Prodigal Sons

An elite team of FBI profilers analyze the country's most twisted criminal minds, anticipating their next moves before they strike again. The Behavioral Analysis Unit's most experienced agent is David Rossi, a founding member of the BAU who returns to help the team solve new cases.

The story of New Jersey-based Italian-American mobster Tony Soprano and the difficulties he faces as he tries to balance the conflicting requirements of his home life and the criminal organization he heads. Those difficulties are often highlighted through his ongoing professional relationship with psychiatrist Jennifer Melfi. The show features Tony's family members and Mafia associates in prominent roles and story arcs, most notably his wife Carmela and his cousin and protégé Christopher Moltisanti.

Raymond "Red" Reddington, one of the FBI's most wanted fugitives, surrenders in person at FBI Headquarters in Washington, D.C. He claims that he and the FBI have the same interests: bringing down dangerous criminals and terrorists. In the last two decades, he's made a list of criminals and terrorists that matter the most but the FBI cannot find because it does not know they exist. Reddington calls this "The Blacklist". Reddington will co-operate, but insists that he will speak only to Elizabeth Keen, a rookie FBI profiler.

In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.

Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.

The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.

Batman raises the stakes in his war on crime. With the help of Lt. Jim Gordon and District Attorney Harvey Dent, Batman sets out to dismantle the remaining criminal organizations that plague the streets. The partnership proves to be effective, but they soon find themselves prey to a reign of chaos unleashed by a rising criminal mastermind known to the terrified citizens of Gotham as the Joker.

Driven by the fact that there are few things more dangerous than a prisoner who has just escaped, and tired of following protocol and resorting to outdated methods of law enforcement, veteran U.S. Marshals Charlie Duchamp and Ray Zancanelli are taking an unorthodox approach to their work: using former fugitives to catch fugitives.

A character drama based on the 2001 Elmore Leonard short story "Fire in the Hole." Leonard's tale centers around U.S. Marshal Raylan Givens of Kentucky, a quiet but strong-willed official of the law. The tale covers his high-stakes job, as well as his strained relationships with his ex-wife and father.

A daring prison break from an airliner at 30,000 feet leaves U.S. Marshal Pete Nessip mourning a brother and gunning for revenge. After being ordered to turn in his badge, he seeks out Jessie Crossman, a noted skydiver, and offers to sponsor her crew for the annual Independence Day parachuting show in Washington, D.C., if she trains him. Meanwhile, the mastermind behind the mid-air jailbreak is planning a daring computer theft on Independence Day.

Two FBI agent brothers, Marcus and Kevin Copeland, accidentally foil a drug bust. To avoid being fired they accept a mission escorting a pair of socialites to the Hamptons--but when the girls are disfigured in a car accident, they refuse to go. Left without options, Marcus and Kevin decide to pose as the sisters, transforming themselves from black men into rich white women.

FBI Special Agent Olivia Dunham, brilliant but formerly institutionalized scientist Walter Bishop and his scheming, reluctant son Peter uncover a deadly mystery involving a series of unbelievable events and realize they may be a part of a larger, more disturbing pattern that blurs the line between science fiction and technology.

After his estranged son gets embroiled in a Nazi plot, self-exiled gangster Tommy Shelby must return to Birmingham to save his family — and his nation.

In order to foil a terrorist plot, an FBI agent undergoes facial transplant surgery and assumes the identity of a criminal mastermind. The plan turns sour when the criminal wakes up prematurely and seeks revenge.

U.S. Marshal Mary Shannon must hunt down witnesses for federal cases in the witness protection program while also managing a rather dysfunctional family and her own personal life.

Chase is an American police procedural drama television series created by Jennifer Johnson for the NBC network. The series follows a U.S. Marshals fugitive-apprehension team, based out of Houston, Texas. Jerry Bruckheimer and Johnson serve as executive producers for the one-hour drama. The series originally aired on Mondays at 10:00 pm ET/9:00 pm CT and premiered on September 20, 2010. After the mid-season break, Chase returned on Wednesdays at 9:00 pm ET/8:00 pm CT On October 19, 2010, the network ordered a full season consisting of 22 episodes, but this order was cut to 18 in December. On February 3, 2011, the show was put on "a hiatus" with no plan regarding the remaining episodes. On April 6, 2011, NBC announced the remaining five episodes would be broadcast on Saturday nights beginning on April 23, 2011. Later the show was replaced by Harry's Law.

U.S. Marshal Sam Gerard is accompanying a plane load of convicts from Chicago to New York. The plane crashes spectacularly, and Mark Sheridan escapes. But when Diplomatic Security Agent John Royce is assigned to help Gerard recapture Sheridan, it becomes clear that Sheridan is more than just another murderer.

Picking up just days after the “Power” finale, this sequel series follows Tariq navigating his new life, in which his desire to shed his father’s legacy comes up against the mounting pressure to save his family.

'Dark money' contributions, made possible by the U.S. Supreme Court's Citizens United ruling, flood modern American elections — but Montana is showing Washington D.C. how to solve the problem of unlimited anonymous money in politics.

What do filmmakers as disparate as Kevin Smith, Ed Burns, Rob Epstein, and Barbara Hammer have in common? A secret weapon known as Bob Hawk. As a veteran of the American independent film scene since its inception, the cinephile and consultant has been a regular, cherished presence at film festivals and markets for over three decades. Hawk saw promise in scrappy, independently produced films like Clerks and The Brothers McMullen when no one else even knew to look, and he brought these films to the attention of the Sundance Film Festival, thereby launching multiple careers in the process. An unsung champion of new voices, he has discovered innovative work, nurtured new talents, and brokered relationships with film festivals and critics alike, while staying out of the spotlight—until now. At 75, Bob Hawk looks back on a still-vibrant life in independent film, exploring how the rebellious gay son of a preacher found his calling as a behind-the-scenes film impresario.

A documentary following the unsolved murder of Venus Xtravaganza, star of the legendary film "Paris Is Burning," as Venus' two families — biological and ballroom — come together to seek answers and celebrate her legacy.

Filmed over five years in Kansas City, this documentary follows four transgender kids – beginning at ages 4, 7, 12, and 15 – as they redefine “coming of age.” These kids and their families show us the intimate realities of how gender is re-shaping the family next door in a unique and unprecedented chronicle of growing up transgender in the heartland.

Broadway: Beyond the Golden Age explores the world of Broadway from 1959 through the early 1980s as recounted by a diverse cast of Broadway stars who lived through it, creating a first-hand archive of personal backstage stories and memories. The new documentary is the long-awaited sequel to late filmmaker Rick McKay’s award-winning 2003 film Broadway: The Golden Age, continuing the saga into the '60s and '70s and spotlighting beloved classic Broadway shows including Once Upon a Mattress, Bye Bye Birdie, Barefoot in the Park, Pippin, A Chorus Line, Ain’t Misbehavin’, Chicago, and 42nd Street. Featuring a galaxy of stars including Alec Baldwin, Carol Burnett, Glenn Close, André De Shields, Jane Fonda, Robert Goulet, Liza Minnelli, Chita Rivera, Dick Van Dyke, Ben Vereen, and many more, the film also includes rare archival photos and never-before-seen footage both onstage and off.

Using the book 'Fragments', which collects Marilyn Monroe's poems, notes and letters, and with participation from the Arthur Miller and Truman Capote estates who have contributed more material, each of the actresses will embody the legend at various stages in her life.

Musician and performance artist Laurie Anderson reflects on the deaths of her husband Lou Reed, her mother and her beloved dog.

Over seven decades, actor and activist George Takei journeyed from a World War II internment camp to the helm of the Starship Enterprise, and then to the daily news feeds of five million Facebook fans. Join George and his husband, Brad, on a wacky and profound trek for life, liberty, and love.

Life Is But a Dream is a HBO documentary about the life of US singer Beyoncé Knowles during the years 2011 and 2012 and on the recording of her fifth album. The film was directed by Beyoncé herself. The film shows Beyoncé from intimate moments of her pregnancy to behind the scenes and rehearsals of the main concerts of that time.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.