In the years before World War II, a penniless Japanese child is torn from her family to work as a maid in a geisha house.
One stormy night, a poor music student (Patrick Tse) meets a famous dancer (Josephine Siao). In one night, he composes for her the musical of her dreams: A Purple Stormy Night. The management of her dance company is divided on the musical, but the dancer manages to dispel all their doubts and the musical becomes a great success. The student and the dancer fall in love, but there is a shadow side to happiness: corrupted by success, the next musical they make is superficial. "Purple Night" shows the dangerous influence commerce can have on artistic integrity and is also about themes such as love and friendship, the relationship between art and life and the conflict between rich and poor.
In the years before World War II, a penniless Japanese child is torn from her family to work as a maid in a geisha house.
Mob assassin Jeffrey is no ordinary hired gun; the best in his business, he views his chosen profession as a calling rather than simply a job. So, when beautiful nightclub chanteuse Jennie is blinded in the crossfire of his most recent hit, Jeffrey chooses to retire after one last job to pay for his unintended victim's sight-restoring operation. But when Jeffrey is double-crossed, he reluctantly joins forces with a rogue policeman to make things right.
The story of the romance between the King of Siam (now Thailand) and the widowed British school teacher Anna Leonowens during the 1860s. Anna teaches the children and becomes romanced by the King. She convinces him that a man can be loved by just one woman.
A reforming ex-gangster tries to reconcile with his estranged policeman brother, but the ties to his former gang are difficult to break.
Amid the opulent teahouses of 1930s Hong Kong, a humble courtesan and the wayward scion of a wealthy family fall in love and embrace death by suicide pact. Fifty years later, her ghost returns to find him, drawing a young contemporary couple into her quest to rekindle a passion that may be as illusory as time itself.
Set in the decadent 1920s, Temptress Moon tells the very complicated story of a wealthy family living on the outskirts of Shanghai. Their youngest daughter, Ruyi, is brought up as a servant to her opium-addicted father and brother. Meanwhile, her brother-in-law Zhongliang has a successful, if illegal, career seducing and blackmailing married women in the city. When he comes to Ruyi's home the two fall in love, and trouble ensues.
A revenge thriller unlike any other, Lung Kong confronts themes of reform and revenge by turning his focus to the subject of disaffected youth. Young Josephine, an audacious performance by a 22-year-old Josephine Siao, is sentenced to an all-girl reform school on the periphery of Hong Kong after a violent bar brawl. Along with a few accomplices, she escapes from the intolerable administration, only to find the streets an even more hostile environment, driving the girls to blood-soaked vengeance. An enthralling youth-in-revolt film from the rare perspective of its female protagonists, shot in indelible widescreen color photography, Teddy Girls is one of Lung Kong’s most enduring triumphs.
Ho Li-Chun, a pretty but ruthless swordswoman, and three challengers are participating in an open tournament at Prince Kuei's Palace. A knight, Chen Jo-Yu, is defeated in the tournament. He flees and later returns with knight Tang Ching-Yun who wields a strange sword. They get trapped but Ho deliberately sets both free after seeing Tang's weapon which she recognizes as the same weapon once used by Sun Tien-Chen, a foe of the Ho family. She decides to investigate. She finds out Prince Kuei actually is Sun, who killed the real prince years ago and assumed his identity. Ho joins forces with Chen and Tang. The trio slays Sun in a desperate confrontation at the palace.
The plot follows a group of women who struggle in Hong Kong, most of them illegal immigrants from mainland China.
As Hong Kong television entered the 1990s, this cross-network gala looked back over the industry's history from the founding of the territory's first subscription station in 1957 — the launch of TVB, the three-way rivalry between TVB, RTV and CTV, and the fierce ratings wars — with Sir Run Run Shaw and other key figures telling the story in person, and a star-studded line-up including Chow Yun-fat, Liza Wang, Sam Hui and Stephen Chow performing in tribute to the industry's finest.
Melodramatic film about a child prodigy.
Inside a café, on Christmas Eve. Chim Kei meets an enigmatic woman named Mimi Wong who introduces herself as the daughter of an upper-crust family. But the infatuated writer is struck by a spasm of sorrow when he later sees Mimi make her appearance as a taxi-dancer at a party. The lovers are reconciled by the story of her plight told by her sister Annie. However, Mimi goes missing on the engagement day. By a stroke of luck, Chim runs into the elusive woman again and finds out how she was forced into prostitution by her drug-addict husband, his childhood best friend and benefactor Chan Hung-kit. Chim leaves dejectedly, and has since been idling his days away. The frail Mimi confesses her love for Chim on her deathbed, and from not far away, Chan has ended his own life.
Chan sisters Chan Meiling and Chan Meiyu are respected high class, women in Hong Kong's more upscale neighborhoods. However, they both share an alter-ego called the Black Rose, a notorious cat burglar who dresses in a black leotard, and steals from the rich to give to the poor - taking on a Robin Hood-style mission. Even with their antihero status, the Black Rose has created uneasiness and tension in the high society; therefore, an insurance detective investigates the crimes and tries to unmask the woman behind the cat mask.
Liu Yung is the brother whose destiny is to become a top mobster. Danny Lee is the brother fated to become a cop.
A famous pianist at the twilight of his career meets a free-spirited music critic who soon becomes his rock as his mental state deteriorates.
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