Princess Trulala

A pampered American oyster tycoon decides to buy a husband for his daughter, but things don’t go quite as planned. Along the way there are mishaps, misunderstandings and a foxtrot sequence that must be seen to be believed.

Composer Franz Schubert becomes involved with a family with three daughters, falling in love with the two blonds, first one, then the other; but will he notice the quiet brunet third daughter, who has fallen madly in love with him?

All throughout his entire life, Friedrich Wilhelm Hoffmann let his career run roughshod over his personal life. He had no wife, because he was married instead to his chocolate factory. Now he’s old and gray, and his relatives, who are greedily waiting for him to kick the bucket so they can get their hands on his worldly goods, keep their distance from him. Then one day, an astonished Hoffmann is visited by a young woman named Brigitte, who asserts, that she’s his granddaughter. Suddenly, it all comes back to the old man: as a young man, he had a short, but intense, love affair, which he had to end on the insistence of his father.

Two dubious characters disguise themselves as Holmes and Watson to gain attention and end up chasing counterfeiters and stolen stamps.

William MacPhab loses seven-pounds in the stock market and decides to slap the man who was responsible for the stock manipulation that caused him to lose his money. Astor Terbanks, the stock-market manipulator is surprised the next day when he gets soundly slapped by MacPhab, and the latter promises to deliver one more a day for the next six days. Terbank's daughter, Daisy, is amused by the procedure and is attracted to MacPhab.

Lilian Harvey plays a young heiress in long-ago France named Madelon who is raised by her grandfather as a boy in order to frighten away fortune hunters. But when the old man dies, her guardian Cesaire wants to marry her off to the rich prefect Barberousse. She is tricked by Cesaire with the portrait of a young man (Viktor von Staal) which is presented to her as that of her future husband. But when Madelone discovers this scheme she flees, again in men's clothing. But on her route to escape, she meets the young man from the portrait and falls in love with him. But Madelone can't give up her disguise right now...

Miquette is a young woman whose beauty and vivacity increase the clientele of her mother's tobacco shop. A Barrymoresque actor believes that Miquette has star potential, but he hasn't sufficient capital to finance her theatrical debut. He manages to get the money by practicing a bit of genteel blackmail on an aging marquis who has romantic designs on the heroine.

Nick Kerry (Tullio Carminati) is a rich rounder who holds tremendous fascination over women......mainly because he is rich and has his own yacht. At Monte Carlo one evening he romances Kay Routledge (Lilian Harvey), a romantic young and gullible American girl. She takes the dilettante seriously and when he sails away on his yacht, she is heartbroken. But the memory of her haunts him, and brings him back from India and the arms of another woman,Countess Margot de Legere (Tala Birell),only to find Kay now engaged to his friend. Oh, what's a rich guy to do?

Willy, Kurt and Hans are broke, so they sell their car and open a filling station. Then, they all fall in love with the same girl.

The young wife of a rich old husband is prevented of a fling by a gentleman-burglar, who falls in love to her.

A dashing marquis bends from his horse when he discovers a lost garter in the woods and falls. During his delirium he is serenaded by a little hairdresser. She is the person who lost the garter to begin with and has only come to get it back having borrowed it from her employer--the empress of France. The marquis mistakenly thinks he was nursed by the empress, herself, and decides to woo her.

An American millionaire, who had always bad luck with women, bets that he can live without them for five years. But after four and a half years traveling around on his yacht, he rescues a lady from drowning in the English Channel.

Rural comedy about a farmer's fiancée who becomes distracted by a handsome young officer staying with them in 1910s Germany.

The story of a "little," well-behaved girl who plunges into the "sinful" big city and risks getting lost there – told with a lighthearted, comedic, and sentimental touch. The nameless girl is persuaded by an experienced friend to earn her own money as a dancer in a bar, just like her. The "little one's" father mustn't find out, as he wants his daughter to lead a respectable, bourgeois life. Therefore, his daughter pretends to work night shifts as a telephone operator and conceals her dancing from him. Unlike her carefree, "experienced" friend, however, the "little one" is careful not to jeopardize her reputation through morally questionable behavior.

Because she has fallen in love with an unknown man, young princess Antoinette has fled to Berlin before her planned marriage with a prince. Incognito, she works for the fashion house Pappenheim, where salesman Egon Fürst falls for the young girl. Antoinette′s rigid uncle is sent to bring the royal runaway home, but he mistakes another mannequin for his niece, therefore taking the wrong girl to his castle in Baden-Baden. The whole Pappenheim company, including the princess, also goes to Baden-Baden for a fashion show, which means even more excitement and confusion.

Kitty Kellermann is set to appear in court on suspicion of murder. She is accused of killing her husband. Strangely enough, Peter Bille, who suddenly shows up, confesses to the crime of his own accord, but manages to escape shortly afterward. An adaptation of the play Hokuspokus by Curt Goetz.

Two women, one man all the amourous combinations and a lot of tango and waltzes being danced in this silent adaptation of the operette by Gustav Kadelburg.

The village mayor is a bigoted man: when he sees a girl from the variety show, the morality no longer applies to him.

Dr. Mabuse and his organization of criminals are in the process of completing their latest scheme, a theft of information that will allow Mabuse to make huge profits on the stock exchange. Afterwards, Mabuse disguises himself and attends the Folies Bergères show, where Cara Carozza, the main attraction of the show, passes him information on Mabuse's next intended victim, the young millionaire Edgar Hull. Mabuse then uses psychic manipulation to lure Hull into a card game where he loses heavily. When Police Commissioner von Wenk begins an investigation of this mysterious crime spree, he has little to go on, and he needs to find someone who can help him.

A painter working at the Louvre is struck by the Mona Lisa. When he meets a girl whom he believes bears a resemblance to the painting, and who wants him to become famous, he comes up with the idea of stealing the painting. Based on the real-life theft of 1911.

A young woman reunites with the father she's not seen since early childhood, also falls in love with a sailor who wishes to marry her, and eventually is forced to reveal to each man about her dark past. (NOTE: This is the German language version.)

Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig from the rear building gives the newly-arrived Frau Kaminski, the janitor's wife, a lively initiation into the tenants and their peculiarities.

The newsreel series Jornal Português (1938-1951) was produced for the Secretariat of National Propaganda (SPN/SNI) by the "Portuguese Newsreel Society" (SPAC), under the technical supervision of António Lopes Ribeiro. It was conceived and employed as part of the propaganda machinery of Salazar's regime. Screened in cinema theatres prior to the main feature film, each issue of Jornal had approximately ten minutes in length and covered a variety of official government acts, national political news, major sports events and other assorted social and cultural affairs. Jornal Português is not only an indispensable document for the history of Estado Novo's propaganda, but also an unparalleled audiovisual archive of 1940s Portugal.

Playboy Paul Le Barroy, weds Elyane Parizot because he is ready for children, and his mistress, Louise Bonvin, is not. After the honeymoon, Elyane informs Paul that she doesn’t want children, either. When Paul leaves her, Elyane blames Louise and confronts the ex-mistress with a gun.

Johann Strauss helps the business of a Viennese wine merchant and his daughter by showing up to conduct the orchestra at a party.

Film by Karel Lamac.

Film version of the operetta by Emmerich Kalman. Victor has won 10 000 Mark with his ceiling painting. In the local pub, he celebrates his triumph. Countess Alexandra happens to drop into the pub too, and is thought to be a model by the sponsor of the prize, Count Meredith. Victor soon has to save her from an embarassing misunderstanding. The two men insult each other and Victor loses his prize.

Serenade represented the return to the screen of international favorite Lillian Harvey after an absence of two years. Based loosely on the life of composer Franz Schubert, the film casts Bernard Lancret as Schubert, Harvey as his dancer sweetheart, and Louis Jouvet as a possessive Baron who has his own designs on our heroine.

Silent epic on the final years of Frederick II.

On her way to work at a department store, the pretty cashier Grete encounters a man in a car who offers her a ride. Grete has no idea that he is not a chauffeur, as she initially believes, but Dr. Fred Werder, the co-owner of *Zeitspiegel*. The two meet again by chance when Grete enters a contest in the "Zeitspiegel."

The hypnotist Svengali makes an artist's model sing, but cannot force her love.

The magic of the circus stables. Controversies and small private conflicts between the artists, clowns and entertainers.