Ponmani

Baddegama or, more correctly, Beddegama is a 1980 award winning Sinhalese language film directed by Lester James Peries that follows the lives of village people in British Colonial Sri Lanka. The film is based on the 1913 book titled as "The Village in the Jungle" by Leonard Woolf. Silindu is a hunter in a small village where he and his family endure a life of hardships. After facing disease and poverty under colonial rule, the final blow comes when Silindu is tried for murder.

Susila lives in a small village with her mother and two brothers. Growing up facing the bitterest realities of life, her coming of age is delayed. But once it happens, she instantaneously attracts the attention of the young men in the village leading to conflict.

Nommara 17 (Sinhala: නොම්මර 17) is a 1989 Sri Lankan Sinhala action thriller film directed by Hemasiri Sellapperuma and produced by Preethiraj Weeraratne for Weeraratne Enterprises. It stars Vijaya Kumaratunga, Sanath Gunathilake and Jeewan Kumaranatunga in lead roles along with Mervyn Jayathunga, Freddie Silva and Sabeetha Perera. The music was composed by Ernest Soysa. It is the 691st film in the Sinhala cinema. The film was screened after the assassination of lead actor Vijaya Kumaratunga, which influenced the fans to come and watch his famous movie star for the last time on the silver screen. Thus recorded as one of the huge blockbuster hit in Sinhala cinema, which also won Sarasaviya Award as well. It successfully passed 200 days at theatres.

Piyal and Nanda have now aged, and their children have left them. Priya reminisces on her life after her son sends her a letter from London accusing her and her husband of various faults.

In a fishing village, Anton Aiya is an exploiter who outwardly resembles and acts like a regular fisherman, but he exploits and feeds off the other fishermen. In this setting, members of the urban entrepreneurial youth. They have adapted to Western culture, dressing like Westerners and preferring Western music. Conflict arises between Anton Aiya and Baby Mahattaya (Victor), a representative of the urban youth. A middle-class leftist, Weerasena, is also part of this group. The arrival of these youths has clearly caused a social crisis requiring a solution, and all Weerasena can do is stand on a platform and deliver a speech that no one listens to. He finally leaves for the city.

The film deals with the inter-ethnic, communal violence between Sinhalese and Tamils. It demonstrates the ambivalence of the Sinhala socio-political establishment towards the Tamil people.

Sangele (Dulani) is a girl who lives alone in a village of people . People in the city are trying to get close to her some even making sexual advances. Punchi Malli (Sanath) is very attracted to Sangile, even though he is married. Meanwhile, a hard working young Sunimal (Saranga) falls in love with Sangile. Punchi Malli was falsely accused in due to a rumor and sent to jail. During this time, Punchi Malli raped Sangile and Punchi Malli's wife (Veena) get to know about the hidden truth. She tried to blame Sangile for dirty works, however Punchi Malli punished her. Sangile gets pregnant and story continues.

Malin parts ways with his father Simon after realising that their ideologies do not match. While the father believes in using fear to control his employees, the son believes in equality and justice.

Piyal is a handsome young teacher who is hired to teach English to Nanda, a member of a high class family. They fall in love, but can't elope because Piyal is of a lower class. Nanda's parents instead push her into a marriage with Jinadasa, who is of the same class as them. With economic downturn in Sri Lanka, both families lose their status and Jinadasa leaves to try to make a better life for himself; he never achieves his goal and dies penniless. Piyal and Nanda can now finally come together. They have changed however, and the earlier idylic nature of their relationship is not recaptured.

The film is based on the life of Jesus Christ until the crucifixion. It was the first Sinhala film based on Christianity and directed by a Buddhist.

Three young men have to face the realities of adult life as they move on from youthful frolicking to battle issues of unemployment, restlessness and the allure of the city. Two of them, Jaye and Gune, unlike their other friend who finds both a job and a wife, have only each other for company, In search of quick and easy money, they fall into hands of a scheming network of underworld figures.They become hustlers and decide to outwit their contact.

When an alluring young undergrad becomes infatuated with her nearly retired professor, she stirs up the man's humdrum home life in a most unusual way.

Set during the British colonial reign in Sri Lanka (1905), this powerful drama follows Peduru who descends from a line of traditional drummers, crossing over to three generations. Peduru's struggle for survival in this harsh rural hamlet exposes the repressive Buddhist institutionalization of the locals, and the hierarchical structure backed by the British colonials.

The film follows Dr. Manorani Saravanamuttu's relentless pursuit of justice after the tragic abduction and murder of her son, Richard de Zoysa, a journalist, writer, and human rights activist, in 1990.

The son of a newly rich industrialist becomes embroiled in a murder cover-up.

This European thriller, set in Sri Lanka, attempts to expound upon the philosophical implications of life, death, and memory. JB, an academic famed for his studies of oriental culture and alcoholic who has never recovered from his wife's suicide, returns to Sri Lanka to translate a book written on glass. It is supposed to contain Buddha's discourse upon memory. While he is there, an attractive nurse, Julia asks him to assist a young boy who wants to locate his father who is now living in a Tamil-occupied area. The Tamil terrorists will kill any trespassers. Compounding JB's conflict in deciding to go is that his former home where he lived with his wife is in that area. Unbeknownst to him, the boy is really a Tamil spy.

Sath Samudura is a landmark Sri Lankan film directed by professor Siri Gunasinghe and released in 1967. This film was critically acclaimed and is considered a major work in Sri Lankan cinema. It depicts the plight of fishermen living in the Southern Province of Sri Lanka.

The cost of living sky rocketed. The government introduced an income ceiling. Private practice for doctors was abolished. It was the fate of Dr. Moladanda to live with a struggle he did not create.

A woman plots her revenge after being duped by a slick, ruthless man who impregnates her and tries to bail her out of marriage.

Dhammi is a mischievous schoolgirl, Sugath a shy and introverted boy new in school. Dhammi is immediately attracted to him and they become friends. The friendship eventually develops in to a special relationship, but when Sugath reveals his love for her she shuns him.

A romantic story of a youth of lower class and a girl who raised in a wealthy family back ground.

Film starring Vijaya Kumaranatunga and Malani Fonseka.

Anura, a village youth manages to qualify for university where he discovers a whole new world which threatens his beliefs and values.

Jaya Sikurui is the 597th movie in Sri Lankan cinema history.

Abirahasa is the 231st movie in Sinhala cinema.

​A naive village girl’s romantic dreams are shattered when she is forced into an abusive marriage with a cruel aristocrat. Stripped of her innocence, she must find the strength to defy the patriarchal society that bounds her, transforming into a hardened, fiercely independent woman.

A continuation of “Bawa Duka”; via Peduru’s family, the narrative exposes the social stasis/class discrimination encouraged by the local Sinhalese Buddhist clergy, while the arrival of the Christian missionaries signals a more progressive mindset, though at the cost of conversion to a monotheistic faith. Tyranny is not only practiced by the British colonials but equally facilitated by local traditional institutions--thus, the resultant suffering (Duka) of Peduru is a combination of the two.

The film revolves around a woman called Rashmi who had a salon. She found her daily expenses from this small business. She is married to Amal who is a playboy. Due to this, Amal did not pay much attention to Rashmi. Rashmi did not get the love he wanted. Meanwhile, Rashmi meets a young man named Akash, a journalist by profession as well as a novelist. Rashmi loves Akash because she received love from him that she did not get from Amal where the story twists between their worlds.

Kimbulapitiya, is ambitious and wants to become an MP, he likes Roopika his boarding master's daughter. But Roopika likes Bandu. As his mother does not approve his friendship with Roopika, Bandu disguises himself as a woman and comes to work there as a housemaid to get her consent.