A VIDEO ART WORK IN FIVE CHAPTERS. 1. Six young men walk into a forest in Taiwan, making close contact with ferns. They establish emotional and physical relationships with the plants, relying on their bodies rather than words. Ferns are very common in Taiwan. They are valued by indigenous people but not by Japanese colonists or the Nationalists. 2. A man makes love to a bird's nest fern and then starts eating it. Zheng reflects on our current moral outlook that it is “natural” to eat plants but “unnatural” to make love to them. Bird's nest fern is a popular delicacy in Taiwan. 3. Zheng collaborates with three local BDSM practitioners who in turn collaborate with three fern species to expand BDSM practice. 4. For centuries humans have been in love with furled fronds of young ferns. Inspired by Yaoi anime, this chapter follows a young couple in their acts of love with fiddleheads. 5. This chapter connects spores and sperms.
A teenage girl gets diagnosed with a reproductive condition that upends her plans to have sex and propels her into exploring unusual methods to have a sex life, challenging her relationships with everyone in her life, but most importantly, herself.
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Remi and Barnes, two very different teenagers, meet by chance in the winter of their senior year, then spend four days together over the course of a year that will change their lives forever.
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Day in and day out, lovers Cynthia and Evelyn enact an elaborate sadomasochistic fantasy as mistress and maid. But as their ritual of domination and submission begins to turn stale, Cynthia yearns for something more conventional, while Evelyn tries to push their taboos even further.
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Two drag performers and a transgender woman travel across the desert to perform their unique style of cabaret.
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Caroline, a young waitress who seems to have bad taste in men, is on her way home one night when thugs attempt to rape her. Adam, the mysterious busboy who works at the same diner, helps fight off the assailants, and she begins a relationship with him -- but not all their fellow Minnesotans are happy for them. Meanwhile, the couple face their own difficulties when Caroline finds about Adam's past, including his unique health condition.
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A valedictorian's declaration of love for a high-school cheerleader launches a night of revelry, reflection and romance for a group of graduating seniors.
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The continuation of Joe's sexually dictated life delves into the darker aspects of her adult life and what led to her being in Seligman's care.
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After the entire flora goes extinct, ecologist Lowell maintains a greenhouse aboard a space station for the future with his android companions. However, he rebels after being ordered to destroy the greenhouse in favor of carrying cargo, a decision that puts him at odds with everyone but his mechanical companions.
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16-year old Rhiannon falls in love with a mysterious spirit named “A” that inhabits a different body every day. Feeling an unmatched connection, Rhiannon and “A” work each day to find each other, not knowing what the next day will bring.
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Not long after moving into her own place, Maggie finds herself with two unsolicited roommates: her recently divorced mother, Lila, and her young brother. The timing is especially bad, considering Maggie has fallen hard for an attractive woman, Kim, only hours before they move in. What could be a nonissue becomes increasingly complicated -- since Maggie's family is unaware of her sexual orientation, and Maggie is not open to sharing that information.
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Ocean, a boy who was born and raised on a small island, has a taboo relationship with Tide, a sailor whose ship regularly docks at the harbor.
In artist Su Hui-yu’s signature style, a moody slow-motion pan captures a wild, glitter-scattered, blood-splattered orgy during the Tang dynasty. The film is an invocation of scenes from 1985 Taiwanese cult film Tang Chao Chi Li that only existed in the screenplay, unfilmed until now due to what can only be imagined as budgetary restrictions and censorship pressures during the Martial Law era. Presented without narrative context, the orgiastic murder scene plays out like an unsettling nightmare.
In the early 1980s, hundreds of the so-called female revenging/exploitation films were produced in Taiwan. The 2020 version was based on the old genre to recreate a fantasy of the bloody revenge. The film is one of Su Hui-Yu’s “Re-shooting” series, which re-visits historical sources in Taiwan during the old days around the 1970s-1980s while the country was under martial law governance.
In the mist room, in the dim light, the steaming heat is floating and overflowing. The flickering male bodies, sucking each other's desire and loneliness, the more squeezed, the thirsty. You seem to have entered the forbidden area by mistake in formal attire, falling between dream and waking, staring, and being stared at. You can't remember how you came here or how to get out. Theater and video director Zhou Dongyan once again touched the life experience of gay men’s community culture that is hard to articulate but difficult to cut. This time, he moved the poetic lens language into VR, taking you and me to the male sauna, peeling off the layered desires, and exploring the hidden love in some kind of lovelessness.
