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Charting the rise and fall of three corrupt real estate agents who accumulate absurd wealth in no time but fall into a vortex of fraud, greed and drugs.

Mustafa, who works at a public institute in Istanbul, is considered to be an unpleasant person who never smiles. He finds himself in an awkward situation when he visits his father at the hospital. He is given his father’s leg and told to bury it to fulfill a religious custom.

A great surprise awaits the teacher assigned to his hometown, which he knows like the back of his hand; the village to which he is assigned is not on the maps or in any record.

Sabure and Murtaza live in a mountain village in Malatya. Sabure lost both her eyes years ago. Her husband Murtaza takes care of her. Their children live in Istanbul. One day, Murtaza goes to the village and calls his daughter in Istanbul from the grocery store and learns that she is very ill. He goes to Istanbul without telling Sabure about her daughter's condition. However, his daughter dies that evening. Murtaza hides the news of his daughter's death from Sabure so that she does not become ill or sad. But Sabure becomes increasingly quiet, and over time, her loneliness and despair come to the surface.

Mustafa lives in Kars with his 8 years old disabled son Rıza and his wife Suna.

Bahadır, an aspiring 35-year-old director, spends his life making cheap television films inspired by the stories of folk songs. On the other hand, he has a great ambition to make films like his idol, Tarkovsky. He stands between his dreams and the real, tragicomic conditions.

Planning to settle in Germany, Dr. Kemal travels to his village one last time to say goodbye to his father. However, events in the village lead him to an unexpected impasse. This impasse forces Kemal to confront his past and his own conscience. Ultimately, he is forced to make the difficult decision of whether to leave or stay.

A Kurdish woman as a suspect of terrorism: the exciting political thriller deeply depicts the racist surveillance system in Turkey. The young Kurdish woman Arjin is under surveillance by the Turkish intelligence service. Her offense: She housed another Kurdish woman for one night, who then disappeared without a trace. Every step of Arjin and her friend Sidar is monitored from now on. When Ramo, a secret service worker of Kurdish origin, claims to have found evidence that Arjin and Sidar are involved in the planning of a suicide bombing in Istanbul, the ugly face of the Turkish government is uncovered.

Cemal comes to Istanbul from a small Kurdish town after finishing high-school to pursue higher education. He feels isolated and out of place in the crowded city and soon meets a group Kurdish students who are against the repressive Turkish political system.

Fatma is a young teacher in her own right during the years of oppression and fear following the September 12 coup. One day, on her way home, Fatma is stopped by the police who were checking the road. The police are looking for a militant named Şükran and they take Fatma into custody, even though they know she is not the person they are looking for. Although Fatma denies being Şükran during her interrogation at the police station, the interrogation turns into torture after a while. Fatma finally accepts that she is Şükran. When the real Şükran is caught, Fatma confronts the real Şükran, who was sent to the same prison, and denies her existence.

AVDEL feeds his family with the salary of his old donkey, BOZO, who works in the waste department of the city of Mardin in Turkey. It is also home to his nephew, SALIH, who fled Syria because of the war. After BOZO’s “retirement”, Avdel must find a younger ass to continue to earn his salary. So traumatized by the war Salih returns to Syria to recover his.

One day, director Zeki Demirkubuz stumbles upon the counter of Musa, a pirate film seller, and sees that his own films are also being sold. Demirkubuz will make an offer to Musa that can change his life.

After their forced migration in 1993, a boy has to make some decisions due to changing living conditions.

Eylem is a young woman. She lives in a small Kurdish town and works at a rug workshop. She thinks her nose is too large, and dreams of having cosmetic surgery. However, one of her brothers has joined the political organization, and many others from the same town have died in clashes. Will Eylem manage to find a way out of this challenging dilemma?

Idris, who has made a habit of coming home late, comes home early that day. He sees his wife trying to wipe the lipstick off of her lips, and at the same time, the window of the house is open in a cloudy sky. The feeling of doubt has already begun to gnaw through Idris like a bed bug.

Zeynep and Can, whose love is just starting to blossom, are stopped by the police one night while cycling. During the ID check, nationalist and patriarchal biases surface through the officers’ discriminatory behavior. Can their love become a form of resistance strong enough to overcome these biases?

Catalyzed by a chance encounter, Can Eskinazi’s short then sinks into the pleasures of meandering conversation. Immersed in a nocturnal palette of inky blacks and luminous whites, this road movie in miniature follows its drunken characters walking, talking, and looking toward wide-open skies.

Kadir, a meatball maker, father of three and native of Diyarbakır, is determined to fly, and he won’t let tradition, his family, the state and his troublesome paramotor stop him from trying. Because while paying the price of freedom. what matters is maintaining hope against all odds.

Sinan is a blind poet. Although he lost his sight at the age of three, he is a person who is at peace with his blindness. Sinan's wife Nilgün wants to gift Sinan the world of vision and convinces him to have surgery. With the successful operation, Sinan begins to see vaguely, but after a while weird adaptation complications emerge. Nilgün believes that chaos is related to blind habits and increases pressure on Sinan to adapt to the world of vision. This tension moves towards a tragic showdown, where they question each other's personalities. Just in this process, the doctor explains that if there is no second surgery, Sinan will be blind as before.

The story of a newly released hitman, a florist counting down the days until a blood feud, a brother blinded by revenge, a father obsessed with tradition, and a woman torn between love and reason.

Enver is disturbed by the ’smell’ in the building and believes that the new tenants at the basement are the reason. He starts collecting signatures from all the residents in order to evict them.

Aylin, a business student who dreams of becoming an actress, wants to land the role of a concubine in an Ottoman TV series. Frida rehearses her unfinished play on the streets. Famous actress Lale struggles to keep her theater afloat. The paths of the three women cross in Istanbul at Lale's course.

Pınar, who works as a specialist at Eskişehir State Hospital, is sent to a place she has never seen before, on a mission she received from the chief physician's office one night. This place that she had never paid attention to before, is a prison. In this large prison, opposition organizations hold important political prisoners, and it has been a month since they started a hunger strike to protest the prison administration and the justice system. Prison administrators and members of the ministry are trying to cover up the incident by sending the detainees and closing the prison, and on the day Doctor Pınar was called to the prison, the detainees were already packed into the transport vehicles. What is expected from Pınar is a doctor's signature that they will use to cover up the incident.

A madcap comedy with an episodic character by Oliver Rihs about the desperate search for love online. Shy Lanzelot simply can't manage to meet women. His lonely life takes a radical turn when his flatmate Milan sets up an internet dating profile for him and actively maintains it. Lanzelot is suddenly inundated with dates, but his encounters with the fairer sex are disastrous - he meets a panopticon of neurotic city singles and, in his search for love, is used for questionable sex fantasies, imprisoned, exposed, confused, betrayed... will Lanzelot ever manage to conquer a heart as well as his body and soul?

Turkan Soray(46 years on silver screen) and Ugur Yucel(21 years on silver screen) are starring at this conservative work of cinema. Yucel performs an admirer of a veteran stage singer. Back in his puppy hood, he used to go to her stage concerts when she was popular. On a lonely day at his sea front restaurant, he sees her for the first time since times immemorial. Carried away by her beauty, he pursues her closely for a couple months gathering her information. He finds out that she has retired from the boards, separated from her husband and has remarried. At the apartment where she and her second husband lives, he detects a vacancy for a rental unit. Then he moves in.

They are our children. They are all our brothers.

Hasan, a con artist who has just been released from prison, goes to convince Kuzey Baba, who has renounced his life of crime, to help him carry out his robbery plan with his incompetent neighborhood friends. The young men, who are burning with the desire to get rich quick, suddenly find themselves at a village police station as police officers.

Hasan returns to his hometown as a young teacher after years in Diyarbakır. An anonymous letter he receives at school pushes him to seek the truth to defend someone wronged. While facing personal dilemmas and societal pressures, he forms an emotional bond with his family’s old, abandoned house, as the lines between right and wrong begin to blur.