Narsingh, a North Indian taxi driver, attempts to reinvent his life by visiting his native place, but instead gets embroiled in a local Marwari businessman's smuggling and human trafficking business.
Pankhiraj is a 1979 Bengali language Indian drama film directed by Pijush Basu, starring Uttam Kumar, Soumitra Chatterjee, Nandita Bose, Samit Bhanja, and Utpal Dutta.
Narsingh, a North Indian taxi driver, attempts to reinvent his life by visiting his native place, but instead gets embroiled in a local Marwari businessman's smuggling and human trafficking business.
Allan is an engineer working in 1930s Calcutta. He is invited to stay with the family of his boss, Narendra Sen which includes his wife, Indira and daughter Gayatri. Gayatri and Allan become romantically involved leading to tragedy.
A well-off family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle class perspective on the world.
Apu, now a jobless ex-student dreaming vaguely of a future as a writer, is invited to join an old college friend on a trip up-country to a village wedding.
In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.
Ashoke Gupta is an idealistic doctor working in a town near Calcutta. He discovers that the water at a popular temple is the source of an outbreak of typhoid and hepatitis. In order to save lives, he risks his career to try and call attention to this polluted water source, while a local group of building contractors attempt to discredit him in various ways.
A powerful industrialist and a celebrated singer seem to have the perfect marriage until an ambitious young actress enters their lives. As past feelings, misunderstandings, and public scrutiny begin to test their bond, the couple must confront the fragile balance between love, trust, and ambition.
An impoverished employee tries to prevent his superiors and employers from marrying his sweetheart.
Saaheb is the youngest of the four brothers and son of Badri Prasad Sharma. The film shows the problems faced by a middle-class Sharma family and how Saaheb (Sunil Sharma), although unemployed, gives the biggest sacrifice for his family and donates his kidneys to raise money for his sister's wedding.
A devout upper-class Hindu has a vision in a dream that his daughter-in-law is the human incarnation of the Goddess Kali and begins worshipping her.
Amitabha Roy is a Calcutta-based scriptwriter, driving around in the country to collect material for a film. His vehicle breaks down in a small town. A tea planter, Bimal Gupta, offers hospitality for the night. Amitabha is forced to accept the offer as he has no alternative.
When a wealthy patriarch falls ill on his 70th birthday, three of his sons rush in from Calcutta, leading to a reunion filled with painful ironies and lingering disillusionment. As the family—including an addled fourth son who lives with the old man—watches and waits, the static occasion brings out simmering tensions in their family dynamics, from the father’s moral rectitude to the business ambition of two sons and the withdrawal of their siblings.
The story of a family troupe of English actors who travel around the towns and villages in India giving performances of Shakespearean plays. Through their travels we see the changing face of India as the old is replaced by the new, Maharajas become hotel owners, sports become more important than culture and the theater is replaced by Bollywood movies. Based on the travels of Geoffrey Kendal with his daughter Felicity Kendal.
'Albert Pinto Ko Gussa Kyun Ata Hai' revolves around the Pintos and the people connected to them. There's Albert who's pretty much angry at everybody. His brother Dominic who thinks it's better to be jobless than to work an underpaid job, his patient sister Joan who works at a sari shop, his independent girlfriend Stella who feels under-appreciated by her boyfriend, his father and his colleagues, client and Stella's family. The film is very much a social commentary about Middle-class life in Bombay during the late ’70s and the conflicts arising in the labour force because workers were getting severely underpaid.
Sasanka grows depressed as his house and his career as a theater actor both crumble around him. When his cold-hearted, widowed sister-in-law Saraju arrives with her adorable young son Kanu, Sasanka's mood eventually changes. Kanu and Sasanka become fast friends as the youngster benefits from his uncle's wisdom and acting ability.
A middle-class family living a decent life suddenly comes across an unexpected luxury that costs them an unwanted change in their life.
A young doctor is introduced to a girl by his cousin, but he rejects her as a potential bride and she disappears one day, leaving only a garland of dried flowers behind.
An aged widow from a village moves to Calcutta to stay with relatives, but faces only exploitation. She moves to a slum, and finds her "own people" in a group of educated, unemployed youth, who are caught up inexorably in the prevalent political violence.
Ram and Balram are 2 young boys who live with their loving parents. Their scheming uncle, Jagatpal, however kills the boy's father and mother. Jagatpal lies to the boys that their parents have been killed in an accident and promises to raise them himself. He enrolls the younger brother Balram, in school and eventually sends him off to join the police force. The older becomes a mechanic. Jagatpal has a tight hold on the boys, even when Ram is an adult, he still gives all his wages to his uncle and is only allowed to keep a few rupees for pocket money.
A bright and idealistic young graduate steels himself for a dog-eat-dog world, only to flounder in a job market packed with thousands of other hopefuls. When he eventually decides to start his own business as a middle-man, he discovers that the world of business does not live up to his lofty ideals.
Four friends from Calcutta who have very different personalities make a holiday excursion into the country, to a tiny village in the state of Bihar where they set themselves up in a bungalow. A series of minor events, all connected to their respective reactions to their new environment, reveals their characters more deeply.
Arindam, a matinee idol, is going by train to collect an acting award. On the train, he is confronted by Aditi, a journalist who somewhat unwillingly starts to take his interview. Arindam, won over by Aditi's naivete, starts to disclose his past, his fears, and his secrets.
Kal Tumi Aleya’ is the story of rise of Dhirapada Chakroborty from his humble background to the post of general supervisor in Mr. Himanshu Mitra’s company. It’s his journey which shows his various relations with his neighbor whom he calls Sona boudi, Charu di who helps him get this job, Labanya Sarkar, the lady doctor of the company and Amit, Charu’s nephew. The film shows how he faces and handles different circumstances of life and business. It’s the story of Dhirpada’s journey in this delusionary world.
Raikamal narrates the story of Rai Kamal, a devotee of Lord Krishna. Rai Kamal and Ranjan are childhood sweethearts. When Ranjan grows up he wishes his desire to marry Rai but his parents are against this match as they are Brahmins and Rai Kamal was a low caste Vaishnav.
Another call on "I Married a Dead Man" but with a change- the family hated the DIL and didn't want her, but wanted the child, the heir. The woman and the child had been attacked and couldn't live apart. Aditya's grandparents mistake Kanak for being the other woman in his life and blame her for his death. Kanak develops a strong bond with Aditya's son and everyone accepts her in the family.
When the widower Sudhangsu is about to get married, a woman claiming to be his first wife tries to stop the wedding. However, Sudhangsu believes this woman is an imposter because he believes his wife has committed suicide.
Rakhal Das, a postal worker, is accused of murder and theft and imprisoned. However, his son takes it upon himself to prove his innocence and find the real culprit behind the controversy.
The violence and upheaval of Calcutta in the 1970s is focalized through a young man coming to the city to study.
The film features the characters from Satyajit Ray's Aranyer Din Ratri, returning to the forest over thirty years later. Ashim, Sanjoy, Harinath and Aparna have grown old in this film; Shekhar has died. They set out on a journey to break off every link with civilisation for a few days. However, the trip turns sour when Ashim and Aparna's daughter, Amrita, goes missing. It transpires that she is being held for ransom by local tribespeople. Police intervene and the kidnapped girl is returned to her parents, albeit against her own wishes.
Kabita, a middle-class working woman, looks after and tries to financially support her family. Soon, she sacrifices the love of her life for her widowed sister.
Sulekha, a lonely elderly woman, misses her son who lives in a different country but finds comfort in the company of her caretakers.
Set in 1920's during the British Raj, the film is about the breakdown of socio-economic structures, impact of industrialization and non-cooperation movement in rural Bengal.
An aimless young man who is scalping tickets, gambling and drinking, agrees to coach a Little League team from the Cabrini Green housing project in Chicago as a condition of getting a loan from a friend.
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A well-off family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle class perspective on the world.
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