Parade in 7 Nights

Tom Ripley is a talented mimic, moocher, forger and all-around criminal improviser; but there's more to Tom Ripley than even he can guess.

A fairy godmother helps a princess disguise herself so she won't have to marry her father.

Outlaw sisters in the old West inherit a ranch and try to settle down and develop relationships with neighboring family of lots of brothers.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

An ornithologist mistaken for an explosives expert is sent alone into a small French town during WWI to investigate a garbled report from the resistance about a bomb which the departing Germans have set to blow up a weapons cache.

Seven directors each dramatize one of the seven deadly sins in a short film. In "Anger," a domestic argument over a fly in the Sunday soup escalates into nuclear war. In "Sloth," a movie star would rather pay someone to tie his shoe than bend over to do it himself, and he can't be bothered to accept a starlet's sexual favors. In "Gluttony," a peasant family on its way to the funeral of a relative who died from indigestion stops regularly to eat and drink en route, arriving in time to eat some more. In "Greed," a high-class prostitute refunds the price of a cadet's lottery ticket. In "Pride," an unfaithful wife finds reason to reform. And so on through lust and envy.

Witty narration follows the history of Versailles Palace; founded by Louis XIII, enlarged by autocratic Louis XIV, whose personal affairs and amours, and those of his two successors, are pursued in more detail to the start of the Revolution, after which the story is brought rapidly up to date.

The film follows the life of Napoleon from his early life in Corsica to his death at Saint Helena. The film is notable for its use of location shooting for numerous scenes, especially at the French estates of Malmaison and Fontainebleau, the Palace of Versailles, and sites of Napoleonic battles including Austerlitz and Waterloo.

In France during World War I, Marthe waits for her husband, Jacques, while he fights on the front lines. Marthe then begins a tempestuous affair with 17-year-old François, with whom she had a dalliance before marrying Jacques. Jealous François struggles with the fact that Marthe is married, while she tries to prove her devotion to her young, hotheaded lover. Things become even more complex when Marthe becomes pregnant with Jacques' baby.

The film consists of seven roughly 15 minute episodes, each showing what will happen if one or more of the Ten Commandments will be broken: Jérome Chambard is warned that he will lose his job if he continues to swear; Françoise Beaufort enamored of a stripper calls on her only to find her married to a janitor who doesn't know what kind of dancing his wife performs; Denis, a Jesuit novice, leaves the order to avenge his sister's suicide, which was provoked by Garigny, who seduced her into prostitution and drug addiction; Philip buys a necklace for Micheline though he is bored with her; a young man find out that his real mother is not Madeleine, but actress Clarisse Ardant; Didier Marin, cashier of a bank, was fired by his boss; the Devil appears as a serpent for Jérome Chambard and the bishop are eating.

In the German-occupied Paris, Helene is torn between the love for her boyfriend Jean, working for the resistance and the German administrator Bergmann, who will do anything to gain her affection.

Napoleon Bonaparte crowns himself emperor and fights the English, Austrians and Russians in 1802.

Adapted from the novel L'Argent by Émile Zola, the film portrays the world of banking and the stock market in Paris in the 1920s.

At the end of the 15th century, a man and a woman, posing as traveling minstrels, are sent by the Devil to a castle to seduce its inhabitants.

After committing a murder, a man locks himself in his apartment and recollects the events that led him to the killing.

In pre-World Ward I in Paris, a budding artist, Pierre LeBlanc, falls in love and marries Janine, a dressmaker's assistant. Pierre has a flair for designing clothes, and he and his bride live in a blissful paradise, until the war breaks out and he becomes a soldier. Janine dies in childbirth and, no longer desiring to live, Pierre volunteers for a dangerous patrol behind German lines. While recuperating in the hospital from a wound he received on the mission, Pierre spends his time drawing sketches of dresses. He becomes rich and famous after the war. Years later, after devoting himself to his daughter, Pierre seeks a marriage with a girl no older than his daughter. A conflict develops and to ensure his daughter's happiness, Pierre sacrifices his own plans.

Mild-mannered novelist of Western fiction, Amédée Lange, and his colleagues take over a publishing house after their exploitative boss disappears, only for the superior to return and try to reclaim the profits from their successful cooperative.

Dora Nelson, a famous actress, leaves both her husband Philippe de Moreuil and the role she was playing in a movie directed by Nivert, to follow her lover Santini in Italy. But she soon realizes that Santini deceives her with a girl named Elsa. In vexation she decides to return to her husband and to her career. Unfortunately for her, Suzanne Verdier, a little working girl, has in the meantime replaced her not only in the film she had left unfinished but in her husband's heart as well. Dora eventually understands she must step aside.

Adrienne Lecouvreur is an acclaimed actress who falls in love with Polish prince Maurice de Saxe, only to be poisoned by a jealous rival while Maurice is away at war. The film was a co-production between the two countries, and was made at UFA's Berlin Studios. It was based on the 1849 play Adrienne Lecouvreur by Eugène Scribe and Ernest Legouvé about the life of the eighteenth century actress Adrienne Lecouvreur.

In the village of Sableuse, the local manor has been bought out by a nouveau riche, Emile Cousinet. When his wife Lisette, a former music hall actress, flees to Paris with young Pierre de Sableuse, Cousinet asks Father Pellegrin, the village vicar, to bring the lost sheep back home.

A colonel decided to be represented at the regiment festival of a tragedy in verse by the poem written by his sister.

A young man comes back to his hometown to be confronted with a bourgeois obnoxious family who has always despised his - now dead - parents because they were music hall artists, "entertainers". But because he's the sole legatee of an uncle's fortune, his relatives become friendly with him... at least for a while.

A wealthy banker who takes his accountant's name after multiple incidents is forced to pass off his girlfriend as his daughter. But the truth is coming out. The banker's wife then favors the marriage of the young girl, which creates a new intimacy in her household.

In the elevator of two large Parisian buildings, a telegraph operator discovers the body of an elderly woman, Madame Mathieu, the owner of both buildings. Boucheron, the local superintendent, is dispatched to investigate, along with his rival, Inspector Lambert of the "Sûreté". To solve the enigma, they scour staircases and corridors, visiting every floor of both buildings, courtyard and facade. Their gruff rivalry allows them to complement each other in discovering who committed the crime among a gallery of characters, humble or rich, who all have something to be ashamed of... A rare, fast-paced, picturesque comedy set against the backdrop of a police mystery.

King John IV of Cerdania, who knows monarchs are a vanishing race but who plays his royalty role in state council or boudoir to the hilt, is in Paris to sign a treaty, and becomes enmeshed in intrigue with an actress, Therese Mannix and involved in a bit of cuckoldry with YouYou Bourdier, the ex-seamstress wife of a French senator, who is un-awed by money, power or the King's kisses. For his part, her husband, Senator Bourdier, is glad to use his wealth, wife and collectivist ideals for social position, in spite of his democratic posing.

Miquette is a young woman whose beauty and vivacity increase the clientele of her mother's tobacco shop. A Barrymoresque actor believes that Miquette has star potential, but he hasn't sufficient capital to finance her theatrical debut. He manages to get the money by practicing a bit of genteel blackmail on an aging marquis who has romantic designs on the heroine.

Jules Vachon, a pharmacist, has two sons, Gabriel, a steady-minded young man dedicated to his job in the pharmacy, and Gaston, a good for nothing whose only talent is to seduce rich women and take money from their pockets. But it is Gaston who is hailed as a great man when he returns to his native village thanks to his deep pockets.

A man of integrity, Monsieur Pic is the accountant beyond reproach of the Banque Universelle. He would not dream of doing anything wrong and everybody knows it. He is therefore justly indignant when a wealthy woman offers him the position of administrator in the whorehouse she is opening soon. But only fools never change their minds and if Monsieur Pic finally accepts the position in the house across the Banque Universelle, he has three good reasons for that: first he does not get the promotion he deserved ; second, his son Albert is hired by Madame Anna as a decorator ; third, Hortense, his daughter has expressed the wish to "work" there too. The good point is that, once in the place, Pic will be rewarded for what he is worth. Even more important, the unfortunate father will be able there to keep a close eye on his two wayward children and protect them from temptation.

Nine Bachelors is a 1939 French comedy film directed by Sacha Guitry and starring Guitry, Max Dearly and Elvire Popesco.[1] An opportunist dreams up a new scheme to make money when the French government passes a law forbidding foreigners from living in France. It's French title is Ils étaient neuf célibataires.

The rise of a crooked employee of a bank and the attempt of a former co-worker to bring him down.

A husband who has just cheated on his wife returns home in the early morning, puzzled. He finds there, without knowing it, the lover of his wife, to whom he confesses his infidelity.

Cambo, a banker, has been in trouble since a certain Parizot has tried to extort stocks from him. Following the advice of his friend Quincampoix, Cambo decides to trade places with Bardac, a painter, who happens to be his lookalike. Bardac slips into Cambo's shoes with delight although he does not really live up to his task. But Cambo, who manages to ruin Parizot, makes a 100% profit on the situation. There are of course some misunderstandings when one man is mistaken for the other, notably as concerns Lulu and Geneviève, respectively Bardac's and Cambo's sweethearts, but things finally return to their initial state.

Catherine Vidal is a featherbrained wife who imagines that her husband cheats on her. To wash away the alleged stigma, Catherine hires a young man who will pose as her lover. The (double) trouble is that not only is Catherine's husband innocent but that Catherine and her "employee" fall in love for good as well.

Count Hubert de Latour Latour is the lover of the Duchess de Maulévrier. The day he is surprised by the Duke in the company of his wife and... in a rather compromising situation, Hubert resorts to a subterfuge, claiming that he has come to see the Duchess to seek support to be elected at the Institut de France, whose chairman is precisely her husband. The latter takes him at his word and Hubert becomes... a member of the French Academy! Which just shows that everything leads to everything.

A group of Nobel laureates descends on Stockholm to accept their awards. Among them is American novelist Andrew Craig, a former literary luminary now writing pulp detective stories to earn a living. Craig, who is infamous for his drinking and womanizing, formulates a wild theory that physics prize winner Dr. Max Stratman has been replaced by an impostor, embroiling Craig and his chaperone in a Cold War kidnapping plot.

Discovering his wife's relationship with a middle-class snob, a husband tries his best to break this relationship by the seducer himself and ends up leaving with his wife for another wedding night in Venice.

Eusèbe Bonbonneau, a solicitor's clerk, learns one day that a candidate bearing his name runs for election as a member of parliament. In fact Frazier, a crooked businessman, has urged an accomplice to impersonate Eusèbe, in order to obtain, through this straw man, authorizations for the creation of a casino in Sanceau-les-Nains and to make big money out of it. Eusébe decides to go to Paris to investigate. In the capital he meets Mariska, an exuberant actress who encourages him to try to get elected. As a result, thanks to her the true Bonbonneau becomes a member of parliament and the crook's accomplice is arrested. But Frazier is not impressed and, changing tactics, he starts manipulating Eusèbe.

In a film studio, several actors are the victims of attempted murders. Julien Brisseau, a writer, decides to use these facts as the backbone of his new novel. But while he is working on his detective story, young actors are actually killed. Julien thence gets suspected by police inspector Vétillard. To clear his name, Julien undertakes to investigate and find the killer on his own.

This murder mystery is set in a Parisian cafe and examines the mysterious murder of a famed journalist and extortionist who is killed at his table in the cafe. Though the prime suspects are gathered together( including his wife and her lover, the gun-runner, the creditor, and a playboy) and all of them have motives, none of them did it. So whodunit?

Ginette, a Parisian seamstress, lives poorly but happily with her musician lover. When Count la Ferronnière offers to teach her the manners and behaviours that will open her the doors to a richer world, she quickly chooses wealth over love.

When he finds a package in the metro, given this period of restrictions, Mr. Truche thinks it may be a good deal, he takes it home but discovers a woman's head inside. A friend of Mr. Truche having just disappeared, the superintendent accuses her of having murdered her and discovers the head buried in his cellar. But the girlfriend, whom Mr. Truche loves platonically, returns from the countryside and at the same time we spot the assassin of the unknown woman.

For Les étoiles ne meurent jamais, director/archivist Max De Vaucorbeil has assembled precious film clips of such Gallic greats as Louis Jouvet, Raimu, Harry Baur, Louis Salou and Marguerite Moreno. Francois Perier's narration links the various vignettes together. In its own way, Les Etoiles ne Maurent Jamais can be seen as a precursor to those now-ubiquitous "tributes" on such cable services as American Movie Classics and Turner Classic Movies.