Passionate Poet Ishikawa Takuboku - Hometown

A coming-of-age film.

Two boys beg their parents for a television set, nagging them until all patience is lost. The parents order the boys to be quiet and the boys do exactly that--refusing to utter a word. The boys' silence ultimately puts the whole neighborhood into turmoil.

During the Edo Period, a noblewoman's banishment for her love affair with a lowly page signals the beginning of her inexorable fall.

After their lord is tricked into committing ritual suicide, forty-seven samurai warriors await the chance to avenge their master and reclaim their honor.

A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.

Follows five sex workers employed at a Japanese brothel while the nation debates the passage of an anti-prostitution law.

Three robbers escape with loot from a heist before one of them kills the others. Their corpses wash up near the aftermath of a maritime calamity, provoking a policeman's interest.

Yuko is sent to the coastal regions to be raised away from the rest of her sophisticated family where she finds out from her ill grandmother that she is not who she thought she was.

In the early 18th-century, Lord Takumi-no-kami Asano, feuding with Lord Kira, tries to kill his opponent in the corridors of the Shogun's palace. The Shogun sentences Asano to seppuku and deprives the palace and lands from his clan, but does not punish Kira. Asano's vassals leave the land and his samurais become ronin and want to seek revenge against the Lord's dishonour. But their leader Kuranosuke Oishi seeks to restore the Asano clan with his brother Daigaku Asano. One year later, the Shogun refuses, and Oishi and 46 rōnin are out for revenge.

The young Takako Kuramoto has come to Tokyo to study and starts working for the rich Tashiro family as tutor of the daughter, Kumiko, while she receives attention from her two older brothers, Yukichi and Shinji. Meanwhile, the exact parentage of Shinji comes to light.

A heartwarming tale of romance and thrills featuring an aging groom who discovers the potential of an exceptional racehorse hidden within an ordinary bloodline and dedicates his life to that horse, and an up-and-coming jockey, set against the backdrop of a thrilling steeplechase race.

Inside a bustling postwar Tokyo beer hall, a diverse group of patrons, performers, and workers spend a single evening navigating their personal frustrations and social anxieties. A disillusioned professor, a struggling artist, and various laborers find their lives intersecting through chance encounters and heated arguments fueled by drink.

The film consists of three short stories. Tomiko, the heroine of the first story, "The Flower Girl" (dir. Kozaburo Yoshimura), is a little girl who bears the unbearable burden of caring for her family. Tomiko's father has been unable to find work for a long time, and her older sister is terminally ill—it is unlikely that she will ever recover. To feed her family, Tomiko runs around the city from morning until late at night selling flowers... The second novella (dir. Tadashi Imai) also depicts the lives of the poor. An unfamiliar girl brings young Kavano a letter from his mother. It turns out that the girl's name is Kuniko, she is very hardworking, but her family is dying of hunger. Therefore, her mother decided to send Kuniko to her son so that he would marry her. The short story is called "The Unexpected Bride." The third short story, which gave the film its title, is particularly interesting: "When You Love" (dir. Satsuo Yamamoto). It shows the family of a young peace activist.

A young man who is ostracized by society because his older brother has a criminal record—a situation that even threatens his marriage—is on the verge of falling into a life of crime. To protect him, the older brother takes up a gun once again.

A continuation of Hungry Soul, from the same year. Reiko, who tolerates abuse in her marriage to a man 23 years her senior, is friends with Mayumi, a beautiful widow. Reiko meets her husband’s business rival, a young, capable businessman, and falls for him. Meanwhile, Mayumi enters into a relationship with Shimotsuma, a friend of her late husband.

Teruo gets caught up in a conflict between tradition and modernism after returning to Japan from Germany after having spent a number of years there studying. Now, he is supposed to marry Mitsuko, the daughter of his adoptive father, to whom Teruo has long been promised. But Teruo, who has gotten to know the freedoms of the western world, would rather marry the woman he loves and behaves brusquely to Mitsuko.

One of Uchida’s early sound films, Unending Advance is based on a curious story by Yasujiro Ozu, in which an examination of the quotidian problems of a middle-aged salaryman and his family segues into an idyllic dream of an implausible future. The surviving print, although incomplete, offers an essential glimpse into Uchida’s prewar period, when he was associated more with realist dramas than with the period films that dominated his work after the war.

Reiko, who tolerates abuse in her marriage to a man 23 years her senior, is friends with Mayumi, a beautiful widow. Reiko meets her husband’s business rival, a young, capable businessman, and falls for him. Meanwhile, Mayumi enters into a relationship with Shimotsuma, a friend of her late husband.

A melodramatic love story, a would-be apprenticeship between the titular bad girl and the optimistic scholar returning from the big city. It is considered to be a lost film.

Depicting a family during wartime.

The film centres around junior high school students. They are members of the school's baseball team. They are very good. Izawa's father asks him to stop playing prior to an important game. Hayasaki health deteriorates at this time and he becomes absent. The team decides to speak to Izawa's father to plead their case and ask for the return of their team member.

During the 20s in Japan, a romantic student at Tokyo's Waseda University is filled with noble sentiments absorbed from literature but his naive illusions will be shattered by the ruthless realities of money and power.

Sweat (1929) is a slapstick riff on tendency-film themes, as a bored young millionaire has his clothes stolen by a tramp; dressed in the tramp’s clothes, he has to accept work as a labourer. As the hero ends up building the mausoleum he had himself commissioned.

A series of mysterious robberies at gas stations across Tokyo and a seasoned detective with no leads—until his runaway son suddenly emerges as a suspect.

Private eye Bannai Tarao (Chiezo Kataoka) and his assistant Masako (Chizuru Kitagawa) investigate the mysterious murder of a baseball player who was killed in the middle of a game.

A sad love film where the action takes place in Kyoto, in a trading house. Considered a lost film.