The Pleasure Principle

Solange is a recently married young woman whose wedding night did not end well. After constant fights with her husband, she decides to live through her sexual frustration by sleeping with strangers she picks up on crowded buses in Rio de Janeiro.

Police investigator Galvão is pursuing two trails, one professional and one personal. While he looks for a serial killer, he also searches for his estranged daughter, Sandra, whom he kicked out of the house. Lives intersect when the serial killer, Toninho, befriends Sandra, now an exotic dancer and prostitute living and working in the seamy underside of late 1970s Rio.

When Cunda, a man living deep in the Brazilian rainforest, is bitten by a snake, he has a hallucination of four chimpanzees. Once he recovers, he is shocked to find the four chimpanzees waiting for him at home, and, believing them to be special, decides to take them to the city in order to sell them.

Two friends take two prostitutes for a night of pleasure. But the night turns out to be frustrating for all involved, as much bitterness is revealed in their conversation and attitudes, uncovering their anguish and deeper feelings, and the emptiness of their lives.

Otavio is an idealistic union leader trying to organize workers at a factory to resist the company's exploitative practices. His son, Tião, one of the employees, is more of a realist and doesn't want to risk losing his job by striking. This clash of perspectives puts the father and son at odds. Fortunately, Tião's mother, Romana, is on hand to act as a moderator between the two opinionated men.

The story of Orisbela, a young and religious woman who comes from Portugal to Brazil to marry Francisco de Albuquerque, a rude sugar-cane plantation owner, in 1570.

Four deserters from Paraguay War hide in an old drunkard's country seat. The latter has two daughters who are unhappy with their recluse lives.

Teca, a late-night radio show host, uses her astrological skills to help listeners who call in for advice. But her own life feels empty and lonely. One day she makes the acquaintance of her handsome new neighbour, Gil, only to find out he is married.

In Rio de Janeiro, after an altercation with his father and mother, a young man named Bebeto kills his family and goes to a movie theater, where he watches four weird vignettes.

Telmo is a retired theater director that realizes he doesn't remember the time he spent kept in jail during the military dictatorship in Brazil. He decides to stage a play and, with threads of memory, he improvises the lines with his young cast. Telmo dives into his own history and ends up revealing for himself what, being so painful, he'd rather forget.

Life and death of the jesuit who fought for the peaceful relationship between colonists and the indigenous peoples of Brazil.

An intriguing case lands on Mandrake's desk. Just when he thinks he has it solved, some unexpected news changes the course of events.

Against all advice, a destitute Brazilian old man marries a nineteen-year-old girl. Because he can’t give her any children, he moves to the interior to make money, so she will at least have a good life. When he returns, he is told she has a three-year-old daughter. He buys himself a knife.

After arguing with his ex-girlfriend, truck driver Jorge hits the road again, while remembering the past and questioning his friendship with his manipulative boss.

The critical success in France of How Tasty Was My Little Frenchman made possible dos Santos’ delirious science-fiction vision of free love in a post-apocalyptic wilderness besieged by flesh hungry zombies contaminated by an unnamed nuclear attack. Who is Beta? follows two statuesque survivors drawn irresistibly together only to be entranced by the arrival and sudden disappearance of a third, the bewitching raven haired Beta. With its cartoon-like depiction of extreme violence and desire, Who is Beta? offers a heady Pop-infused companion to Hunger for Love. Yet beneath its giddy play of surfaces, dos Santos' underappreciated film gradually reveals a darkly ambiguous metaphoric dimension. -Harvard Film Archive

Born and raised in the misery of Brazilian slums, Jorge becomes a luxury house burglar in São Paulo and gets nicknamed "The Red Light Bandit" by the sensationalist press. In addition to wearing a red flashlight, he talks to his hostages in an irreverent tone and makes bold breakthroughs to later spend the money extravagantly. His world is the decadent neighbourhood of Boca do Lixo.

A new incarnation of Cangaceiro bandits, led by Coirana, has risen in the badlands. A blind landowner hires Antônio to wipe out his old nemesis. Yet after besting Coirana and accompanying the dying man to his mountain hideout, Antônio is moved by the plight of the Cangaceiro’s followers. The troubled hitman turns revolutionary, his gun and machete aimed towards his former masters.

A mine boss hires a policeman to chase some runaways who stole a precious diamond.

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

A man who's memorized his town's telephone directory tries his luck on a TV Show. But a small group of people who control the bettings in town try to get advantage of his simple-mindedness.

Four thieves enter a house and terrorize a family.

Cacareco is a clumsy worker at a dry cleaners who constantly causes losses for his boss, the Portuguese Rebuçado. One day, he receives a package from his relatives in the north: Maria do Socorro, his goddaughter. Pursuing his dream of working in television, Socorro ends up involving Cacareco in numerous disputes, including fights, robberies, and gambling in an underground casino.

Zionists hire a hitman to kill a Nazi war criminal exiled in a Latin American country, where he's being protected by the local dictator. Get ready for gunshots; sex scenes; strange form of tortures; a cocaine-addict priest who helps the dictatorship; contemptous remarks and behavior from the main "hero"; amusing sequences of Chuchu having fun with beautiful women pretending to be James Bond; and the wimp colonel who is in love with a male prostitute. It's all good and fun to watch but remember that this is a product of its era, so it's quite possible to see some objectionable things. But for the most part it's never crass or insanely offensive.

In the 17th century, to guarantee the possession of the region, disputed with Spanish and Dutch pirates, the Portuguese built a fort at the point where the dark waters of the Rio Negro meet the clear waters of the Rio Solimões, forming the Amazon River. Around the fort, the city of Manaus was born. Alli lived the Manaús Indians, warriors who worshiped Manari, the Good, and from him they received the order to fight all the invaders of the forest.

In 1594 Brazil, a frenchman becomes a prisoner of the Tupinambás. While waiting to be executed, the foreigner learns the habits of the indigenous people and joins a woman who tries to help him escape.

Created by his son Leonardo, this portrait of Adolfo Celi reconstructs his personal and artistic journey between Italy and Brazil. Through interviews, film clips, testimonials, photos, and extraordinary footage from the Celi family's personal archive, we will revisit the places that shaped his life.

A wealthy French promoter living in Rio tries to seduce Alexandra, a young woman of high society, but a prisoner of her strict education. He then shared his project with a journalist friend, who decided to make it the theme of a novel he imagined in 18th century Brazil...

Teodora discovers that her husband was having a virtual relationship and enters a crisis, which results in the loss of her job as a presenter of a culinary program. Disillusioned, she decides to hit the road and sets out on a journey of self-discovery, walking the Way of Santiago de Compostela, in Spain.

Inspired by the book of the same name by Paula Dip, this is a biography of the Brazilian writer Caio Fernando Abreu. With a mixture of languages inherent to Caio F.'s work - cinema, theater, music and literature -, the narrative line is conducted through testimonies from family, friends, editors and scholars who maintained a relationship with the author. And actors who interpret their texts.

On Carnival's eve, girl dreams of a man to stay with her during these four days. She meets a photographer, with whom she has an affair.

In 1970, the Esquadrão da Morte (Death Squad)' crimes for the refinement of violence provoked a wave of reactions throughout the country. The photos of the victims, adorned by the skull, symbol of the group, caused an uncomfortable indignation. This is the story of Mateus Romeiro, the most famous of the policemen, who was part of the Homens de Aço (Steelmen) group, one of the factions in which the squadron was divided.