An emotionally desperate investment banker finds hope through a woman he meets.
The publicist Henri Michelin is looking for a new star for the review of Eden, a music hall led by Bendix.
An emotionally desperate investment banker finds hope through a woman he meets.
A high school girl encounters a variety of kookie characters and humorous sexual situations while searching for the meaning of life.
From his poor childhood to his rise to fame, from his triumphs to his failures, from Paris to New York, discover the exceptional journey of an artist. Intimate, intense, fragile and indestructible, devoted to his art until the very end, here is one of the most immortal singers of all time: MONSIEUR AZNAVOUR.
In the third and final episode of the trilogy, Fantômas imposes a head tax on the rich, threatening to kill those who do not comply.
Two unlikely companions must smuggle four suitcases filled with contraband pork across Nazi-occupied Paris.
A home, a motorcar, servants, the latest fashions: the most eligible and most finicky bachelor in Paris offers them all to Gigi. But she, who's gone from girlish gawkishness to cultured glamour before our eyes, yearns for that wonderful something money can't buy.
Brigitte, the beautiful daughter of the French premier, falls for one of her father's aides, the womanising Michel, and attempts to get him to settle down with her. However, as Michel can't curb his flirtations with other women, Brigitte makes a play to seduce the married Prince Charles, resulting in a battle of wills between the gorgeous girl of privilege and her beau.
Accused of dealing in counterfeit, Paul entrusts his daughter Brigitte to the care of a friend, Jean Clary. The girl, a walking catastrophe, finally wins Jean's heart. They unmask the forgers, clearing Paul's name and can now concentrate on their love.
The film consists of three novels. The film begins with the fact that the Bernard Blier hero removes a lantern from the entrance to a brothel. The second part is about how the lantern and jewelery were stolen from a young baroness. And in the third part the hero of Louis de Funes hangs a lantern at the entrance to his house.
The Martin family is shopping in a department store. Tiennot is responsible for looking after his little brother, Bébert, but he prefers to chase girls. On the train home, Tiennot leaves Bébert alone. On arrival, Bébert has disappeared. The Martin family sets out to find him.
Prosecutor Maillard can rejoice: he has just obtained the death sentence of an accused accused of murder. It is the third head he gets at the assizes. There followed an evening of rejoicing with his wife and friends, including the prosecutor Bertolier. The latter's wife is Maillard's mistress. The lovers left alone, the condemned man, Valorin, burst into the room. He managed to escape during his transfer to the remand center. Valorin immediately recognized Bertolier's wife. And for good reason: at the time of the crime, they were together in a brothel. Stunned by the miscarriage of justice he has just committed, Maillard then tries to rehabilitate Vallorin while trying to avoid a scandal in the judiciary. He then calls Bertolier to the rescue. Valorin is opportunely killed "accidentally" and ... everything will go back to "order".
A woman, believed to be the widow of a certain Edouard, finds herself urged to reveal to her 3 children some very embarrassing news, but not without importance. The many consequences that result will not disturb their respective betrothal.
A celebrated singer in Paris meets a young woman and courts her by pretending to be a driving instructor.
Parigi O Cara is probably the most camp in the history of Italian cinema, certainly a favourite with the queer community who quote its lines by heart. Unique as it's the only film where Franca Valeri (now 90) is the unquestioned star, in the role of Delia, a snobbish, stingy prostitute who is moving to Paris looking for greener and more lucrative pastures. An anti-neorealist, amoral, almost abstract comedy, which anticipates Almodóvar, a ferocious, though gentle, non-moralistic portrayal of the 60's boom and its broken dreams. The dialogue between Delia and her brother (played by Fiorenzo Fiorentini), when he does (or does not) tell her he is a homosexual, is memorable, a primordial coming-out, a masterpiece of allusions. But what makes it one of the first examples of a film with a "gay point of view" is the approach: perceptive, non-conformist, caustically witty. A film ahead of its times, still unbeaten.
During a stopover in Aden, a charming actress is kidnapped by an Arab prince.
An uncle in America wants to endow his nieces with a dowry, provided they succeed in making a name for themselves one night at the Moulin Rouge, where one of them is already performing. Everyone's pulling out all the stops to help the girls put on an act, dupe the theater manager and win the dowry - which will be doubled if they manage to marry, as their uncle is marrying the star of the show.
In 1939, in a maternity ward, a young man visits his mistress who has just given birth to a little girl. He tells her that he is married and that for him the outcome of this adventure was not really planned. The mobilization separates them but the young man will end up divorcing and with the relentless help of a friend, will find his mistress and his child and will be able to marry her in spite of the chaos of the war.
A French-language remake of Douglas Sirk's "The Court Concert" (1936).
Sergeant Jacques Destranges randomly finds a little friend from the summer. She runs an inn where the company finds good wine and songs. Jacques makes plans for the future with her while his companions relive their peacetime memories.
Roland Lasserre is a shy boy, which would be nothing if he weren't also prone to the violent tantrums that have earned him his nickname "Soupe au lait". It's when Francine announces her engagement that he decides to declare his love for her. Francine is not at all keen on the husband her parents are forcing on her - a wealthy record manufacturer - but she gives in under their pressure and asks Roland to give her up. But fate has other plans. A car accident provokes the young man's anger, and with Francine on board, he chases after the hit-and-run driver and ends up in a ditch, luckily undamaged, 50 km from Paris. Torrential rain, lack of transport, welcoming hostelry. All Roland and Francine have to do is confess their guilt, and for the sake of honor, get married... All would be well were it not for René, the neglected fiancé, who provokes "Soupe au lait" and triggers a scandal during the ceremony.
Adam Sandler takes his comical musical musings back out on the road, from comedy clubs to concert halls to one very unsuspecting subway station.
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