In 1980s India, Shazia Bano takes her husband to court after he abandons her and their children, sparking a national battle over faith, women’s rights, and justice.
Three women in a developing suburb of Mumbai - a domestic worker, a government pre-school helper and a software professional - struggle to realise their dreams and claim autonomy in a chaotic, patriarchal and unforgiving urban landscape, as their lives intersect in small, unexpected ways.
In 1980s India, Shazia Bano takes her husband to court after he abandons her and their children, sparking a national battle over faith, women’s rights, and justice.
Set seven years after the events of the first film, it follows the return of IRS officer Amay Patnaik, who is attempting to take down a seemingly benevolent politician.
Upon realizing the extent to which women are affected by their menses, a man sets out to create a sanitary pad machine and to provide inexpensive sanitary pads to the women of rural India.
Assam Film (Fianance and Development) Corporation Limited has produced the film under the banner of J.K Enterprise. “TRP aru…” depicts the story of current trend in broadcasting media's crazy run to enhance their Television Rating Points (TRP). The Script is written by Manimala Mahanta.
Fathered by a politician's loveless extramarital passion, Torali's life is a quest for sanctuary from her father's loveless world, but her intent to uncover his transgression gets her trapped in a mental asylum. In that very trap, she finds Samiran who takes up her fight against the wrongs of a patriarchal world.
Erstwhile lovers have a chance meeting two decades later and they stay together a few days exploring the emotions hitherto not shared, the man proves to be the ideal friend to the lady in distress.
After his wife passes away trying to cross a mountain, Manjhi, out of sheer rage, sets on a quest to carve a road through the treacherous mountain.
Its a romentic movie, directed by Rajesh Jashpal with association with SAI DRISHTI Films and RAGA Films
The police were called to investigate the death of a woman who was killed during a riot by a stone thrown by an agitated person. She was known in the community as "Sardari Begum", a popular singer and courtesan in her time. This story chronicles her youth, her contacts, and her lifestyle.
The Resonance (Anunaad) focuses on the soul-tearing topic of bridal slavery occurring in some parts of India. The film opens in a sleepy rural area surrounded by tea gardens where girls dream of migrating to other parts of the country to escape the poverty and hopelessness in which their families are plunged. Lured by a nexus of brokers and human traffickers, they begin a journey from the lush green fields of Assam to the dry, foggy winter of Haryana, in Northern India, where they risk being trafficked as purchased brides and face a life of constant humiliation and violence at the hands of their husbands and their families.
Three characters: a lonely fisherman, a young rickshaw puller and a single mother, all coincidentally named Bokul find their lives connected when a young stranger comes to town.
Glimpses of lives from a village in Assam reveal the relationship between its history and the present. People’s lives and beliefs are entangled with ecological strings , as nature stands witness to the narratives that unfolded there. A young boy, Rahul, hopes to write a book on his experience of growing up in this village. His mother, being deeply connected with nature can sense messages and signs arising from nature.. Urmila, a pregnant lady, is driven by sensorial experiences. But, In contrast to the serenity and harmonious living; there lurks a violent societal past.These peaceful and quiet lives intersect in a space where traumatic memories of death and loss in Assam’s thirty years of secessionist movement keep resurfacing.
Tensions run high near the border of British India, which is about to be partitioned with a new country called Pakistan. Sikhs living in this border town have heard numerous stories of Muslims killing, raping, and looting other Sikhs, Hindus, and Christians, and many of whom are their friends and relatives. Enraged at the loss of law and order, they plan their own attack on a trainful of Muslims leaving British India. The train is overcrowded with tens and thousands of migrating passengers, who are even perched on the windows and seated on the roof of this train. The plot is to tear the bridge down when the train is on it, and no one will dare stop these men to carry out this horrific task
Zubeidaa, an aspiring Muslim actress, marries a Hindu prince to become his second wife. Her tumultuous relationship with her husband, and her inner demons lead her to a decision which has fatal consequences for them all.
Bhavna Dayal and Maya Jalan had been fellow collegians and close friends, both come from very wealthy families. Bhavna is in love with another ex-fellow collegian, Tarun Haksar, who also comes from a wealthy family, and is also in love with Bhavna. Their respective families' expect both to marry each other. However, Tarun and Maya suddenly announce their engagement, and get married, leaving a shocked and heart-broken Bhavna to deal with this situation on her own. She eventually breaks off all contact with her former lover and friend respectively. One night, several months later, a disturbed Tarun returns to her life and apartment, and stays there overnight. The next day she is shocked to find out that Maya has been shot dead, and the police suspect Tarun of killing her. The question remains if Tarun had spent the entire night with Bhavna, then who killed Maya, and further why did Tarun decide to return to Bhavna's life all of a sudden?
Two childhood friends from a small North Indian village chase a police job that promises them the dignity they’ve long been denied. But as they inch closer to their dream, mounting desperation threatens the bond that holds them together.
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