Plácido Domingo: At The Arena di Verona

A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.

Featuring never-before-seen footage, concert performances and intimate interviews, filmmaker Ron Howard examines the life and career of famed opera tenor Luciano Pavarotti.

Opera di Giuseppe Verdi a Milano.

The opening ceremony of the Barcelona Summer Olympics took place on July 25, 1992, at the Montjuïc Olympic Stadium before an audience of over 65,000. This historic event was largely orchestrated by the renowned Catalan troupe La Fura dels Baus, which staged spectacular scenes depicting the history of the Mediterranean and the Labours of Hercules. Music played a central role in the evening, featuring great operatic voices; the audience was captivated by performances from Montserrat Caballé, José Carreras, Plácido Domingo, Alfredo Kraus, and Teresa Berganza. Although he had passed away the previous year, Freddie Mercury was also present—both on screen and in voice—through the broadcast of their iconic duet "Barcelona," which became the definitive anthem of the Games. Additionally, British pop star Sarah Brightman performed the official anthem, "Amigos Para Siempre," alongside José Carreras.

This “Traviata” became one of the most succesful of all opera films, especially in France, where 800,000 Parisian cinemagoers flocked to it in the first six week. It was nominated for two Oscars (for production and costume design) and won BAFTAs in those two categories, as well as receiving BAFTA and Golden Globe nominations as 1983’s Best Foreign-Language Film.

On the eve of the 1990 World Cup final, Plácido Domingo, José Carreras, and Luciano Pavarotti sang together for the first time. A look behind the scenes at a musical event whose phenomenal success lasted for more than a decade.

First staged at the Teatro La Fenice in 1846, Verdi’s ninth opera, Attila, returns to the stage of La Scala on December 7th. Following the inauguration of the 2015-2016 Season with Giovanna d’Arco and in anticipation of Macbeth, with Attila Musical Director Riccardo Chailly continues his study of Verdi’s early works, renewing a successful collaboration with creative director Davide Livermore that began with his acclaimed production of Donizetti’s Don Pasquale for La Scala. In this complex opera Verdi experiments with fresh perspectives, featuring spectacular historical settings, introspective angles and moral uncertainties. Attila demands of its performers not only passion and confidence, but also the ability to find subtle accents and psychological nuances.

Politics. Religion. Nabucco is Verdi's retelling of the Old Testament story of King Nebuchadnezzar II's religious conversion. On one side, the fiery Hebrew priest Zaccaria, battling to lead his people from oppression. On the other, Nabucco, the tyrannical Babylonian king and his adopted daughter Abigaille, who will stop at nothing to get her father's throne and her sister's lover. Will King Nabucco's ambition rob him of his beloved daughter as well as his kingdom?

The journey of Manolo, a young man who is torn between fulfilling the expectations of his family and following his heart. Before choosing which path to follow, he embarks on an incredible adventure that spans fantastical worlds where he must face his greatest fears.

A pampered Beverly Hills chihuahua named Chloe who, while on vacation in Mexico with her owner Viv's niece, Rachel, gets lost and must rely on her friends to help her get back home before she is caught by a dognapper who wants to ransom her.

When a young boy finds a message from his late grandfather, his ordinary family discovers an extraordinary secret about themselves — and the universe.

The opera that established Verdi’s greatness as a composer, Nabucco follows the plight of the Jews as they are exiled from their homeland by the eponymous Babylonian King. This 2019 production from Verdi Festival Parma won critical acclaim for its directors, Stefano Ricci and Gianni Forte for whom opera is a means to question the world of today. The curtain rises in the bowels of a modern warship...