Petersburg

A ghost and a French marquis wander through the Winter Palace in St Petersburg, encountering scenes from many different periods of its history.

A group of scientists is sent to the planet Arkanar to help the local civilization, which is in the Medieval phase of its own history, to find the right path to progress. Their task is a difficult one: they cannot interfere violently and in no case can they kill. The scientist Rumata tries to save the local intellectuals from their punishment and cannot avoid taking a position.

In Russia, an introverted father and his teenage daughter live on the road in a van that contains their entire life, including the equipment for a travelling cinema: the source of their meager income. Povolotsky builds on the undeniable art of the long take, on both the scale of the imposing landscapes and the tight interior of their cramped vehicle. The nameless father and daughter rove around the extremities of their vast country, from south to north. On its margins, the pulse of independent drifters who endure and resist.

The short film is based on the ballad of the same name by Vasily Andreevich Zhukovsky. The plot is based on Gottfried Bürger's ballad "Lenora."

Long-nosed Cyrano de Bergerac helps an army officer woo Roxanne, the woman he loves.

Loosely based on tales by E. T. A. Hoffman. In a wonderland inhabited by fiery salamanders and winged spirits, good fights evil in search of a life-giving talisman whose finder will rule the world.

An advertising creative in a rut finds his life turned upside down when he discovers his ability to write his wishes into reality.

The familiar tale of an immigrant family's journey to America is turned into a magical mystery tour as seen through the eyes of 11-year old Motl. The boy's imagination spins wildly as he and his family--loaded down with all their worldly goods and their other-worldly "baggage"--make their way from the shtetl to America. Inspired by the paintings of Marc Chagall, director Efim Gribov interprets the workings of Motl's imagination via comic and grotesque figures, ghosts from the past, and a dreamy, surreal atmosphere. The film's tragi-comic tone and theme involving the American Dream make for an inspired viewing experience.

Boyars are trying to marry their tsar in a country of far far away.

King of one fairy kingdom Philogerts is concerned that his only son Prince Philotheus does not want to grow up. Then the king decides to get him married. To do this, he arranges a contest of princesses, the winner of which will become the wife of Philotheus. The court magician of the kingdom of Izmora helps to arrange the competition.

Zoo inspector Chaplygin, concerned about the death of walruses due to panic caused by airplane flights, destroys the only navigational sign and the flights stop. Having failed to understand each other on the spot, the pilot and the zoo inspector go to Moscow - and will settle their dispute in the State Arbitration.

In this dreamlike film, a nameless father and his son, Aleksei, live together in an apartment in St. Petersburg. Aleksei's mother has died and consequently the two have a very close relationship. When Aleksei acquires a girlfriend, she refuses to take a back seat to his bond with his dad, and breaks up with him. Aleksei is also experiencing nightmares, dreading separation from his father to be a part of the military as his father was.

About the incompleteness and insufficiency of the simplest senses: touch, sight, hearing. In cinema, this view traditionally denotes a collision between the authentic and the illusory. Truths and imaginary things are given in the film as images of feelings. “I love to forget time with you,” the heroine says to her blind lover and adds, "You are the most sighted of all the sighted."

The movie has reveal the last days of the famous and popular Russian poet - Alexander Pushkin. After the poet faced scandalous rumors that his wife Natalya Pushkina had embarked a love affair, Pushkin then challenged her brother in law to a duel!

Eternal Variations: "Demon", "Theseus" and "Faust" The second short story "Theseus" is the author's interpretation of the Ancient Greek myth about Theseus and the Minotaur.

Closely based on Franz Kafka's book "Das Schloß", the movie shares the same action on a land surveyor who is called to a village to do a job that no one seems to have ordered. Once there, he takes up the struggle against bureaucracy emanating from the castle.

An anonymous man wanders through decomposing, fog-enshrouded catacombs and encounters a series of “the degraded and the humiliated,” including a holy prostitute and a Kafkaesque bureaucrat.

The governor asks his wife to stage this beloved folk ballet, which should be good PR for his upcoming elections. But it turns out that Swan Lake is also a ballet about two worlds. Trying to fulfill her husband's order, the governor's wife breaks out of the boundaries of the estate, regulated by the world of reconstructions. In the city, she encounters "ordinary people" unknown to her, sleeping swans.

This story is about the interweaving of times and human destinies. The temporary segment that covers the film is two hundred years: the action has been developing in the present in the present and during the Patriotic War of 1812.

Inspired by Flaubert’s Madame Bovary, Sokurov’s Save and Protect recalls the most crucial events of Emma’s decline and fall: affairs with the aristocratic Rodolphe and the student Leon, the humiliation that follows her husband’s botching of the operation on the stable boy’s clubfoot. The universality of the theme of eternal struggle between the soul and the flesh is conveyed through the absence of specific reference to time or place: although the film seems to begin in 1840, its surreal mode effortlessly accommodates an automobile and the strains of “When the Saints Go Marching In” on an off-screen radio. Focusing on passion from a woman’s perspective and downplaying plot, Sokurov explores his subject in exquisite detail, capturing not only the heat of passion but also the quiet moments before and after and the innocent sensuousness of the body.

With a brother dedicated to punk rock stardom at any cost and a drunken father who chases skirt between robotic dancing lessons from the TV, young Senka stands as much chance of nurture as the hero of Truffaut's 400 Blows. The amazing thing about Ogorodnikov's film is that it was made in Russia. Clearly, plenty of Soviet teenies share the nihilistic feelings of their Western counterparts, and the extensive footage of safety-pin chic at concerts perhaps points to a sound export instinct on the director's part. Senka's brother Kostya is under pressure from Howmuch, a very heavy rocker, to steal a synthesiser from the Community Centre, so to protect him Senka steals it himself. The story occupies little more space than the music, but the performances are splendid enough to lodge Senka's predicament in the heart.

After a long prison sentence, former Nazi collaborator Shishkovich returns to the village, guilty of the deaths of his fellow villagers. Ivan, whose sister and mother were killed, cannot calmly accept his return.

The protagonist spent a significant part of his life burdened by painful memories of his grandfather, who died during Stalin's repressions. And now the time has come when he could avenge his grandfather. This is one storyline, presented in the form of a flashback. The second unfolds in our time, which the author also sees as nothing good.

At this comedy - the fifth in the "Peculiarities of the National..." series - national fishing is going on ice.

Now the peculiarities of the national hunt are investigated during the winter season.

General Ivolgin, forester Kuzmich, and good-natured Lyova lose their way on a fishing trip and wind up in a neighboring country, where they decide to have a good time anyway but end up leaving their vodka and fishing equipment behind.

A Finn preparing a work on the Russian hunting traditions and customs, comes to Russia to collect materials and is invited to take part in a hunting party. His flamboyant companions include an Army general, with more than a passing resemblance to Aleksander Lebed, a police detective, local forest ranger (a devotee of Zen Buddhism) and some big-city types from St. Petersburg. Inevitably, their good intentions soon give way to endless drinking, visits to local farm girls and much else besides.

Journalist Shurik arrives in the Caucasus in order to study local culture and folklore, the ancient customs and traditions of the people in this region. Per chance he meets and befriends a girl in a mountainous town, the beauty Nina, which the gouvernor, wealthy and powerful local Saakhov, is planning to marry — if not willingly then by force. Using the gullible journalist as a strawman, Saakhov and his henchmen (the "Coward", the "Fool", and the "Pro", a trio of comic antiheros) are able to kidnap Nina, all seems to work according to plan. But realizing that he had been deceived, Shurik, who fell for Nina, rushes to rescue his beloved one, for a happy ending.