadows of music stars, a gifted guitarist returns to his hometown and decides to stage a disappearing act in order to propel him to fame.

In Rome, in the magical location of Circo Massimo, Cesare Cremonini take his fans into a trip in his discography in the center of show created to overcome the usual experience fans has always lived as audience. It's a special night in which, artist, public and the city gets to meet, creating an event intended to leave a mark in his career and fame.

Companion piece to Jovanotti's 1997 seventh studio album 'Lorenzo 1997: L'albero'. “The movie tells a story starting from the end, when the long-awaited L'ALBERO is finally done and we realize we made the PERFECT, DEFINITIVE RECORD! But a lightning destroys the hard disk it was stored on, there's no backup and we have the record company knocking at the door for the master tapes. My band and I then agree to the only possible thing: to redo the album in a very short time by facing an initiatory, esoteric, ramshackle, crazy, mystical, chivalrous, demented journey from which the album we all know will emerge, which is not the PERFECT RECORD... but comes from that idea.” — Jovanotti